7 Motets for 3 Voices (Lassus, Orlande de)

Composition Year 1569-1604 ca.
Genre Categories Motets; For 3 voices; For unaccompanied voices; Scores featuring the voice; Latin language; For keyboard (arr); Scores featuring keyboard soloists (arr); For harp (arr); For 1 player (arr); Scores featuring the harp (arr)

Sheet Music

Arrangements and Transcriptions

For Keyboard or Harp (Teuling)

 Complete Score
#525234 - 0.85MB, 16 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1983×⇩ - Adenteuling

PDF typeset by arranger
Adenteuling (2018/5/25)

Arranger Arnold den Teuling (b. 1944)
Publisher. Info. Arnold den Teuling
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del]
Misc. Notes Copyright notice concerning the first included piece. The arrangement of Lasso’s first Adoramus te Christe is based on the following critical edition: Orlando di Lasso: The Complete Motets 19: Motets from printed Anthologies and Manuscripts, 1580-1594, edited by Peter Bergquist.Recent Researches in the Music f the Renaissance, vol.130. Middleton, WI: A-R Editions, Inc., 2002. Used with permission. All rights reserved. www.areditions.com Permission received May 2018. The other 6 pieces are free from copyright.
Purchase
Javascript is required for this feature.

Javascript is required to submit files.

General Information

Work Title 7 motets for 3 voices, intabulated for keyboard instrument or harp
Alternative. Title
Composer Lassus, Orlande de
I-Catalogue NumberI-Cat. No. IOL 309
Year/Date of CompositionY/D of Comp. 1569-1604 ca.
First Publication. 1586-1604 in Magnum opus musicum
Language Latin
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 3 voices
Retrieved from "http://imslp.org/index.php?title=7_Motets_for_3_Voices_(Lassus,_Orlande_de)&oldid=3312104"