List of works by Anton Bruckner

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Category:Bruckner, Anton.
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Please consult the manual of style for creating composer work lists. See also: List of compositions by Anton Bruckner on Wikipedia

WAB 1, Afferentur regi for Mixed Choir, and 3 Trombones ad lib. (1861), Universal Edition (Vienna) 1922
WAB 2, Am Grabe, for Male Choir a cappella (1861), Universal Edition (Vienna) 1923
WAB 3, 2 Asperges me, for Mixed Choir and Organ (ca.1845)
WAB 4, Asperges me, for Mixed Choir a cappella (ca.1843/44)
WAB 5, Ave Maria (I) for Soprano, Alto, Choir, Organ and Cello (1856), Johann Gross (Innsbruck) 1893
WAB 6, Ave Maria (II), for Mixed Choir (SAATTBB) a cappella (1861), Emil Wetzler (Vienna) 1887
WAB 7, Ave Maria (III), for Alto, Piano, Organ or Harmonium (1882), Anton Böhm & Sohn (Augsburg and Vienna) 1927
WAB 8, Ave Regina caelorum, for Voices and Organ (ca.1886), Universal Edition (Vienna) 1921
WAB 9, Messe für den Gründonnerstag, for Mixed Choir a cappella, (1844-45), Anton Böhm & Sohn (Augsburg and Vienna) 1931. Kyrie and Gloria lost (See WAB deest 11)
WAB 10, Christus factus est (II), Choir (SSAATTBB), 3 Trombones and Strings ad lib. (ca. 1873), Musikwissenschaftlicher Verlag (Vienna) 1934
WAB 11, Christus factus est (III), Choir a cappella (1884), Theodor Rättig (Vienna) 1886
WAB 12, Dir, Herr, dir will ich mich ergeben, Choir a cappella (1845)
WAB 13, Ecce sacerdos magnus for Choir, 3 Trombones and Organ (1885), Universal Edition (Vienna) 1911
WAB 14, Entsagen, Cantata for Soprano (or Tenor), Choir, and Organ (or Piano) (ca.1851), Doblinger (Vienna) 1956
WAB 15, Festgesang, Cantata for Soprano, Tenor, Bass, Choir and Piano (1855)
WAB 16, Festkantate, Cantata for Male Choir, Bass-Solo, Male quartet, Winds and Timpani (1862), Doblinger (Vienna) 1955
WAB 17, In jener letzten der Nächte, (ca.1848), setting 1: Voice and organ; setting 2: Choir a cappella, Anton Böhm & Sohn (Augsburg and Vienna) 1931
WAB 18, Iam lucis orto sidere (In S. Angelorum custodem)

Version 1 (E Phrygian, 1868): setting 1: Choir a cappella; setting 2: Choir and organ

