Fantaisie concertante sur 'Matilde di Shabran', Op.3 (Lemoine, Henry)

First Publication	ca.1860 (original) 1870 (cello arr.)
Genre Categories	Fantasias; Concertantes; For violin, piano; Scores featuring the violin; Scores featuring the piano; For 2 players; For cello, piano (arr); Scores featuring the cello (arr); Scores featuring the piano (arr); For 2 players (arr)
Related Works	Based on Matilde di Shabran by Rossini

Sheet Music

Arrangements and Transcriptions

For Cello and Piano (Mohr)

Piano/Violin Score
*#264833 - 0.99MB, 20 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 305×⇩ - Generoso

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Generoso (2013/1/5)

Cello part
*#264834 - 0.62MB, 7 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 179×⇩ - Generoso

PDF scanned by E-Mn
Generoso (2013/1/5)

Arranger	Désiré Mohr - cello and piano
Editor	Nicolas Louis - violin and piano
Publisher. Info.	Paris: Henri Lemoine, n.d.(ca.1852?). Plate 3829, 3829^bis HL.
Copyright	Public Domain [tag/del/mrg]
Misc. Notes	Plate often unclear, probably 3829. This plate suggests a date in the 1850s, quite possible since Nicolas Louis was the next generation after Spohr (he was born during an early quartet concert of Spohr's music attended by the composer, as a story recounts!) The part could conceivably have the same plate despite belonging to a later work just because publishers liked to keep related works' plates together, I believe.- Schissel
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General Information

Work Title	Fantaisie concertante sur 'Matilde di Shabran'
Alternative. Title
Composer	Lemoine, Henry
Opus/Catalogue NumberOp./Cat. No.	Op.3
I-Catalogue NumberI-Cat. No.	None [force assignment]
Key	D major (introduction in A major)
First Publication.	ca.1860 (original) 1870 (cello arr.)
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	violin, piano
Related Works	Based on Matilde di Shabran by Rossini

Navigation etc.

For the cello version: Publication noted in the Bibliographie de la France , 2nd series, 59th year, no.17, 23 April 1870, page 196, registration 1168.

For the original version: by 1861 (appears in Catalogue des ouvrages de musique of Lemoine published 1861.)

The Mohr is a transcription; the violin and piano version seems to have been intended by the composer, with- I am guessing but this seems to fit?- some brushing up of the violin part for posthumous publication? by Nicolas Louis. - Schissel (on 2nd thought, Opp.5, 12 and 13 were published around 1832 acc. to Revue musicale, vol.1, so ... )