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Recordings
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Synthesized/MIDI
⇒ 17 more: Consolation • Dieu de bonté • Au tombeau • Comme la rosée du matin • Dieu de vérité • Un amour si puissant • Emmanuel • Frappé pour mes péchés • Le temps des décisions • Auprès du ruisseau • C'est par la foi • Pour Sylvie • Compassion • Un amour éternel • Si tu connaissais qui est Jesus • Guérison • Revelation
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Stephane Ansons
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Synthesized (Finale)
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Sheet Music
Scores
⇒ 17 more: Consolation • Dieu de bonté • Au tombeau • Comme la rosée du matin • Dieu de vérité • Un amour si puissant • Emmanuel • Frappé pour mes péchés • Le temps des décisions • Auprès du ruisseau • C'est par la foi • Pour Sylvie • Compassion • Un amour éternel • Si tu connaissais Jésus • Guérison • Revelation
| Publisher. Info.
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Stephane Ansons
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| Copyright
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General Information
| Work Title
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Le piano spirituel
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| Alternative. Title
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| Composer
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Ansons, Stephane
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| Internal Reference NumberInternal Ref. No.
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ISA 7
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| Movements/SectionsMov'ts/Sec's
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18 pieces
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| Year/Date of CompositionY/D of Comp.
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2011
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| First Publication.
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2011
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| Composer Time PeriodComp. Period
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Modern
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| Piece Style
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Modern
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| Instrumentation
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Piano
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Navigation etc.
From the Composer
This piece is part of a collection I named "The spiritual piano" as it is related to the main topics of the Gospel. I will release progressively other works from that collection. Some of them have still to be noted into Finale to have them in a clear format. I am still composing the old way: paper sheet, pen and a eraser! Enjoy music !
This work cannot be used for commercial purpose without the agreement of the composer. Please contact me by email in this case.
- Note on 'Dieu de vérité': "This piece uses the whole tone scale to figure out God's truth"
- Guérison - This piece uses lefthand voicings and upper structures common in modern Jazz. But this piece is a classical one not jazz.
- Revelation - I have named the final piece after the last book of the Bible. The piece makes a good usage of lefthand chord's voicings . I am pretty happy with the fact that these typical jazz chords have now joined the classical piano mainstream.
