Hermes, O.48 (Verotta, Davide)

Contents

Performances

Recordings

2 Violins, Percussion and Piano Version

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Davide Verotta (2025/4/7)

Publisher Info. Davide Verotta, 2025.
Performers Antoine van Dongen (Violin) Monika Gruber (Violin) Stan Muncy (Percussion), Megan Shieh (Marimba) Anne Szabla (Percussion) Davide Verotta (Piano)
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Flute, Clarinet, Percussion, Piano, Violin and Cello Version

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Davide Verotta (2025/4/8)

Publisher Info. Davide Verotta, 2025.
Performers Rachel Condry (Clarinet), Vivian Boundreaux (Flute), David Ryther (Violin), Doug Machiz (Cello), Anne Szabla (Percussion and Marimba, Davide Verotta (Piano)
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Sheet Music

Scores and Parts

2 Violins, Percussion and Piano Version

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Davide Verotta (2025/4/7)

5 more: Toms • Junk/Snare Drum/Cymbal • Marimba • Violin 1 • Violin 2

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Davide Verotta (2025/4/7)

PDF typeset by composer
Davide Verotta (2025/4/7)

PDF typeset by composer
Davide Verotta (2025/4/7)

PDF typeset by composer
Davide Verotta (2025/4/7)

PDF typeset by composer
Davide Verotta (2025/4/7)

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Flute, Clarinet, Percussion, Piano, Violin and Cello Version

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Davide Verotta (2025/4/8)

5 more: Flute • Clarinet (B♭) • Junk/Snare Drum/Cymbal/Marimba • Violin • Cello

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Davide Verotta (2025/4/8)

PDF typeset by composer
Davide Verotta (2025/4/8)

PDF typeset by composer
Davide Verotta (2025/4/8)

PDF typeset by composer
Davide Verotta (2025/4/8)

PDF typeset by composer
Davide Verotta (2025/4/8)

Publisher. Info. Davide Verotta, 2025.
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General Information

Work Title Hermes
Alternative. Title
Composer Verotta, Davide
Opus/Catalogue NumberOp./Cat. No. O.48
Internal Reference NumberInternal Ref. No. IDV 78
Movements/SectionsMov'ts/Sec's 1 movement
Year/Date of CompositionY/D of Comp. 2014
First Performance. 2014/5/10
First Publication. 2025
Average DurationAvg. Duration 12 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation toms, junk, snare drum, cymbal, marimba, 2 violins; flute, clarinet, junk, snare drum, cymbal, marimba, violin, cello
Extra Information Hermes is a composition for chamber ensemble that takes inspiration from Shostakovich production of the early 1950. The title reflects a sort of personal fascination with the God Hermes, the trickster, the messenger between mortals and gods, the protector of the arts and thieves.