Der Überfall, Op.65 (Zöllner, Heinrich)

Movements/SectionsMov'ts/Sec's 2 Acts
First Publication 1896 ? – Berlin: Robert Lienau
Genre Categories Operas; Theatrical Works; For voices, mixed chorus, orchestra; Scores featuring the voice; Scores featuring mixed chorus; Scores featuring the orchestra; For voices and chorus with orchestra; German language

Sheet Music

Vocal Scores

 Complete Score
#226387 - 13.10MB, 148 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 130×⇩ - Schissel

PDF scanned by US-R
Schissel (2012/5/29)

 Color Covers
#226388 - 2.30MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 51×⇩ - Schissel

PDF scanned by US-R
Schissel (2012/5/29)

Publisher. Info. Berlin: Lienau/Schlesinger, n.d.[1896]. Plate S. 8715.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes This file is part of the Sibley Mirroring Project.
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General Information

Work Title Der Überfall
Alternative. Title Oper in 2 Akten mit Benutzung der Novelle "die Danaïde" von Ernst v. Wildenbruch
Composer Zöllner, Heinrich
Opus/Catalogue NumberOp./Cat. No. Op.65
I-Catalogue NumberI-Cat. No. IHZ 6
Key E minor
Movements/SectionsMov'ts/Sec's 2 Acts
First Performance. 1895-9-7, Dresden, Hofoper
First Publication. 1896 ? – Berlin: Robert Lienau
Librettist Composer after Ernst von Wildenbruch
Language German
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Voices, chorus, orchestra

Navigation etc.

Richard Strauss conducted an early performance of the work (not the premiere), in 1896.

Sequel to Op.64, the opera Bei Sedan. According to RISM 280000855 many performance parts for the work are available at the library of the Weimar theater.


A 248-page incomplete full score @ ÖNB.

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