Infelix ego (Rore, Cipriano de)

Movements/SectionsMov'ts/Sec's 2 parts
First Publication 1595
Genre Categories Motets; For 6 voices; For unaccompanied voices; Scores featuring the voice; Latin language

Sheet Music

Scores and Parts

Prima pars: Infelix ego

 Complete Score
#531223 - 0.11MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 224×⇩ - Agarvin

PDF typeset by editor
Agarvin (2018/7/11)

 Complete Parts
#531224 - 0.68MB, 18 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 57×⇩ - Agarvin

PDF typeset by editor
Agarvin (2018/7/11)

 Engraving Files (Lilypond)
#531225 - 0.02MB, ? pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 28×⇩ - Agarvin

ZIP typeset by editor
Agarvin (2018/7/11)

Editor Allen Garvin (b. 1969)
Publisher. Info. Hawthorne Early Music, 2018.
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del/mrg]
Purchase
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Secunda pars: Ad te igitur piisime Deus

 Complete Score
#531226 - 0.10MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 93×⇩ - Agarvin

PDF typeset by editor
Agarvin (2018/7/11)

 Complete Parts
#531227 - 0.64MB, 18 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 43×⇩ - Agarvin

PDF typeset by editor
Agarvin (2018/7/11)

 Engraving Files (Lilypond)
#531228 - 0.02MB, ? pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 23×⇩ - Agarvin

ZIP typeset by editor
Agarvin (2018/7/11)

Editor Allen Garvin (b. 1969)
Publisher. Info. Hawthorne Early Music, 2018.
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del/mrg]
Purchase
Javascript is required for this feature.

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General Information

Work Title Infelix ego
Alternative. Title
Composer Rore, Cipriano de
I-Catalogue NumberI-Cat. No. ICR 39
Key E Phrygian mode
Movements/SectionsMov'ts/Sec's 2 parts:
  1. Infelix ego
  2. Ad te igitur
First Publication. 1595
Librettist Girolamo Savonarola (1452–1498)
Language Latin
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 6 voices

Navigation etc.

This piece survives from a single source, published 30 years after de Rore's death. See also the setting by Adrian Willaert, which uses a similar cantus firmus of Miserere mei Deus, repeated with 6 breve intervals between each utterance.

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