2 Compositions for Cello and Piano, Op.54 (Friml, Rudolf)

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Sheet Music

Scores and Parts

Spanish Serenade (No.1)

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Mark.churchill (2024/8/1)

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Cypressdome (2016/9/18)

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Cypressdome (2016/9/18)

Editor First edition
Publisher. Info. New York: Schirmer, 1909. Plate 20801.
Copyright
Misc. Notes This file is part of the Sibley Mirroring Project. Originally uploaded to the U.S. server in 2011 by Schissel.
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Ballade (No.2)

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Mark.churchill (2024/8/1)

PDF scanned by US-R
Cypressdome (2016/9/18)

PDF scanned by US-R
Cypressdome (2016/9/18)

Editor First edition
Publisher. Info. New York: Schirmer, 1909. Plate 20839.
Copyright
Misc. Notes This file is part of the Sibley Mirroring Project. Originally uploaded to the U.S. server in 2011 by Schissel.
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General Information

Work Title 2 Compositions for Cello and Piano
Alternative. Title
Composer Friml, Rudolf
Opus/Catalogue NumberOp./Cat. No. Op.54
I-Catalogue NumberI-Cat. No. IRF 18
Key see below
Movements/SectionsMov'ts/Sec's 2 pieces:
  1. Spanish serenade (D major)
  2. Ballade (B major)
First Publication. 1909 – New York: G. Schirmer
Copyright Information Possibly public domain in EU and other 50-70 pma territories.
This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
Dedication see below
  1. to A.V. Čzerný (possibly Arnošt Julius Černý, 1857-1921)
  2. to Z. Gerardy.
Composer Time PeriodComp. Period Early 20th century
Piece Style Romantic
Instrumentation cello, piano
Extra Information *No.1 (Spanish serenade) arranged later for violin and piano by Louis Hintze, for orchestra by Gaston Borch, for military band by W. J. Duthoit; recorded in orchestral guise in 1980 or so and in other forms at other times. Rather popular I gather. Perhaps no.2 also. - Schissel