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Founded in Leipzig in 1866 by Ernst Wilhelm Fritzsch this firm published books (Nietzsche's works), magazines (Musikalisches Wochenblatt) and music (Svendsen, Emil Fritzsch). It was bought out in 1903 by C.F.W. Siegel (later Kistner und Siegel).
E.W. Fritzsch's plate numbers were issued in a regular chronological fashion. Plate numbers are in the format of E.W.F. ## L. Dates in italics are estimated.
| Plate | Composer | Work | Year |
|---|---|---|---|
| 1 | Fritzsch, Ernst Wilhelm | Souvenir de Berne, Op.3 | 1866 |
| 2 | Belcke | 6 Charakterstücke, Op.32 | |
| 3 | Fritzsch, Ernst Wilhelm | Kindersinfonie, Op.4 | |
| 4 | Handel | 6 Leicht ausführbare Fugen (G. Ad. Thomas ed.) | |
| 5 | Popper | Romanze, Op.5 | 1867 |
| 6 | Rheinberger | 3 Studien, Op.6 | |
| 7 | 3 Charakterstücke, Op.7 | ||
| 8 | Waldmärchen, Op.8 | ||
| 9 | 5 Vortragsstudien, Op.9 | ||
| 10 | 5 Lieder und Gesänge, Op.2 [score, parts] | ||
| 11 | |||
| 12 | Symphony No.1, Op.10 [full score] | ||
| 13 | Symphony No.1, Op.10 [parts] | 1869 | |
| 14 | Symphony No.1, Op.10 (red. pf4h, Rheinberger) | 1867 | |
| 15 | Sieg, Charles Victor | 3 Impromptus, Op.1 | 1867 |
| 16 | Tarentelle, Op.2 | 1867 | |
| 17 | Caprice-valse, Op.3 | 1867 | |
| 18 | Stockhausen, Emil (von) | Fantasiestücke, Op.2 | 1867 |
| 19 | 1867 | ||
| 20 | Bolck | 6 Vortragsstücke, Op.18 | 1867 |
| 21 | 1867 | ||
| 22 | Rheinberger | Tarantella, Op.13 | 1867 |
| 24 | Rheinberger | Präludien in Etüdenform, Op.14 (Heft 1) | 1868 |
| 25 | Präludien in Etüdenform, Op.14 (Heft 2) | 1868 | |
| 26 | Thieriot | Cello Sonata, Op.15 | 1868 |
| 27 | Hermann | (Ausgewählte berühmte) Ouverturen (Serie II) | 1868 |
| 28 | 1868 | ||
| 29 | 1868 | ||
| 30 | 1868 | ||
| 31 | 1868 | ||
| 32 | Svendsen | String Quartet, Op.1 [parts] | 1868 |
| 33 | String Quintet, Op.5 [parts] | 1868 | |
| 34 | Symphony No.1, Op.4 [full score] | 1868 | |
| 35 | Symphony No.1, Op.4 [parts] | 1869 | |
| 36 | Symphony No.1, Op.4 (red. pf4h) | 1868 | |
| 39 | Rheinberger | Duo, Op.15 | 1868 |
| 42 | Rheinberger | Stabat Mater, Op.16 [full score] | 1868 |
| 43 | Stabat Mater, Op.16 [vocal score] | 1868 | |
| 44 | Stabat Mater, Op.16 [vocal soli; choral parts] | 1868 | |
| 45 | Stabat Mater, Op.16 [orchestral parts] | 1868 | |
| 47 | Thieriot | Loch Lomond, Op.13 [full score] | 1868 |
| 48 | Loch Lomond, Op.13 [parts] | 1868 | |
| 49 | Loch Lomond, Op.13 (red. pf4h, Thieriot) | 1868 | |
| 50 | Rheinberger | Symphony No.1, Op.10 (III., red. pf4h) | 1868 |
| 51 | Symphony No.1, Op.10 (III.) [full score] | 1869 | |
| 52 | Symphony No.1, Op.10 (III.) [parts] | ||
| 53 | Ouvertüre zu Shakespeares 'Die Zähmung der Widerspenstigen', Op.18 | ||
| 54 | 3 Studien, Op.6 (Nos.1, 3) | ||
| 55 | |||
| 56 | 3 Charakterstücke, Op.7 (No.1) | ||
| 57 | 5 Vortragsstudien, Op.9 (No.2) | ||
| 59 | Rheinberger | Toccatina, Op.19 | |
| 60 | Popper | Romanze, Op.5 (arr. vn/va pf) | |
| 61 | Riedel | (Altböhmische) Gesänge [score, parts] | |
| 62 | |||
| 63 | Rheinberger | Symphony No.1, Op.10 (III., red. pf) | |