Version 2 (G Phrygian, 1886): Male choir a cappella

WAB 19, Inveni David (I), Male choir and 4 Trombones (1868)
WAB 20, Inveni David (II), Voice and Organ (1879) = Verse of Os justi, WAB 30, which was skipped in Theodor Rättig's edition (1886)
WAB 21, Libera me (I), Choir and Organ (ca.1843)
WAB 22, Libera me (II), Choir (SSATB), 3 Trombones, Cello, Contrabass and Organ (1854), Universal Edition (Vienna) 1922
WAB 23, Locus iste, Choir a cappella (1869), Theodor Rättig (Vienna) 1886
WAB 24, Magnificat, Soli, Choir, Strings without violas, 2 Trumpets, Timpani and Organ (1852)
WAB 25, Windhaager Messe (Choral-Messe C-Dur), Alto, 2 Horns, and Organ (1842)
WAB 26, Mass No.1 in D minor, Soli, Choir, Orchester, and Organ ad lib. (1864, rev. 1876, rev. 1881-82), Johann Gross (Innsbruck) 1892
WAB 27, Mass No.2 in E minor, Choir and Winds (1866, rev. 1876, 1882, 1885 and 1896), Doblinger (Vienna) 1896
WAB 28, Mass No.3 in F minor, Soli (SATB), Choir and Orchestra, and organ ad lib. (1867-68, rev. 1876, 1877, 1881 and 1890-93), Doblinger (Vienna) 1894
WAB 29, Missa solemnis, Soli, Choir, Orchestra and Organ (1854), Musikwissenschaftlicher Verlag (Vienna) 1934
WAB 30, Os justi, Choir a cappella (1879), Theodor Rättig (Vienna), 1886. Ending verse Inveni David skipped in Rättig's edition - See WAB 20
WAB 31, Pange lingua, Choir a cappella (ca.1835, rev. 1891)
WAB 32, Tantum ergo, Choir a cappella (ca.1845), issued as Pange lingua by Universal Edition (Vienna) 1914
WAB 33, Pange lingua, Choir a cappella (1868), Johann Gross (Innsbruck) 1895
WAB 34, Psalm 22, Choir and Piano (ca.1852)
WAB 35, Psalm 112, Choir (SSAATTBB) and Orchestra (1863), Universal Edition (Vienna) 1926
WAB 36, Psalm 114, Choir (SAATB) and 3 Trombones (1852)
WAB 37, Psalm 146, Soli, Choir (SSAATTBB) and Orchestra (ca.1856)
WAB 38, Psalm 150, Soprano, Choir and Orchestra (1892), Doblinger (Vienna) 1892
WAB 39, Requiem, Soli, Choir, Orchestra and Organ (1849), Benno Filser (Augsburg) 1930
WAB 40, Salvum fac populum, Choir a cappella (1884)
WAB 41, 4 Tantum ergo - version 1 (1846): Choir and organ ad lib.; version 2 (1888): Choir a cappella, Johann Gross (Innsbruck) 1893 (together with the Tantum ergo, WAB 42)
WAB 42, Tantum ergo, Choir (SSATB) and Organ (1846, rev. 1888), Johann Gross (Innsbruck) 1893 (as 5th Tantum ergo after the 4 Tantum ergo, WAB 41)
WAB 43, Tantum ergo, Choir and Organ (ca.1845)
WAB 44, Tantum ergo, Choir, 2 Violins, 2 Trumpets and Organ (ca.1854)
WAB 45, Te Deum, Soli (SATB), Choir (SATB), Orchestra and Organ ad lib. (1881, rev. 1884), Theodor Rättig (Vienna) 1885
WAB 46, Tota pulchra es, Tenor, Choir and Organ (1878), Emil Wetzler (Vienna) 1887
WAB 47, Totenlied No.1, Choir a cappella (1852)
WAB 48, Totenlied No.2, Choir a cappella (1852)
WAB 49, Trauungslied, Male Choir with Solo Quartet and Organ (1865)
WAB 50, Veni creator spiritus, Voice(s) and Organ (ca.1884)
WAB 51, Vexilla regis, Choir a cappella (1892), Josef Weinberger (Vienna) 1892
WAB 52, Virga Jesse, Choir a cappella (1885), Theodor Rättig (Vienna) 1886
WAB 53, Vor Arneths Grab, Male Choir and 3 Trombones (1854)
WAB 54, Zur Vermählungsfeier, Male Choir a cappella (1878), Universal Edition (Vienna) 1921
WAB 55, Der Abendhimmel (I), Male Quartet a cappella (1862)
WAB 56, Der Abendhimmel (II), Male Choir a cappella (1866), Doblinger (Vienna) 1902
WAB 57, Abendzauber, Male Choir, Tenor or Bariton Solo, 3 female Voices (“Yodelers”) and 4 Horns (1878), Universal Edition (Vienna) 1911
WAB 58, Wie bist du, Frühling, gut und treu (Amaranths Waldeslieder), Voice and Piano (ca.1858)
WAB 59a, An dem Feste, Male Choir a cappella (ca.1843)
WAB 59b, Festlied, Male Choir a cappella, Anton Böhm (Augsburg and Vienna) 1928 – Transcription of An dem Feste, not included in the Bruckner Gesamtausgabe
WAB 59c, Tafellied, Male Choir a cappella (1893) – Reissue of An dem Feste
WAB 60, Mayer Cantata (Auf, Brüder, auf! Und die Saiten zur Hand), Cantata for Soli, Male Choir, Choir and Winds (1855)
WAB 61, Arneth Cantata, Cantata for Choir (SATTBB), 3 Horns, 2 Trumpets and Bass trombone

