For the Love of Bach (Drehmer, Earl Richard)

Composition Year	1972
Genre Categories	Pieces; For violin, piano; Scores featuring the violin; Scores featuring the piano; For 2 players

Performances

Synthesized Performance
*#886771 - 56.22MB - 2:19 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 22×⇩ - MP4 - Pseudotonal

MP4 file (audio/video)
Pseudotonal (2023/12/5)

Publisher Info.	Earl Richard Drehmer, 2012.
Performers	Finale 2011b
Copyright	Creative Commons Zero 1.0 [tag/del]
Misc. Notes	Score performed by Finale, recorded by Audacity, video created with Windows Movie Maker
Purchase	Javascript is required for this feature.

Synthesized Performance
*#886770 - 2.20MB - 1:55 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 10×⇩ - MP3 - Pseudotonal

MP3 file (audio)
Pseudotonal (2023/12/5)

Publisher Info.	Earl Richard Drehmer, 2012.
Performers	Finale 2008
Copyright	Creative Commons Zero 1.0 [tag/del]
Misc. Notes	score performed by Finale, recorded by Audacity
Purchase	Javascript is required for this feature.

Complete Score
*#886769 - 1.00MB, 6 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 60×⇩ - Pseudotonal

PDF typeset by composer
Pseudotonal (2023/12/5)

Publisher. Info.	Earl Richard Drehmer, 2012.
Copyright	Creative Commons Zero 1.0 [tag/del]
Misc. Notes	notated in Finale
Purchase	Javascript is required for this feature.

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Work Title	For the Love of Bach
Alternative. Title
Composer	Drehmer, Earl Richard
I-Catalogue NumberI-Cat. No.	IED 26
Year/Date of CompositionY/D of Comp.	1972
First Performance.	2012/11/26
First Publication.	2012
Dedication	Johann Sebastian Bach
Average DurationAvg. Duration	1.9 minutes
Composer Time PeriodComp. Period	Modern
Piece Style	Modern
Instrumentation	violin, piano
Extra Information	This is a 12-tone piece. There are 5 prominent features: counterpoint, the interval of a 6th, the contrast between tonal and atonal structures, the contrast between order and chaos, and the use of the B-a-c-h motive. The motive is the notes of J. S. Bach's name, spelled in German music notation (B flat, a natural, c natural, b natural). It was actually used by Bach himself in the unfinished fugue from "Art of the Fugue".