Movements/SectionsMov'ts/Sec's | 4 sections
|
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Composition Year | 2013 |
Genre Categories | Pieces; Scores with open instrumentation; For flute, oboe, clarinet, bass clarinet, bassoon, 2 percussion soloists, 2 violins, viola, cello, double bass, piano (arr); |
Contents |
Official Full Recording for All Versions of Homm-Ages
*#378966 - 32.17MB - 23:26 - -) ( - !N/!N/!N - 1969×⇩ - MP3 - SalvaTorre
MP3 file (audio)
SalvaTorre (2015/5/23)
|
String Orchestra full performance
*#378978 - 32.28MB - 23:30 - -) ( - !N/!N/!N - 93×⇩ - MP3 - SalvaTorre
MP3 file (audio)
SalvaTorre (2015/5/23)
|
Mixed Orchestra full performance
*#379619 - 30.10MB - 21:55 - -) ( - !N/!N/!N - 66×⇩ - MP3 - SalvaTorré
MP3 file (audio)
SalvaTorré (2015/5/29)
|
Conductor Score (English)
*#364745 - 0.42MB, 11 pp. - -) (- !N/!N/!N - 271×⇩ - SalvaTorre
PDF typeset by composer
SalvaTorre (2015/2/8)
Directions for musicians (English)
*#364746 - 0.08MB, 5 pp. - -) (- !N/!N/!N - 113×⇩ - SalvaTorre
PDF typeset by composer
SalvaTorre (2015/2/8)
|
Partitura del Director (Español)
*#364747 - 0.42MB, 10 pp. - -) (- !N/!N/!N - 125×⇩ - SalvaTorré
PDF typeset by composer
SalvaTorré (2015/2/8)
Instrucciones para los músicos (Español)
*#364748 - 0.07MB, 5 pp. - -) (- !N/!N/!N - 93×⇩ - SalvaTorré
PDF typeset by composer
SalvaTorré (2015/2/8)
|
Work Title | Homm-Ages for any group of instruments |
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Alternative. Title | Homm-Ages para cualquier grupo de instrumentos |
Composer | Torre, Salvador |
I-Catalogue NumberI-Cat. No. | IST 29 |
Movements/SectionsMov'ts/Sec's | 4 sections
|
Year/Date of CompositionY/D of Comp. | 2013 |
First Performance. | 2014-11-23 |
Dedication | To Cage, Schoenberg, Varèse, Boulez, Messiaen, Berio, Beethoven, Webern, Berg, Bartók, Bach, Reich, Africa... |
Average DurationAvg. Duration | Variable Duration |
Composer Time PeriodComp. Period | Modern |
Piece Style | Modern |
Instrumentation | any group of instruments |
Homm-ages - for any group of instruments who have to be spatialized in the concert hall. Homm-ages are several tributes to the twentieth century composers who were pioneers of various musical revolutions. They are little musical pieces each one devoted to one or more composers and applying the technique that each composer utilized, for example: Cage utilized star maps to compose, hence a constellation is formed, Messiaen was inspired by the birds singing and their intricate rhythms, Berio used a novel space-time writing but that space-time was already inherent in musical notation invented by Guido D'Arezzo in the year one thousand. Reich uses a melodic cell repeated ad infinitum but it changes imperceptibly. With all this we find that these procedures existed in other eras of history of music, only under a different light. Each musician plays each of these pieces of (almost) -independent, so that each piece or movement is a kind of "collage" in which the piece overlaps itself, this overlap must be set to the sound space thanks to which musicians are placed in different parts of the concert-hall spreading sounds among the public, providing distance and location of sound sources in three dimensional space.