4 Movements for Violin and Cello, O.117 (Verotta, Davide)

Movements/SectionsMov'ts/Sec's	4 movements
Composition Year	2024

Performances

1. = 132
*#931446 - 7.26MB - 5:14 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 15×⇩ - MP3 - Davide Verotta

2. = 74
*#931447 - 3.08MB - 2:14 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 4×⇩ - MP3 - Davide Verotta

3. = 54
*#931448 - 4.69MB - 3:21 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3×⇩ - MP3 - Davide Verotta

4. = 132
*#931449 - 6.82MB - 5:04 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3×⇩ - MP3 - Davide Verotta

Publisher Info.	Davide Verotta, 2024.
Performers	Michael Long, violin, Vicky Ehrlich, cello
Copyright	Creative Commons Zero 1.0 [tag/del]
Purchase	Javascript is required for this feature.

Complete Score
*#931443 - 1.31MB, 25 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 19×⇩ - Davide Verotta

PDF typeset by composer
Davide Verotta (2024/9/11)

Violin
*#931444 - 0.98MB, 18 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 10×⇩ - Davide Verotta

PDF typeset by composer
Davide Verotta (2024/9/11)

Cello
*#931445 - 0.96MB, 17 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 7×⇩ - Davide Verotta

PDF typeset by composer
Davide Verotta (2024/9/11)

Publisher. Info.	Davide Verotta, 2024.
Copyright	Creative Commons Zero 1.0 [tag/del/mrg]
Purchase	Javascript is required for this feature.

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Work Title	Four Movements for Violin and Cello
Alternative. Title
Composer	Verotta, Davide
Opus/Catalogue NumberOp./Cat. No.	O.117
I-Catalogue NumberI-Cat. No.	IDV 71
Movements/SectionsMov'ts/Sec's	4 movements: = 132 = 74 = 54 = 132
Year/Date of CompositionY/D of Comp.	2024
First Performance.	2024/08/22
First Publication.	2024
Average DurationAvg. Duration	12 minutes
Composer Time PeriodComp. Period	Modern
Piece Style	Modern
Instrumentation	violin, cello
Extra Information	Four Movements for Violin and Cello is a short composition divided in four contrasting sections. The first is the most angular. It starts aggressively, retreats, and then returns to a quite relentless forward motion that plays two quite sparse themes against each other. The second is more playful, in a simple A B A form. We hear a first theme recognizable, plucked by the violin, enter a second (B) section after a while, and then the original theme comes back as a variation. The third movement is somber: a strict call and response (the violin and cello play in alternation), only interrupted by the most dramatic climax of the whole piece. The fourth movement is fast, and brash and bold, with just a moment of reflection in the middle.