Movements/SectionsMov'ts/Sec's | 7 movements:
|
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Composition Year | 1987 |
Genre Categories | Pieces; For flute, piano; Scores featuring the flute; |
Contents |
1. A Spider sewed at Night
*#199642 - 0.47MB - 1:02 - -) ( - !N/!N/!N - 737×⇩ - MP3 - rhymesandchymes
MP3 file (audio)
rhymesandchymes (2012/4/6)
⇒ 6 more: 2. A Clock stopped–Not the Mantel’s • 3. Exultation is the going • 4. The Robin is a Gabriel • 5. After great pain, a formal feeling comes • 6. The Leaves like Women interchange • 7. A Day! Help! Help! Another Day!
2. A Clock stopped–Not the Mantel’s
*#240398 - 3.28MB - 1:47 - -) ( - !N/!N/!N - 310×⇩ - MP3 - rhymesandchymes
MP3 file (audio)
rhymesandchymes (2012/4/6)
3. Exultation is the going
*#199643 - 0.26MB - 0:34 - -) ( - !N/!N/!N - 217×⇩ - MP3 - rhymesandchymes
MP3 file (audio)
rhymesandchymes (2012/4/6)
4. The Robin is a Gabriel
*#240399 - 1.25MB - 0:41 - -) ( - !N/!N/!N - 173×⇩ - MP3 - rhymesandchymes
MP3 file (audio)
rhymesandchymes (2012/4/6)
5. After great pain, a formal feeling comes
*#240400 - 2.58MB - 1:24 - -) ( - !N/!N/!N - 159×⇩ - MP3 - rhymesandchymes
MP3 file (audio)
rhymesandchymes (2012/4/6)
6. The Leaves like Women interchange
*#240401 - 1.27MB - 0:42 - -) ( - !N/!N/!N - 157×⇩ - MP3 - rhymesandchymes
MP3 file (audio)
rhymesandchymes (2012/4/6)
7. A Day! Help! Help! Another Day!
*#240402 - 1.55MB - 0:51 - -) ( - !N/!N/!N - 155×⇩ - MP3 - rhymesandchymes
MP3 file (audio)
rhymesandchymes (2012/4/6)
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Complete Score
*#198869 - 1.60MB, 12 pp. - -) (- !N/!N/!N - 1184×⇩ - rhymesandchymes
PDF typeset by Paul Hawkins
rhymesandchymes (2012/4/5)
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Work Title | Emily's Images |
---|---|
Alternative. Title | |
Composer | Fine, Vivian |
I-Catalogue NumberI-Cat. No. | IVF 23 |
Movements/SectionsMov'ts/Sec's | 7 movements:
|
Year/Date of CompositionY/D of Comp. | 1987 |
First Performance. | 1987-09-15
|
Dedication | To Jayn Rosenfeld |
Average DurationAvg. Duration | 7 minutes |
Composer Time PeriodComp. Period | Modern |
Piece Style | Modern |
Instrumentation | flute and piano |
Emily’s Images was inspired by reading through an index of first lines of poems by Emily Dickinson. Each short movement is based on the first line of a poem. Fine explains that the musical form is a series of free variations with no overtly stated theme; the musical ideas themselves are the subject of the variation processes. Many subtle and surprising connections exist among the movements. As an example, the notes of “The Robin is a Gabriel” (the lone movement for solo flute) are a rhythmically transposed version of “A Spider sewed at Night” beginning in the second bar. The canon between piano and flute in “The Leaves like Women interchange” employs those same notes in yet another rhythmic and octave transposition.
Iva Ugrčić & Satoko Hayami’s recent performance (12/2023) also lasts about 7-8 minutes.