| 64 | Thieriot | Am Traunsee, Op.19 (full score & parts) | |
| 65 | Rheinberger | Lockung, Op.25 [score, parts] | |
| 66 | Svendsen | String Quintet, Op.5 [full score] | |
| 67 | Hermann | (Ausgewählte berühmte) Ouverturen (Serie I, Nos.1-3) | |
| 68 | |||
| 69 | |||
| 70 | Thieriot | Piano Quintet, Op.20 (rev. ed. 1894) | |
| 71 | Rheinberger | Die Wasserfee, Op.21 [score, parts] | |
| 72 | Fantasiestück, Op.23 | ||
| 73 | 4 Gesänge, Op.22—Nos.1-4 | ||
| 74 | 4 Gesänge, Op.22 | ||
| 75 | |||
| 76 | |||
| 77 | |||
| 78 | Hermann | (Ausgewählte berühmte) Ouverturen (Serie I, Nos.4-5) | |
| 79 | |||
| 80 | Rheinberger | Die sieben Raben, Op.20 (Vorspiel) [full score] | |
| 81 | Die sieben Raben, Op.20 (Vorspiel) [parts] | ||
| 82 | Anonymous | Potpourris über Motive aus 'Die sieben Raben' | |
| 83 | |||
| 84 | Hermann | (Ausgewählte berühmte) Ouverturen (Serie III) | |
| 85 | |||
| 86 | |||
| 87 | |||
| 88 | |||
| 89 | Rheinberger | Organ Sonata No.1, Op.27 | |
| 90 | Die sieben Raben, Op.20 (Vorspiel) (red. pf, Rheinberger) | ||
| 91 | Die sieben Raben, Op.20 (Act I, No.2) [vocal score] | ||
| 92 | Die sieben Raben, Op.20 (Act I, No.3) [vocal score] | ||
| 93 | Die sieben Raben, Op.20 (Act I, No.4) [vocal score] | ||
| 94 | Die sieben Raben, Op.20 (Act II, No.1a) [vocal score] | ||
| 95 | Die sieben Raben, Op.20 (Act II, No.1b) [vocal score] | ||
| 96 | Die sieben Raben, Op.20 (Act II, No.3a) [vocal score] | ||
| 97 | Die sieben Raben, Op.20 (Act II, No.3c) [vocal score] | ||
| 98 | Die sieben Raben, Op.20 (Marsch) (red. pf, Rheinberger) | ||
| 99 | Die sieben Raben, Op.20 (Act III, No.1) [vocal score] | ||
| 100 | Die sieben Raben, Op.20 [vocal score] | ||
| 101 | 5 Lieder und Gesänge, Op.2 (No.1) [score, parts] | ||
| 102 | 7 Lieder, Op.26—Nos.1-7 | ||
| 103 | 7 Lieder, Op.26 | ||
| 104 | |||
| 105 | |||
| 106 | |||
| 107 | |||
| 108 | |||
| 109 | |||
| 110 | 4 Lieder des Gedächtnisses, Op.24 [score, parts] | 1870 | |
| 111 | Riedel | (Altdeutsche geistliche) Lieder [score, parts] | 1870 |
| 112 | 1870 | ||
| 113 | 1870 | ||
| 114 | 1870 | ||
| 115 | Schütz | Matthäus-Passion, SWV 479 (ed. Riedel) [score, choral parts] | 1870 |
| 116 | Rheinberger | Präludium und Fuge (zum Konzertvortrag), Op.33 | 1870 |
| 117 | Schwalm | Aus der Kinderwelt, Op.1 | 1870 |
| 125 | Winding | Piano Quartet, Op.17 | 1870 |
| 127 | Rheinberger | 5 Lieder, Op.31 [score, parts] | 1870 |
| 128 | 1870 | ||
| 130 | Rheinberger | 7 Stücke aus der Musik zu Calderons 'Der wundertätige Magus', Op.30 | 1870 |
| 140 | Rheinberger | 9 Stücke aus der Musik zu Raimunds 'Die unheilbringende Krone', Op.36 | 1870 |
| 150 | Rheinberger | Piano Quartet, Op.38 [score, string parts] | 1870 |
| 151 | Holstein | 4 Lieder, Op.23 | 1870 |
| 152 | 4 Lieder, Op.24 | 1870 | |
| 153 | 6 Lieder und Romanzen, Op.25 | 1870 | |
| 154 | 1870 | ||
| 157 | Svendsen | Violin Concerto, Op.6 [full score] | 1870 |
| 158 | Violin Concerto, Op.6 [parts] | 1870 | |
| 159 | Violin Concerto, Op.6 (red. vn pf, Alois Reckendorf) | 1870 | |
| 160 | Holstein | Piano Trio, Op.18 | 1870 |
