Le jeu de Robin et Marion (Halle, Adam de la)

Movements/SectionsMov'ts/Sec's	1 act
Composition Year	1282-83 ca.
Genre Categories	Theatrical Works; Works with undetermined instrumentation; French language; For mixed chorus (arr); Scores featuring mixed chorus (arr); For unaccompanied chorus (arr)

1 Performances
- 1.1 Recordings
2 Sheet Music
- 2.1 Scores
- 2.2 Arrangements and Transcriptions
  - 2.2.1 Robin m'aime
    - 2.2.1.1 For Mixed Chorus (Damrosch)
3 General Information
4 Navigation etc.

Performances

Recordings

Addfilenum[1]

See: Weltliche Musik um 1300 (Anonymous), side 1 (Telefunken SAWT 69504-A, 1964), with Studio der frühen Musik

Sheet Music

Scores

Complete Score
*#585042 - 1.91MB, 50 pp. - 0.0/10 2 4 6 8 10 (-) - V/24/V - 2472×⇩ - Pianoman121

PDF scanned by US-R
Pianoman121 (2019/8/11)

Editor	Jean Beck (1881-1943), harmonization
Language	English / Old French
Translator	John Murray Gibbon (1875–1952)
Publisher. Info.	Boston: C.C. Birchard & Company, 1928. Plate 1365.
Copyright	Public Domain [tag/del]
Misc. Notes	This file is part of the Sibley Mirroring Project. Beck's reconstruction uses an orchestra of flutes, oboes, horn, bassoon, ophicleide, battery, and strings.
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Arrangements and Transcriptions

Robin m'aime

For Mixed Chorus (Damrosch)

Complete Score
*#587568 - 0.36MB, 4 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/36 - 46×⇩ - Pianoman121

PDF scanned by US-R
Pianoman121 (2019/8/29)

Arranger	Frank Damrosch (1859-1937)
Language	English / Old French
Translator	Sigmund Spaeth (1885–1965)
Publisher. Info.	New York: Schirmer, 1913. Plate 24459.
Copyright	Public Domain - Non-PD EU [tag/del]
Misc. Notes	This file is part of the Sibley Mirroring Project.
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General Information

Work Title	Le jeu de Robin et Marion
Alternative. Title
Composer	Halle, Adam de la
I-Catalogue NumberI-Cat. No.	IAH 5
Movements/SectionsMov'ts/Sec's	1 act
Year/Date of CompositionY/D of Comp.	1282-83 ca.
Librettist	Composer
Language	Old French
Composer Time PeriodComp. Period	Medieval
Piece Style	Medieval
Instrumentation	voices, but with unknown accompaniment if any for the original

Navigation etc.

Although Beck called this a "comedy opera" in his reconstruction and harmonization, the original was somewhat loosely connected to the "pastourelle", a poetic form that concerned the romance of a shepherdess. Neither "operas" nor "pastorales" really is an accurate genre for the original 13th-century work.