Frills and Furbelows (Crespi, Valentina)

Sheet Music

• Scores and Parts (2)
• Arrangements and Transcriptions (0)
• Libretti (0)
• Other (0)
• Source Files (0)

Scores and Parts

 Piano-Conductor Score and Parts (small orchestra)
*#580258 - 1.26MB, 14 pp. -  0.0/10 2 4 6 8 10 (-) - C/V/C - 23×⇩ - Cypressdome

PDF scanned by US-COu
Cypressdome (2019/7/6)

Editor First edition Irénée Bergé, orchestration Publisher. Info. Berg's Concert Series, No.110 New York: S.M. Berg, 1917. Copyright Public Domain [tag/del] Misc. Notes Original images: ca.300dpi, color tif (from pdf) files approx. 2530 by 3450 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. This work was later re-issued as No.5 in the Belwin Concert Edition series. Purchase Javascript is required for this feature.

 Additional Parts (large orchestra)
*#858281 - 0.18MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - C/V/C - 5×⇩ - Cypressdome

PDF scanned by Grauman's Theatres Score Collection
Cypressdome (2023/6/8)

Editor First edition Irénée Bergé, orchestration Publisher. Info. Berg's Concert Series, No.110 New York: S.M. Berg, 1917. Copyright Public Domain [tag/del] Misc. Notes Original images: ca.400dpi, color tif (from pdf) files approx. 3535 by 4840 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. Includes: oboe, second clarinet, bassoon, horns. Purchase Javascript is required for this feature.

General Information

Navigation etc.

The composer is identified as "Fanchette-Crespi" on the first edition which would imply either a composer with a hyphenated surname or a joint composition by two authors. The work's entry in the Catalog of Copyright Entries lists the following: "by Fanchette Crespi (nom de plume)." S.M. Berg published two other works by Valentina Crespi (under her real name) in 1917. No composer with the surname of Fanchette has been found. This composition is being identified as the work of Valentina Crespi until contrary evidence surfaces.

It appears that S.M. Berg did not issue a piano solo version so the original instrumentation is being listed as theater orchestra despite the 1917 edition being an arrangement by Bergé.