| 163 | Cornelius | Weihnachtslieder, Op.8 | 1870 |
| 165 | Rheinberger | Das Tal des Espingo, Op.50 [full score, choral parts] | 1871 |
| 166 | Das Tal des Espingo, Op.50 [orchestral parts] | 1871 | |
| 167 | Holstein | 6 Lieder, Op.26 [score, parts] | 1871 |
| 168 | 1871 | ||
| 169 | Ravnkilde | 5 Klavierstücke | 1871 |
| 171 | Thieriot | Durch die Puszta, Op.23 | 1871 |
| 172 | Stör, Carl (Karl) | 2 Klavierstücke zu vier Händen | 1871 |
| 173 | 1871 | ||
| 174 | Rheinberger | Piano Quartet, Op.38 (arr. pf4h, Rheinberger) | 1872 |
| 175 | Svendsen | Cello Concerto, Op.7 (full score) | 1871 |
| 176 | Cello Concerto, Op.7 (parts) | 1871 | |
| 177 | Cello Concerto, Op.7 (red. vc pf, George Hendrik Witte) | 1871 | |
| 178 | Cornelius | Trauerchöre, Op.9 (Nos.1-4) [score, parts] | 1871 |
| 179 | 1871 | ||
| 180 | Witte | Sonatine für Pianoforte zu vier Händen, Op.8 | 1871 |
| 181 | Cornelius | Trauerchöre, Op.9 (No.5) [score, parts] | 1871 |
| 182 | 3 Chorgesänge, Op.11 [score, parts] | 1871 | |
| 183 | 1871 | ||
| 184 | 1871 | ||
| 185 | Beethoven-Lied, Op.10 [score, parts] | 1871 | |
| 186 | Freudenberg, Wilhelm | Chaconne und Fuge, Op.9 | 1872 |
| 188 | Rheinberger | Das Tal des Espingo, Op.50 [vocal score, Johann Nepomuk Cavallo] | 1872 |
| 189 | Ravnkilde | 3 Polonaisen, Op.7 | 1872 |
| 190 | Herzogenberg | Columbus, Op.11 [vocal score] | 1872 |
| 191 | Ritter | String Quartet, Op.1 [score] | 1872 |
| 192 | String Quartet, Op.1 [parts] | 1872 | |
| 193 | Hauptmann | Gretchen vor dem Bilde der Mater Dolorosa, Op.3 (arr. sop orch, Holstein) [full score] | 1873 |
| 194 | Gretchen vor dem Bilde der Mater Dolorosa, Op.3 (arr. sop orch, Holstein) [orchestral parts] | 1873 | |
| 195 | Svendsen | Sigurd Slembe, Op.8 [full score] | 1872 |
| 196 | Sigurd Slembe [parts] | 1872 | |
| 197 | Sigurd Slembe (red. pf4h, Reckendorf) | 1872 | |
| 198 | Herzogenberg | Duo, Op.12 | 1872 |
| 199 | Reckendorf | Walzer, Op.2 | 1872 |
| 200 | Herzogenberg | Columbus, Op.11 [full score] | 1872 |
| 201 | Columbus, Op.11 [orchestral parts] | 1872 | |
| 202 | Columbus, Op.11 [vocal soli; choral parts] | 1872 | |
| 204 | Wagner | An Weber's Grabe, WWV 72 | 1872 |
| 205 | Grieg | Piano Concerto, Op.16 [piano solo part] | 1872 |
| 206 | Piano Concerto, Op.16 [orchestral parts] | 1872 | |
| 207 | Piano Concerto, Op.16 [full score] | 1872 | |
| 208 | Schütz | Da Jesus an dem Kreuze stund, SWV 478 (ed. Riedel) [full score, parts] | 1873 |
| 210 | Herzogenberg | Deutsches Liederspiel, Op.14 [score] | 1872 |
| 211 | Deutsches Liederspiel, Op.14 [choral parts] | 1872 | |
| 212-213 | Wagner | In das Album der Fürstin Metternich, WWV 94 (arr. violin/piano) | 1872 |
| 214 | Riemenschneider, Georg | Julinacht [full score] | 1873 |
| 215 | Julinacht [parts] | 1873 | |
| 216 | Nachtfahrt [full score] | 1873 | |
| 217 | Nachtfahrt [parts] | 1873 | |
| 218 | Nachtfahrt [red. pf4h, Carl (Karl) Fuchs] | 1873 | |
| 219 | Julinacht [red. pf4h, Carl (Karl) Fuchs] | 1873 | |
| 220 | Bronsart von Schellendorff | Piano Concerto, Op.10 [full score] | 1873 |
| 221 | Piutti | 3 Interludien, Op.3 | 1873 |