WAB 61a - Heil, Vater! Dir zum hohen Feste (1852)

WAB 61b - rev. 1857 as Auf Brüder! auf zur frohen Feier

WAB 61c - rev. 1870 as Heil Dir zum schönen Erstlingsfeste (not inclued in the Bruckner Gesamtausgabe as it is not known if Bruckner made any contribution to this version)

WAB 62, Des Dankes Wort sei mir vergönnt, Male Choir with Tenor and Bass Solo a cappella (1855)
WAB 63, Der deutsche Gesang (Das deutsche Lied), Male Choir, 4 Horns, 3 Trumpets, 3 Trombones and Basstuba (1892), Universal Edition (Vienna) 1911
WAB 64, Du bist wie eine Blume, Vocal Quartet a cappella (1861)
WAB 65, Das edle Herz (1.setting), Male Choir a cappella (ca.1851), Robitschek (Vienna) 1954
WAB 66, Das edle Herz (2.setting), Mixed Choir a cappella (1857)
WAB 68, Frühlingslied, Voice and Piano (1851)
WAB 69, Die Geburt, Male Choir a cappella (1851/52)
WAB 70, Germanenzug, Male Choir, Male quartet and Winds (1863-65), Josef Kränzl (Ried) 1865
WAB 71, Helgoland, for Male Choir and Orchestra with Cymbals (1893), Doblinger (Vienna) 1893
WAB 72, Herbstkummer, Tenor and Piano (1864)
WAB 73, Herbstlied, for Male Choir, 2 Soprano-soli and Piano (1864), Universal Edition (Vienna) 1911
WAB 74, Das hohe Lied, Soli (TTB) and Male choir (1876) - Reissued with accompaniment of strings and brass (1879), Doblinger (Vienna) 1902
WAB 75, Im April, for Voice and Piano (ca.1865), Doblinger (Vienna) 1899
WAB 76, Lasst Jubeltöne laut erklingen, Male Choir, 2 Horns, 2 Trumpets and 4 Trombones (1854)
WAB 77, Der Lehrerstand, Male Choir a cappella (ca.1847)
WAB 78, Das Lied vom deutschen Vaterland, Male Choir (ca.1845)
WAB 79, Mein Herz und deine Stimme, Voice and Piano (1868)
WAB 80, Mitternacht, Male Choir, Tenor-solo and Piano (1870), Doblinger (Vienna) 1903
WAB 81a, Nachruf, Male Choir and Organ (1877)
WAB 81b, Trösterin Musik, Male Choir and Organ (1886), Universal Edition (Vienna) 1911 – Reissue of Nachruf with another text
WAB 82, Sängerbund, Male Choir a cappella (1882), Universal Edition (Vienna) 1911
WAB 83, 2 Sängsprüche, for Male Choir a cappella (1851)
WAB 84.1/137, Wie des Bächleins Silberquelle, Duet for 2 sopranos and piano (ca.1845). Sketch (60 bars) - text reused for Ständchen, WAB 84.2
WAB 84.2, Ständchen, Male Quartet, Tenor-Solo a cappella (ca.1846), Robitschek (Vienna) 1954
WAB 85, Sternschnuppen, Male Quartet a cappella (ca.1848), Robitschek (Vienna) 1954
WAB 87, Träumen und Wachen, Male Choir with Tenor-Solo a cappella (1890), Theodor Rättig (Vienna) 1891
WAB 89, Um Mitternacht (1.setting), Male Choir, Alto-Solo and Piano (1864), Universal Edition (Vienna) 1911
WAB 90, Um Mitternacht (2.setting), Male Choir a cappella with Tenor-Solo (1886), Universal Edition (Vienna) 1911
