Glückskind und Pechvogel, Op.177 (Reinecke, Carl)

First Publication	1883 – Leipzig: Breitkopf und Härtel
Genre Categories	Operas; Theatrical Works; For 5 voices, childrens chorus, piano 4 hands; Scores featuring the voice; Scores featuring childrens chorus; Scores featuring the piano; Scores featuring the piano 4 hands; For voices and chorus with keyboard; German language

Sheet Music

Complete Score
*#606989 - 5.47MB, 69 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 42×⇩ - Cypressdome

PDF scanned by HathiTrust
Cypressdome (2020/1/24)

Language	German / English
Translator	William Grist (1840–1896), English translation
Publisher. Info.	London: Augener & Co., No.9076, n.d. Plate 6324.
Copyright	Public Domain [tag/del]
Misc. Notes	The score is arranged with the same music on facing pages with German on the left and English on the right.
Purchase	Javascript is required for this feature.

Complete Score
*#134631 - 1.71MB, 15 (tp, #130–143) pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 459×⇩ - Cypressdome

Publisher. Info.	Ouverturen für das Pianoforte zu vier Händen von Carl Reinecke Leipzig: Breitkopf und Härtel, n.d.[1886]. Plate V.A. 556.
Copyright	Public Domain [tag/del]
Misc. Notes	Original images: 300dpi, color jpg2000 files approx. 2650 by 3520 usable pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins.
Purchase	Javascript is required for this feature.

Javascript is required to submit files.

Work Title	Glückskind und Pechvogel
Alternative. Title	Märchen-Oper für Kinder
Composer	Reinecke, Carl
Opus/Catalogue NumberOp./Cat. No.	Op.177
I-Catalogue NumberI-Cat. No.	ICR 29
First Publication.	1883 – Leipzig: Breitkopf und Härtel
Librettist	the composer credited as Heinrich Carsten, after Richard von Volkmann's Träumereien an französischen Kaminen
Language	German
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	5 solo children's voices and children's chorus + piano 4 hands

Two numbers (overture and ballet music) were later arranged for string orchestra but no evidence that the accompaniment was originally for orchestra.