| 222 | 5 Choralvorspiele, Op.4 | 1873 | |
| 223 | Cornelius | 3 Männerchöre, Op.12 (Nos.1, 3) [score, parts] | 1873 |
| 224 | 1873 | ||
| 225 | Bronsart von Schellendorff | Piano Concerto, Op.10 [piano solo part] | 1873 |
| 226 | Piano Concerto, Op.10 [orchestral parts] | 1873 | |
| 227 | Cornelius | Odysseus, Op.16 [parts] | 1873 |
| 229 | Cornelius | Phantasie, Op.15 | 1873 |
| 230 | Odysseus, Op.16 [full score] | 1873 | |
| 231 | Riemenschneider, Georg | Donna Diana [full score] | 1873 |
| 232 | Donna Diana [parts] | 1873 | |
| 233 | Cornelius | 3 Männerchöre, Op.12 (No.2) [score, parts] | 1873 |
| 234 | Trost in Tränen, Op.14 [score, (vocal?) parts] | 1873 | |
| 235 | 3 Psalmlieder, Op.13 [score, parts] | 1873 | |
| 236 | Riemenschneider, Georg | Der Totentanz [full score] | 1873 |
| 237 | Der Totentanz [parts] | 1873 | |
| 240 | Svendsen | Coronation March, Op.13 (full score) | 1874 |
| 242 | Reckendorf | 2 Nocturnes, Op.1 | 1873 |
| 243 | Cornelius | An Bertha, Op.15 | 1873 |
| 244 | Duette, Op.16 | 1873 | |
| 246 | Svendsen | Coronation March, Op.13 (arr. piano 4-hands) | 1874 |
| 257-258 | Wagner | In das Album der Fürstin Metternich, WWV 94 (arr. orch., full score/parts) | 1874 |
| 263 | Wagner | In das Album der Fürstin Metternich, WWV 94 (arr. cello/piano) | 1874 |
| 281 | Herzogenberg | String Quartet, Op.18 (parts) | 1876 |
| 322 | Ruthardt | Nordisches Ständchen, Op.16 | 1884 |
| 336 | Svendsen | 2 Icelandic Melodies, Op.30 (full score) | 1877 |
| 337 | Svendsen | 2 Icelandic Melodies, Op.30 (parts) | 1877 |
| 338 | Svendsen | I Fjol gjætt’e Gjeitinn, Op.31 (full score) | 1877 |
| 339 | Svendsen | I Fjol gjætt’e Gjeitinn, Op.31 (parts) | 1877 |
| 340 | Svendsen | Carnival in Paris, Op.9 (full score) | 1877 |
| 341 | Svendsen | Carnival in Paris, Op.9 (parts) | 1877 |
| 342 | Svendsen | Carnival in Paris, Op.9 (arr. piano 4-hands) | 1877 |
| 343 | Svendsen | Symphony No.2, Op.15 (parts) | 1877 |
| 344 | Svendsen | Symphony No.2, Op.15 (arr. piano 4-hands) | 1878 |
| 350 | Svendsen | Symphony No.2, Op.15 (full score) | 1877 |
| 394 | Reznicek | String Quartet in C minor (parts) | 1883 |
| 395 | Reznicek | String Quartet in C minor (full score) | 1883 |
| 398 | MacDowell | Prelude and Fugue, Op.13 | 1883 |
| 399 | MacDowell | Serenade, Op.16 | 1883 |
| 408 | Ruthardt | 6 Praeludien, Op.14 | 1883 |
| 411-412 | Ruthardt | La Soirée dansante, Op.20 | 1883 |
| 413 | Ruthardt | 6 Walzer, Op.21 | 1883 |
| 458 | Holmberg | 2 Pieces | 1886 |
| 469 | Ruthardt | La Soirée dansante, Op.20 (no.1 arr. by Willy Rehberg) | 1887 |
| 496 | Ruthardt | Trio for Piano, Oboe and Viola, Op.34 | 1890 |
| 513 | Jaques-Dalcroze | Suite for Cello and Piano, Op.9 | 1891 |
| 555 | Klughardt | Cello Concerto, Op.59 (full score) | 1892 |
| 556 | Klughardt | Cello Concerto, Op.59 (parts) | 1892 |
| 557 | Klughardt | Cello Concerto, Op.59 (arr. cello/piano) | 1892 |
| 604-609 | Zumpe | 5 Lieder | 1895 |
| 611-615 | Zumpe | 4 Lieder | 1895 |
| 634 | Carreño | Kleiner Walzer | 1896 |
| 781 | Middelschulte | Passacaglia in D minor | 1901 |
