4 Charmers for Violin and Cello (Sydeman, William Jay)

Movements/SectionsMov'ts/Sec's 4 movements
Composition Year 1982 ca.
Genre Categories Pieces; For violin, cello; Scores featuring the violin; Scores featuring the cello; For 2 players

Contents

Performances

Recordings

 1. Moderato
#493914 - 1.64MB - 1:12 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1987×⇩ - MP3 - Rickshinozaki

MP3 file (audio)
Rickshinozaki (2017/9/22)

 2. Allegro molto
#493915 - 0.92MB - 0:40 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1005×⇩ - MP3 - Rickshinozaki

MP3 file (audio)
Rickshinozaki (2017/9/22)

 3. Moderato (meno mosso)
#493916 - 1.44MB - 1:03 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 744×⇩ - MP3 - Rickshinozaki

MP3 file (audio)
Rickshinozaki (2017/9/22)

 4. Allegro
#493917 - 2.51MB - 1:49 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 674×⇩ - MP3 - Rickshinozaki

MP3 file (audio)
Rickshinozaki (2017/9/22)

Publisher Info. William Jay Sydeman
Performers Gloria Justen & Hannah Addario-Berry
Copyright
Creative Commons Attribution-NonCommercial-NoDerivs 4.0 [tag/del]
Misc. Notes Recorded 2011, San Francisco, CA
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Sheet Music

Scores

 Complete Score (Preview)
#493904 - 1.26MB, 11 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2931×⇩ - Rickshinozaki

PDF typeset by composer
Rickshinozaki (2017/9/22)

Publisher. Info. Arts Aeturnum Productions, 2012
Copyright
Performance Restricted Attribution-NonCommercial-NoDerivs 3.0 [tag/del]
Misc. Notes Edited by Gloria Justen and Hannah Addario-Berry
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General Information

Work Title Four Charmers for Violin and Cello
Alternative. Title
Composer Sydeman, William Jay
I-Catalogue NumberI-Cat. No. IWS 7
Movements/SectionsMov'ts/Sec's 4 movements:
1. Moderato
2. Allegro molto
3. Moderato (meno mosso)
4. Allegro
Year/Date of CompositionY/D of Comp. 1982 ca.
Average DurationAvg. Duration 4-5 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation violin, cello

Navigation etc.

The first movement is almost like a folk song... simple, straightforward and pretty, with the cello basically supporting the violin tune. The second movement has a dance-like character, still technically not demanding but with fluctuating meters that give it a somewhat quirky character. The third movement is derived from the material of the first movement, with more interplay between the instruments. The fourth movement is brusque and tricky, with much humor and a rollicking development of the material.

– W. Jay Sydeman

Note: Suitable for students and amateur musicians.

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