Historical Publication Info
Janet et Cotelle cover ca. 1827
History
Founded in 1810 by Pierre-Honoré Janet (d.1832) and Alexandre Cotelle (1786-1858). Janet learned the publishing trade via apprenticeship with his father Pierre-Etienne Janet (1746–1830) and his purchase of the music section his father's firm formed the basis of the new enterprise. Important catalogues absorbed by Janet et Cotelle include those of Imbault (1812), Décombe (1821), Boieldieu Jeune (1824), and Ozi et Cie. (1825). The firm operated as Janet et Cotelle until Janet's death in 1832 and for a short time thereafter, possibly until bankruptcy in 1836. Approximately 2500 titles were in the catalogue by this time, including important early editions of chamber music by Boccherini (93 quintets, 52 trios), Beethoven (trios, quartets, quintets) and Haydn (quartets).
Cotelle continued the business under his own name soon after the bankruptcy and was again in operation by 1838, though the emphasis shifted to parlor music and popular arrangements. After Cotelle's passing (1858), the enterprise continued in operation at various Paris addresses until the bulk of the catalogue was finally absorbed by Enoch Frères & Costallat in 1891.
Imprints, Addresses, Agencies
Imprints
- Janet et Cotelle (1810-1836)
- A. Cotelle (1836 or 1839?-1858)
- A. Cotelle & Cie. (1858-1890)
Addresses
- 123 and 125 rue St Honoré (1812-1836) - publishing office
- 140 rue St Honoré (1838-1844) - "in 1838 he had moved his main premises to 140 rue St Honoré (with various subsidiary addresses in the boulevard Montmartre)"
- 137 rue St Honoré (1844-1855)
- 3 rue Jean-Jacques Rousseau (1855-1868)
- 51 rue Jean-Jacques Rousseau (1868-1883)
- 17 rue Orléans St-Honoré (1883-1887)
- 22 rue des Bons-Enfants (1887-1891)
- 17 rue Neuve des Petits-Champs (1810-ca.1824) - retail shop
- 92 rue de Richelieu (1824-1836)
Plate Numbers
Janet et Cotelle
Plate |
Composer |
Work |
Year
|
19 |
Jadin |
Potpourri No.3 in B-flat major |
|
35 |
Berbiguier |
Flute Quartet No.1, Op.86 |
1827
|
36 |
Meissonnier |
Sérénade pour la Lyre ou Guitare et Violon |
|
42 |
Aubert |
Nouvelle Méthode pour la Lyre ou Guitarre à 5 et 6 cordes, Op.18 |
|
79 |
Bédard |
15 Preludes or Caprices |
|
346 |
Bréval |
Traité du violoncelle, Op.42 |
|
969 |
Carulli |
Divertissement No.2, Op.69 |
|
970 |
Bédard |
Duo concertant, Op.56 |
1817
|
975 |
Jadin |
Potpourri No.1 in C major |
|
988 |
Carulli |
6 Différens Morceaux, Op.87 |
|
992 |
Viotti |
String Quartet in G minor, W 2a.1 |
|
0993 |
Berbiguier |
Flute Concerto No.5 (parts) |
1817
|
1030 |
Berbiguier |
Méthode pour la flûte |
1818
|
1087 |
Viotti |
Violin Concerto No.19 in G minor |
1819
|
1092 |
Viotti |
String Quartet in E minor, W 2a.2 |
|
1137 |
Aubert |
3 Duos pour Piano et Guitare, Op.26 |
|
1241 |
Baillot |
Variations on 'Vive Henry IV' |
|
1345 |
Carulli |
3 Duos Nocturnes, Op.189 |
|
1352 |
Rossini |
La Gazza Ladra (selection of airs arr. flute & piano by J. Latour) |
1822
|
1357 |
Latour |
Rondo on Rossini's 'Polacca' |
