Les minarets (David, Félicien)

Movements/SectionsMov'ts/Sec's 3 fantasias
First Publication 1845 – Paris: Bureaux de la France musicale
Genre Categories Fantasias; For piano; Scores featuring the piano; For 1 player

Contents

Performances

Sheet Music

Scores

 Complete Score (black and white)
#524322 - 1.62MB, 16 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 42×⇩ - Cypressdome

PDF scanned by F-Pn
Cypressdome (2018/5/20)

 Complete Score (ca.400dpi color)
#524323 - 50.71MB, 16 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 7×⇩ - Cypressdome

PDF scanned by F-Pn
Cypressdome (2018/5/20)

Editor First edition
Publisher. Info. Paris: Bureaux de la France musicale, n.d.[1845].
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Original images: ca.400dpi, color jpg files approx. 4600 by 5880 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. This file is based on high-resolution images obtained from the source using a method explained on this page.
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General Information

Work Title Les minarets
Alternative. Title 3 Fantaisies pour le piano
Composer David, Félicien
I-Catalogue NumberI-Cat. No. IFD 24
Movements/SectionsMov'ts/Sec's 3 fantasias:
  1. Souvenir d'Egypte
  2. Sous la tente
  3. Adieux à l'Orient
First Publication. 1845 – Paris: Bureaux de la France musicale
Copyright Information Publication noted in the Bibliographie de la France 
(34th Year, No.46, 15 November 1845, p.604).
Dedication see below
  1. à Mademoiselle Jenny Montgolfier
  2. à M. Th. de Seynes
  3. à Mademoiselle Jenny Montgolfier
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation piano

Navigation etc.

  • First published as Mélodies orientales (together with the pieces from Les brises d'Orient).
  • Bibliographie de la France entry lists the publication information as "A Paris, place de la Bourse, 29." BNF lists the publisher as "Paris : Bureaux de la France musicale." This was also known as Bureau Central de la Musique which was apparently an imprint used by Escudier.
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