Hymn to Futurism (Cui, César)

Movements/SectionsMov'ts/Sec's	1 hymn
Composition Year	1917
Genre Categories	Secular hymns; Hymns; For voice, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the piano; Russian language

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Synthesized Performance
*#893865 - 0.00MB - 0:43 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 10×⇩ - MID - Dhruvapunde

MID file (audio/video)
Dhruvapunde (2024/1/11)

Publisher Info.	Dhruva Punde, 2024.
Performers	Dhruva Punde, voice and piano
Copyright	Creative Commons Attribution-ShareAlike 4.0 [tag/del]
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Complete Score
*#25762 - 0.03MB, 1 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 701×⇩ - Lyle Neff

PDF scanned by Lyle Neff
Lyle Neff (2008/12/23)

Editor	Izrail Lazarevich Gusin (1905-1967)
Publisher. Info.	Selected Letters (Избранные статьи) (p.550–51) Leningrad: Muzgiz, 1952.
Copyright	Public Domain [tag/del]
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Complete Score
*#893864 - 0.14MB, 1 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 39×⇩ - Dhruvapunde

PDF typeset by editor
Dhruvapunde (2024/1/11)

Editor	Dhruva Punde (b. 2004)
Publisher. Info.	Dhruva Punde, 2024.
Copyright	Creative Commons Attribution-ShareAlike 4.0 [tag/del]
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Work Title	Hymn to Futurism
Alternative. Title	Гимн футуризму
Composer	Cui, César
I-Catalogue NumberI-Cat. No.	ICC 28
Movements/SectionsMov'ts/Sec's	1 hymn
Year/Date of CompositionY/D of Comp.	1917
First Publication.	1917
Librettist	Composer(?)
Language	Russian
Dedication	"To the innumerable modern super-geniuses" (Бесчисленным модерн-сверхгениям)
Composer Time PeriodComp. Period	Romantic
Piece Style	Early 20th century
Instrumentation	voice, piano
Extra Information	This composition constitutes Cui's antipenultimate published musico-critical article. It was first published in the periodical New Time (Новое время), No.14685, 17 January 1917.