Ballet de Bouteile, TMA 257 (Praetorius, Michael)

Contents

Performances

Recordings

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Synthesized/MIDI

For 4 Recorders (Upton)

MID file (audio/video)
DillonUpton1992 (2015/4/19)

5 more: Part II • Part III • Part IV • Part V • Part VI

MID file (audio/video)
DillonUpton1992 (2015/4/19)

MID file (audio/video)
DillonUpton1992 (2015/4/19)

MID file (audio/video)
DillonUpton1992 (2015/4/19)

MID file (audio/video)
DillonUpton1992 (2015/4/19)

MID file (audio/video)
DillonUpton1992 (2015/4/19)

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For Oboe and Harpsichord (Rondeau)

MP3 file (audio)
Michrond (2015/4/22)

Publisher Info. Michel Rondeau
Performers MIDI
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Arrangements and Transcriptions

For 4 Recorders (Upton)

PDF typeset by arranger
DillonUpton1992 (2015/4/19)

5 more: Part II • Part III • Part IV • Part V • Part VI

PDF typeset by arranger
DillonUpton1992 (2015/4/19)

PDF typeset by arranger
DillonUpton1992 (2015/4/19)

PDF typeset by arranger
DillonUpton1992 (2015/4/19)

PDF typeset by arranger
DillonUpton1992 (2015/4/19)

PDF typeset by arranger
DillonUpton1992 (2015/4/19)

Arranger Dillon Upton
after Michael Praetorius (1571-1621)
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For Oboe and Harpsichord (Rondeau)

PDF typeset by arranger
Michrond (2015/4/22)

ZIP typeset by arranger
Michrond (2015/4/22)

Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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General Information

Work Title Ballet de Bouteile
Alternative. Title
Composer Praetorius, Michael
Opus/Catalogue NumberOp./Cat. No. TMA 257 ; RISM A/I, P 5366.257
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 1 (6 subdivisions)
First Publication. 1612 in Terpsichore, Musarum Aoniarum (No.257)
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 4 instruments
Extra Information These pieces were assembled and arranged by Praetorius for his 1612 collection. It is unknown how many, or if any, of the works in the collection were actually composed by Praetorius as opposed to being popular dance tunes arranged by him. The instrumentation is not specified in the original, and simply listed as "à 4".