2 Part Songs, Op.22 (Foerster, Adolph Martin)

Sheet Music

Scores

PDF scanned by US-Pu
Cypressdome (2022/11/26)

PDF scanned by US-Pu
Cypressdome (2022/11/26)

Editor First edition
Language English / German (No.1); English (No.2)
Translator Oscar Weil, English text of No.1
Publisher. Info. Pittsburgh: H. Kleber & Bro., 1888.
Copyright
Misc. Notes Original images: ca.350dpi grayscale jpg files approx. 2090 by 3290 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. Source: Adolph M. Foerster Collection, 1868-1923 CAM.FOER.2015, Center for American Music, University of Pittsburgh Library System.
Purchase
Javascript is required for this feature.

PDF scanned by US-Pu
Cypressdome (2022/11/26)

Language English
Translator Oscar Weil, English text
Publisher. Info. Columbus: Fitzgerald Lith., 1887.
Copyright
Misc. Notes No publisher information--only that of the engraver. Original images: ca.350dpi grayscale jpg files approx. 3315 by 4180 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. Source: Adolph M. Foerster Collection, 1868-1923 CAM.FOER.2015, Center for American Music, University of Pittsburgh Library System.
Purchase
Javascript is required for this feature.

Javascript is required to submit files.

General Information

Work Title 2 Part Songs
Alternative. Title
Composer Foerster, Adolph Martin
Opus/Catalogue NumberOp./Cat. No. Op.22
I-Catalogue NumberI-Cat. No. IAF 21
Movements/SectionsMov'ts/Sec's 2 songs
  1. The Bedouin's Prayer (Gebet des Beduinen)
  2. June Song
Text Incipit see below
  1. Night enshrouds the vasty desert
  2. Oh, happy day refuse to go!
First Publication. 1888 – Pittsburgh: H. Kleber & Bro.
Librettist see below
  1. Karl Schäfer (1849–1915)
  2. Harriet Prescott Spofford
Language English / German (No.1); English (No.2)
Dedication see below
  1. To the Orpheus Club, Columbus Ohio
  2. To W.L. Blumenschein
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Voices: male chorus (TTBB) — No.1
mixed chorus (SATB) — No.2