4 Mélodies, Op.20 (Grechaninov, Aleksandr)

Movements/SectionsMov'ts/Sec's	4 songs
Composition Year	1899
Genre Categories	Songs; For voice, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the piano; Russian language

Sheet Music

Complete Score
*#906543 - 8.32MB, 15 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/27 - 8×⇩ - Emiles Mern

PDF scanned by Unknown
Emiles Mern (2024/3/27)

Editor	First edition
Engraver	Leipzig: C.G. Röder.
Publisher. Info.	Leipzig: M.P. Belaieff, 1899. Plate 1966, 1967-1970.
Copyright	Public Domain - Non-PD EU [tag/del]
Purchase	Javascript is required for this feature.

PDF scanned by Jurabe
Jurabe (2012/10/21)

Engraver	Leipzig: C.G. Röder.
Language	Russian / French / German
Translator	Michel Dimitri Calvocoressi (1877-1944), French text J. von Lagin, German text
Publisher. Info.	Leipzig: M.P. Belaieff, 1912. Plate 1966.
Copyright	Public Domain - Non-PD EU [tag/del]
Purchase	Javascript is required for this feature.

3. Night
*#370206 - 0.18MB, 2 pp. - 0.0/10 2 4 6 8 10 (-) - C*/C*/27* - 123×⇩ - IgorCello

PDF scanned by Unknown
IgorCello (2015/3/21)

4. The Prisoner
*#370207 - 0.17MB, 3 pp. - 0.0/10 2 4 6 8 10 (-) - C*/C*/27* - 91×⇩ - IgorCello

PDF scanned by Unknown
IgorCello (2015/3/21)

Language	Russian
Publisher. Info.	Moscow: Muzyka, n.d.
Copyright	Public Domain - Non-PD EU [tag/del/mrg]
Purchase	Javascript is required for this feature.

Javascript is required to submit files.

Work Title	Quatre mélodies pour chant et piano
Alternative. Title	Четыре романсы
Composer	Grechaninov, Aleksandr
Opus/Catalogue NumberOp./Cat. No.	Op.20
I-Catalogue NumberI-Cat. No.	IAG 35
Movements/SectionsMov'ts/Sec's	4 songs: Вечер В темной чаще замолк соловей Ночь Узник
Year/Date of CompositionY/D of Comp.	1899
First Publication.	1899
Librettist	see below: 1. Dmitry Merezhkovsky (1866–1941) 2. Ivan Nikitin (1824–1851) 3-4. Aleksandr Pushkin (1799–1837)
Language	Russian
Dedication	J.A. Melnikoff
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	voice, piano

Part of Kostia Konstantinoff's weather beaten archives which explains the low quality