Historical Publication Info
La France musicale cover (1845)
History
The firm was founded in 1842 by the brothers Escudier, Marie-Pierre-Yves (1819-1880) and Léon (1821-1881). Having founded La France musicale in 1837, the publishing firm developed as a natural outgrowth; before founding their own firm, the periodical included issues from Troupenas and Richault as "bonus" material. Around May 1842, the Escudiers switched to their own issues; by October, they had passed plate #100. By 1853, Marie dropped out of the business, and the imprint used from then on was the name of Léon exclusively. In 1860, Marie formally split, taking La France musicale with him. Léon started L'art musical in the meantime. It was eventually sold to Girod, but stopped publication in 1894, having been sold again to Leduc.
The Escudier firm, like their journal, was mainly concerned with publications of operas, including the first edition of Don Pasquale in 1843. In 1844, piano works of Alkan, Liszt and Franck were added to the catalogue, as well as a vocal score of I Lombardi. The firm eventually published 20 operas in full score, no mean feat in that time. All of Verdi's works were included in the catalogue, at least supposedly. The plate numbers extended to over 3600. Verdi and the journals were its most significant contributions. They helped crown Verdi as the king of Italian opera in Europe.
The brothers Escudier were well-educated and knew a great deal about music; in 1844, they published a Dictionnaire de la Musique which was of great usefulness, accomplishing a function not examined since Brossard and Rousseau. Other books included a biography of Rossini. In 1882, after Léon died, the firm was sold to Heugel.
Editions
Imprints, Agencies, Addresses
- La France musicale, 1837-1843
- 38, Rue Lafitte, 1837-March 4, 1838
- 14, Rue de Provence, March 4, 1838-November 20, 1838
- 20, Rue de la Victoire, November 20, 1838-July 15, 1839
- 6, Rue Neuve St. Marc, July 15, 1839-October 5, 1843
- Magasin de Musique, May 1843-October 1843
- Bureau Central de la Musique, 1843-1853
- 29, Place de la Bourse, October 5, 1843-[March 1848-January 1849]
- 8, Rue Favart, [March 1848-January 1849]-November 27, 1853
- Léon Escudier, 1853-1882
- 21, Rue Choiseul, November 27, 1853-February 5, 1882
Plate Numbers
Plate F.M.
Plate B.C.
Plate |
Composer |
Work |
Year
|
453 |
Prudent |
Souvenirs de Schubert, Op.14 |
1844
|
501 |
Donizetti |
Dom Sébastien (parts) |
1843
|
502 |
Donizetti |
Dom Sébastien (vocal score) |
1843
|
544 |
Adam |
Cagliostro (complete score) |
|
641 |
Artôt |
Grande fantaisie sur l'hymne national russe |
|
648 |
Alkan |
Grande fantaisie sur Don Juan, Op.26 |
1845
|
675 |
Artôt |
Grande Fantaisie de Concert, Op.16 |
|
694 |
David |
Le désert (vocal score) |
1845
|
714-719 |
David |
Les brises d'Orient |
1845
|
725 |
David |
Rêverie du soir |
1845
|
729-740 |
David |
Les quatre saisons (parts) |
1845
|
758 |
Kontski |
Les Reflets de mon pays, Op.85 |
1845
|
760 |
Forgues |
Souvenir et Regrets |
1845
|
768 |
Adam |
Le diable à quatre (Mazurka arr. by J. Herz) |
1845
|
811 |
Verdi |
Ernani (arr. for piano solo by composer) |
|
891 |
Prudent |
Séguidille, Op.25 |
1846
|
913 |
Rosellen |
Fantaisie sur le ballet Paquita, Op.84 |
|
1001 |
Clapisson |
Gibby la cornemuse (vocal score) |
|
1026 |
Verdi |
I due Foscari (vocal score) |
|
1027 |
Verdi |
Macbeth (vocal score) |
|
1040 |
Costa |
Alma (Deux quadrilles arr.) |
|
1108 |
Thomas |
Le caïd (vocal score) |
1849
|
1112 |
Gottschalk |
Bamboula, Op.2 |
|
1137 |
Gottschalk |
Ossian, Op.4 |
1850
|
1145 |
Gottschalk |
Le Songe d’une nuit d’été, Op.9 |
|
1193 |
Mennechet de Barival |
6 Études poétiques |
1851
|
1224 |
Thomas |
Raymond (vocal score) |
|
1225 |
Thomas |
Raymond (overture full score) |
|
1256 |
Verdi |
Jérusalem (vocal score) |
|
1266 |
Forgues |
Grande tarentelle de concert, Op.6 |
1852
|
1299 |
Gounod |
Ulysse (vocal score) |
1852
|
1352 |
Mennechet de Barival |
Portrait |
1853
|
1370 |
Thomas |
La Tonelli |
1853
|
1380 |
Adam |
Le roi des halles (Valse, arr. pf) |
1853
|
1406 |
Marmontel |
Napolitana, Op.39 |
1854
|
Plate L.E.
