Performances
Recordings
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Synthesized/MIDI
⇒ 6 more: Gallante No.4 (für Bellei) (Baroque I) • Gallante No.5 (Baroque II) • Gallante No.8? (numbered as "7", but doesn't fit to its score. It might be the missing "8th") • Gallante No.9 (Fantasie-Waltz) • Gallante No.10 (Waltz and Fugue) • Gallante No.11 (Gymnopédie)
| Publisher Info.
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Felipe B. Brandes, 2016.
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| Performers
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MIDI (either externally recorded or MP3 enhanced)
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| Copyright
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| Misc. Notes
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Gallantes n°1 - n°7/8? were externally recorded, thus the bad quality. Gallantes n°9 - n°11 had their MIDI preserved, thus the better quality
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| Publisher Info.
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Felipe B. Brandes, 2016.
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| Performers
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External recording of Smartscore's scan recognization
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| Copyright
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| Misc. Notes
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The sound was extracted of a score reader, thus the big amout of wrong notes (compared to score), especially with No.6, which is almost irrecognizable, but the extracted melody can give the curious reader a notion of how the first Gallantes sound
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Sheet Music
Scores
| Publisher. Info.
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Felipe Brandes, 2016.
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| Copyright
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| Misc. Notes
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blank bars were common to happen, as this software used to have several bugs and frequent crashes
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General Information
| Work Title
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Gallantes, 1st set, FWV1a
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| Alternative. Title
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11 Gallantes
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| Composer
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Brandes, Felipe
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| Opus/Catalogue NumberOp./Cat. No.
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FWV 1a
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| I-Catalogue NumberI-Cat. No.
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IFB 32
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| Movements/SectionsMov'ts/Sec's
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11 pieces
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| Year/Date of CompositionY/D of Comp.
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2015-16
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| Average DurationAvg. Duration
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11 minutes
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| Composer Time PeriodComp. Period
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Modern
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| Piece Style
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Modern
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| Instrumentation
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piano
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| Extra Information
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Each Gallante has either their score or their recording preserved; or both (Gallante n°8 has no score or recording, altough the recording of the "n°7" may be actually of the "8th Gallante")
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Navigation etc.
These little piano pieces are Brandes' debut into piano music. The first Gallante was composed the day after Chinese Dances FWV1 (draft) was finished. Gallantes, by Brandes, are piano pieces which usually were dedicated to a classmate, and later the form was evolved to paraphrase famous classical/modern/pop tunes, in Brandes' very own style. These pieces foresee Brandes' early style, for example, his Étude-Prelude Op.1 n°1 was based on his last Gallante, n°11
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