WAB 91, Vaterländisch Weinlied, Male Choir a cappella (1866)
WAB 92, Vaterlandslied, Male Choir with Tenor- and Bariton-Solo a cappella (1866), Doblinger (Vienna) 1903
WAB 93, Vergissmeinnicht, originally entitled Musikalischer Versuch nach dem Kammer-Styl - Cantata for Choir (SSAATTBB), 4 Solo Voices and Piano (1845) – 2 versions; reissued as Vergissmeinnicht
WAB 94, Volkslied – 2 versions: Voice and Piano, and Male Choir a cappella (ca.1882)
WAB 95, 2 Wahlsprüche for choir a cappella (ca.1868)
WAB 96, March in D minor for Orchestra (1862)
WAB 97, 3 Pieces for Orchestra (1862)
WAB 98, Overture in G minor for Orchestra (1862, rev. 1863), Universal Edition (Vienna) 1921
WAB 99, Symphony in F minor (Study Symphony) (1863), Universal Edition (Vienna) 1913 (only the Andante)
WAB 100, Symphony in D minor 'Nullte' (1869), Universal Edition (Vienna) 1924
WAB 101, Symphony No.1 in C minor (Early draft 1865, Linz version 1866, Revised Linz version 1877, Vienna version 1891), Doblinger (Vienna) 1893 (Vienna version)
WAB 102, Symphony No.2 in C minor (1872 [1. Version], rev. 1875-76, 1877 [2. Version], and rev. 1892), Doblinger (Vienna) 1892 (rev. 1892)
WAB 103, Symphony No.3 in D minor "Wagner-Symphonie" (1873 [1. Version], rev. 1874, 1877 [2. Version], 1889 [3. Version], and rev. 1890), Theodor Rättig (Vienna) 1878 (2.Version), Theodor Rättig (Vienna), 1890 (3.Version)
WAB 104, Symphony No.4 in E-flat major "Die Romantische" (1874 [1. Version], rev. 1878, 1878-80 [2. Version] and rev.1888 [3. Version]), Albert J. Gutmann (Vienna) 1889 (3.Version)
WAB 105, Symphony No.5 in B-flat major "Die Katholische" (1876-78), Doblinger (Vienna) 1896 (Schalk revision)
WAB 106, Symphony No.6 in A major (1881), Doblinger (Vienna) 1899 (Schalk revision)
WAB 107, Symphony No.7 in E major (1883), Albert J. Gutmann (Vienna) 1885
WAB 108, Symphony No.8 in C minor "Die Apokalyptische" (1887 [1. Version], rev. 1888, 1890 [2. Version], rev. 1892), Haslinger-Schlesinger-Lienau (Vienna) 1892
WAB 109/143, Symphony No.9 in D minor (unfinished, parts of 4th movement lost) (1894-1896), Doblinger (Vienna) 1903 (Löwe's revision)
WAB 110, Abendklänge, Duo for Violin and Piano (1866)
WAB 111, String Quartet (1862), Musikwissenschaftlicher Verlag (Vienna) 1955
WAB 112, String Quintet (1879), Albert J. Gutmann (Vienna) 1884
WAB 113, Intermezzo for 2 Violins, 2 Violas and Cello (1879), Universal Edition (Vienna) 1913
WAB 114, Aequale (I) for 3 Trombones (1847)
WAB 115, Apollo-Marsch (ca.1862) – Actually not by Bruckner, but by Béla Kéler
WAB 116, Military March in E-flat major (1865)
WAB 117, Erinnerung for Piano (1868), Doblinger (Vienna) 1900
WAB 118, Fantasie in G major for Piano (1868), Hüni (Zürich) 1921