Plate |
Composer |
Work |
Year
|
1566 |
Offenbach |
Ba-ta-clan (vocal score) |
1856
|
1570 |
Billema |
Polka sur 'Ba-ta-clan' |
1856
|
1586 |
Tulou |
Fantaisie sur 'Il Trovatore', Op.105 |
1856
|
1632 |
Ascher |
Grand caprice de concert sur 'La Traviata', Op.60 |
1857
|
1790 |
Prudent |
Quatuor de Rigoletto arr., Op.61 |
1861
|
1863 |
Prudent |
Chant du lac tranquille, Op.58 |
1860
|
1919 |
Gastinel |
Titus et Bérénice (vocal score) |
1860
|
1920 |
Cohen |
Prière a la Madone |
1861
|
1940 |
Marmontel |
Speranza, Op.48 |
1860
|
1959 |
Prudent |
Etudes-Lieder, Op.60 |
[1860]
|
1982 |
Arban |
Polka sur 'Un ballo in maschera' |
1861
|
2221 |
Poniatowski |
L'aventurier (vocal score) |
1870
|
2239–44 |
Arban |
14 Fantaisies sur les opéras de Verdi (1-6) |
1863
|
2248 |
Prudent |
Les trois rêves, Op.67 (arr. solo piano) |
1863
|
2250 |
Rummel |
Préludes mélodiques |
1863
|
2253 |
Sivori |
Fantaisie sur 'Un ballo in maschera', Op.19 |
1863
|
2408 |
Ketterer |
Nuit d'Orient, Op.161 |
1865
|
2447 |
Ketterer |
Valse fantastique sur 'Macbeth', Op.168 |
(1865)
|
2542 |
Ketterer |
Marche arménienne, Op.183 |
(1865)
|
2754 |
Marmontel |
3 Rêveries, Op.95 |
1867
|
2806–09 |
Rummel |
6 Récréations faciles sur des motifs de 'Don Carlos' (Nos.1-4) |
1868
|
2813–14 |
Rummel |
6 Récréations faciles sur des motifs de 'Don Carlos' (Nos.5 & 6) |
1868
|
2828 |
Bazin |
À Laudes |
1867
|
2830 |
Godefroid |
Illustration sur 'La traviata', Op.145 |
1867
|
2835 |
Wolff |
Don Carlos, Op.280 |
1867
|
2884–86 |
Auber |
Le premier jour de bonheur (arrangements) |
1868
|
2906–07 |
Auber |
Le premier jour de bonheur (full score/parts) |
1868
|
2944 |
Cohen |
2 Romances sans paroles |
1869
|
2946 |
Mohr |
Méthode de premier et second cor |
|
2969 |
Auber |
Le premier jour de bonheur (arr. piano 4 hands) |
1869
|
2971 |
Lhuillier |
Le cotillon |
1869
|
3110 |
Berthelier |
Le gendre et le beau père |
1870
|
3116 |
Poise |
Les deux billets (vocal score) |
1870
|
3122 |
Lamotte |
Quadrille sur 'Les brigands', Op.740 |
1870
|
3130 |
Reichardt |
Reine des fleurs |
1870
|
3137 |
Bazin |
Athalie |
1870
|
3170 |
Cohen |
Traité élémentaire et facile de contrepoint et de fugue |
1872
|
3175 |
Bazzoni |
Farfalla |
1872
|
3187 |
Bazin |
Venise! |
1872
|
3219 |
Cœdès |
Une drôle de soirée |
1872
|
3220 |
Gruber |
La musique au salon |
1872
|
3236 |
Wolff |
Les diablotines |
1872
|
3250 |
Arban |
Polka sur 'Madame Turlupin' (arr. piano) |
1873
|
3285 |
Magnus |
Souvenir sur 'Messe de Requiem' de G. Verdi, Op.164 |
1874
|
3320 |
Delibes |
Le roi l'a dit (f.s.) |
1874
|
3333 |
Arban |
Quadrille sur 'Le roi l'a dit' (arr. piano) |
1873
|
3335 |
Marx |
Les soirées du jardin Mabille (arr. piano) |
1873
|
3336 |
Marx |
Casino-polka (arr. piano) |
1873
|
3337 |
Marx |
Les adieux (arr. piano) |
1873
|
3338 |
Cœdès |
Valse humoristique sur 'Une drôle de soirée' (arr. piano) |
1873
|
3340 |
Wolff |
Souvenir d'Auvergne, Op.316 |
1874
|
3343 |
Dufils |
Caquet-polka (arr. piano) |
1873
|
3362 |
Miramont-Tréogate |
Le banquiste |
1874
|
3373 |
Gouzien |
La jonque des amants |
1874
|
3383 |
Villate |
Le rêve d'un ange |
1874
|
3404 |
Cohen |
Traité d'harmonie (2nd edition) |
1875
|
3428 |
Gandon |
Le chef d'orchestre |
1875
|
3430 |
Berthelier |
Calino valet de chambre |
1875
|
3448 |
Cohen |
Les principes de la musique |
1875
|
3451 |
Lhuillier |
Le discret |
1875
|
3452 |
Schatté |
Le troisième larron |
1875
|
3522 |
Villate |
Le petit mousse |
1877
|
3524 |
Leybach |
Luisa Miller Fantaisie brillante, Op.201 |
1877
|
3526 |
Villate |
Zilia (v.s.) |
1877
|
3532–43 |
Rey |
Soirées du midi |
1875
|
3562 |
Villate |
Je t'écoutais |
1875
|
3566 |
Rey |
Au port (v.s.) |
1875
|
3568–73 |
Rey |
6 Fables |
1876
|
3575 |
Berthelier |
Ce qu'on dit et ce qu'on pense |
1879
|
3576 |
Clairville |
Les jeux innocents de la famille Gigomard |
1879
|
3577 |
Miramont-Tréogate |
Les superstitions |
1879
|
3578 |
Miramont-Tréogate |
Je suis papa depuis ce matin |
1879
|
3580 |
Villate |
Donnez enfants |
1875
|
3596 |
Wolff |
Dernier soupir, Op.325 |
1876
|
3598 |
Marmontel |
Scherzetto No.2, Op.123 |
1876
|
3604 |
Battmann |
Marche des trompettes de 'Aïda' |
1880
|
5398 |
Verdi |
Requiem (Selections, arr. Adolphe Herman) |
1874
|
Sources Consulted
- 1. The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie.
- New York and London: Macmillan Publications, 1980.
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