12 Preludes and Voluntaries, Book 1 (Blessner, Gustav)

Movements/SectionsMov'ts/Sec's 12
First Publication 1846 – Boston: W.H. Oakes
Genre Categories Preludes; Voluntaries; For organ; Scores featuring the organ; For 1 player

Sheet Music

Scores

Complete

 Complete Score
#182605 - 2.21MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1319×⇩ - Schissel

PDF scanned by US-Wc
Schissel (2012/2/28)

Publisher. Info. Boston: W.H. Oakes, 1846.
Copyright
Public Domain [tag/del]
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Selections

 1. Adagio in F major
#402154 - 0.03MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 365×⇩ - Ronia

PDF typeset by Ronia
Ronia (2015/12/8)

 5. Religioso in E major (transposed to E-flat major)
#402155 - 0.03MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 252×⇩ - Ronia

PDF typeset by Ronia
Ronia (2015/12/8)

 12. Legato e affettuoso in F major
#402156 - 0.03MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 262×⇩ - Ronia

PDF typeset by Ronia
Ronia (2015/12/8)

Editor Ronia
Publisher. Info. Ronia
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del/mrg]
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General Information

Work Title 12 Preludes and Voluntaries, Book 1
Alternative. Title Preludes and Voluntaries, Book 1, for Organ or for Piano with Aeolian Attachment, to be used at Divine Service or for Private Study
Composer Blessner, Gustav
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 12 pieces
  1. Prelude: Adagio
  2. Interlude: Plaintif
  3. Air: Adagio (by Félicien David, harmonised by Blessner)
  4. Andante (Méhul, harmonised by Blessner)
  5. Religioso
  6. Largo. Molto sostenuto.
  7. Air: Andante con moto. (Méhul/Blessner)
  8. Grave.
  9. No tempo indication. ("Selected.")
  10. Largo.
  11. Andante. ("Selected.")
  12. Legato e affettuoso
First Publication. 1846 – Boston: W.H. Oakes
Dedication The Right Reverend D.S. Ives, D.D.
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation organ or aeolian-piano

Navigation etc.

Should probably add categories for Mehul and David, I guess, though I don't offhand know which works of theirs are used here...

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