Performances
Sheet Music
Scores
1st version
Editor
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Imre Mező (1932–) Imre Sulyok (1912–2008)
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Publisher. Info.
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Neue Liszt-Ausgabe, Serie 2, Band 1 Budapest: Editio Musica, 1990. Plate Z.8766. URTEXT EDITION
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Copyright
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Misc. Notes
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scan: score scanned at 600dpi (High Quality Scanning)URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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2nd version
3rd version
Editor
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Imre Mező (1932–) Imre Sulyok (1912–2008)
|
Publisher. Info.
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Neue Liszt-Ausgabe, Serie 2, Band 1 Budapest: Editio Musica, 1990. Plate Z.8766. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Copyright
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Misc. Notes
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scan: score scanned at 600dpi (High Quality Scanning)URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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General Information
Work Title
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Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber
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Alternative. Title
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Souvenir de La fiancée
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Composer
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Liszt, Franz
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Opus/Catalogue NumberOp./Cat. No.
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S.385/1 ; LW.A12a/1 ; Op.1 (1st version) S.385/2 ; LW.A12a/2 ; Op.1 (2nd version) S.385/3 ; LW.A12a/3 (3rd version)
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I-Catalogue NumberI-Cat. No.
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IFL 143
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Key
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A major
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Movements/SectionsMov'ts/Sec's
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1 piece
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Year/Date of CompositionY/D of Comp.
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1829 (1st version) 1839? (2nd version) 1842? (3rd version)
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First Publication.
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1829 (1st version) 1839 (2nd version) 1842/43 (3rd version)
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Composer Time PeriodComp. Period
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Romantic
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Piece Style
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Romantic
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Instrumentation
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piano
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Related Works
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Based on La fiancée by Auber
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Navigation etc.
Version History
- Composed for solo piano, 1829, as Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber (= 1st version, S.385/1), based on the theme "Montagnard ou berger" from the opera La fiancée by Daniel François Esprit Auber
- Published 1829 by Troupenas (Paris)
- Revised 1839? (= 2nd version, S.385/2)
- Published 1839 by Troupenas (Paris) and Mechetti (Vienna)
- Revised 1842? as Souvenir de La fiancée (= 3rd version, S.385/3)
- Published 1843 by Schuberth & Co. (Hamburg / Lepizig)
The same theme was also used by Liszt in Tyrolean Melody, S.385a