|
1371 |
Latour |
Airs Italiens arrangés et variés, Recueil No.1 |
|
1398 |
Viotti |
Violin Concerto No.29 in E minor |
1824
|
1405 |
Carulli |
Nocturne pour Flûte et Guitare, Op.190 |
1823
|
1429 |
Carpentras |
Variations on Le départ du Grenadier, Op.12 |
1821
|
1464 |
Herz |
Piano Quintet, Op.13 |
1826
|
1497 |
Bach |
6 Cello Suites, BWV 1007-1012 |
1824
|
1534 |
Guérin |
3 Duos faciles |
1825
|
1565 |
Buhl |
Méthode de trompette |
|
1579 |
Carulli |
3 Divertissemens très brillans et non difficiles, Op.273 (No.2) |
|
1580 |
Carulli |
3 Divertissemens très brillans et non difficiles, Op.273 (No.3) |
|
2034 |
Larmande-Des Argus |
Mélange en duo sur 'La dame blanche', Op.4 |
1826
|
2059 |
Méreaux |
Duo concertant sur des thèmes choisis de 'La dame blanche', Op.12 |
|
2067 |
Berbiguier |
Air Varié pour Flûte et Guitare No.7, Op.9 |
|
2070 |
Carpentras |
Air Varié pour Flûte et Guitare No.8, Op.23 |
|
2086 |
Berbiguier |
Air Varié pour Flûte et Guitare No.9, Op.56 |
|
2121 |
Roldan |
4 Airs de la Dame blanche |
1830
|
2217 |
Sayve |
String Quartet in D major, Op.13 No.2 |
|
2333 |
Méreaux |
Variations brillantes, Op.28 |
1829
|
2339 |
Brod |
Souvenirs du Mont d’or, Op.27 |
|
2415 |
Franchomme |
Variations sur un thème original, Op.3 |
|
A. Cotelle
Plate Prefix: A.C.
Plate |
Composer |
Work |
Year
|
7 |
Adam |
Joséphine (full score) |
1830
|
209 |
Niedermeyer |
Le fou de Grenade |
|
465 |
Offenbach |
À toi |
1843
|
468 |
Offenbach |
Doux ménestrel |
1843
|
471 |
Offenbach |
La croix de ma mère |
1843
|
569 |
Viotti |
Violin Concerto No.1 in C major |
|
571 |
Viotti |
Violin Concerto No.3 in A major |
|
574 |
Viotti |
Violin Concerto No.6 in E major |
|
580 |
Viotti |
Violin Concerto No.12 in B-flat major |
|
582 |
Viotti |
Violin Concerto No.14 in A minor |
|
585 |
Viotti |
Violin Concerto No.17 in D minor |
|
595 |
Viotti |
Violin Concerto No.27 in C major |
|
598 |
Offenbach |
Prière et boléro, Op.22 |
|
824 |
Le Carpentier |
Etude complète des Gammes pour Piano |
|
1237 |
Pilati |
Guirlande de fleurs |
1855
|
1345 |
Ketterer |
Ballade, Op.35 |
1856
|
1668 |
Grisar |
Les douze innocentes (Air, v.s.) |
1865
|
1671 |
Grisar |
Les douze innocentes (vocal score) |
1866
|
1899 |
Croisez |
Les deux pigeons |
1875
|
1910 |
Barbot |
La vera napoletana, Op.110 |
1876
|
1911 |
Barbot |
Illustrations des Puritains de Bellini, Op.111 |
1876
|
1912 |
Barbot |
Illustrations de Don Juan de Mozart, Op.112 |
1876
|
1913 |
Barbot |
Illustrations de Freyschütz de Weber, Op.113 |
1876
|
1914 |
Barbot |
Illustrations de La flûte enchantée de Mozart, Op.114 |
1876
|
1918 |
Battmann |
Malborough, Op.387 |
1876
|
1919 |
Battmann |
Le roi Dagobert, Op.388 |
1876
|
1920 |
Battmann |
Frère Jacques, Op.389 |
1876
|
1921 |
Battmann |
Fantaisie brillante sur 'La dame blanche', Op.390 |
1876
|
1938–40 |
Battmann |
Les petites amies |
1879
|
1941–43 |
Battmann |
Les petites sœurs |
1879
|
Sources Consulted
Authority control
Links
Works with scores published by Janet et Cotelle