WAB 119, Klavierstück, Piece for Piano (ca.1856)
WAB 120, 4 Lancier-Quadrilles for Piano (ca.1850)
WAB 121, Quadrille for Piano 4 hands (ca.1854)
WAB 122, Steiermärker for Piano (ca.1850)
WAB 123, Stille Betrachtung an einem Herbstabend for Piano (1863)
WAB 124, 3 Kleine Vortragsstücke for Piano (4 hands) (1855), Universal Edition (Vienna) 1925
WAB 125, Fugue in D minor for Organ (1861). München: R. Piper & Co., 1911.
WAB 126/1, Postlude in D minor for Organ (ca.1847), Anton Böhm & Sohn (Augsburg and Vienna) 1927
WAB 126/2, Prélude in D minor (Andante) for Organ (ca.1847), Anton Böhm & Sohn (Augsburg and Vienna) 1927
WAB 127, 3 Preludes for Organ for Organ (ca.1836) – doubtful authenticity, possibly by Johann Baptist Weiß
WAB 128, 4 Preludes for Organ (ca.1836) – doubtful authenticity, possibly by Johann Baptist Weiß
WAB 129, Perger Präludium in C major for Organ (1884), Universal Edition (Vienna) 1926
WAB 131, Vorspiel und Fuge for Organ (1847), Gustav Bosse (Regensburg) 1928
WAB 132, Litanei, Choir and Brass (ca.1844), lost.
WAB 133, Requiem, Male Choir and Organ (1845), lost.
WAB 134, Salve Maria (1844), lost.
WAB 135, Zigeuner-Waldlied (ca.1863), lost.
WAB 136, Domine, ad adjuvandum me festina (ca.1835), only sketch – not by Bruckner, but Johann Baptist Weiß
WAB 138, Mild wie Bäche, die durch Blumen wallen, Voice and Piano (ca.1845). Sketch (31 bars)
WAB 139, Mass in E-flat major, for choir, 2 oboes, 3 trombones, organ, and strings (ca.1846), only sketch (58 bars) of Kyrie
WAB 140, Missa pro Quadragesima, for choir, organ and trombone (ca.1845), only sketch (17 bars) for Kyrie
WAB 141, Requiem (1875), Sketch (18 bars) of Introit
WAB 142, Symphony in B-flat major (1869), only sketch of 1st movement
WAB 144, Herz-Jesu-Lied, Choir and Organ (ca.1846). Authorship uncertain
WAB 145, O du liebes Jesu Kind, Voice(s) and Organ (ca.1846). Authorship uncertain
WAB 146, Kronstorfer Messe (Messe ohne Gloria [und Credo]), Choir a cappella (1844). Credo foreseen, but not composed.
WAB 147, Freier Sinn und froher Mut, Male Choir a cappella (1874)
WAB 148, 2 Mottos, Male Choir a cappella (1869), Motto, Begrüßung
WAB 149, Aequale (II) for 3 Trombones (1847) - Missing score of bass-trombone, completed by Hans Bauernfeind
WAB 200, Der Mondabend (1851 ca.), „Rein und freundlich lacht der Himmel“ for Voice and Piano, Anton Bruckner Institut Linz (2015)
WAB 201, Der Trompeter an der Katzbach, Lied
WAB 202, Des Baches Frühlingsfeier, Lied
WAB 203, Heut kommt ja Freund Klose zum Gause (1889), Canon for Vocal Quartet - not included in the Bruckner Gesamtausgabe
WAB 204, Nachglück Lied
WAB 205, O habt die Thräne gern Lied
WAB 206, Vor der schlummernden Mutter Lied
WAB 207, Wie neid ich dich, du stolzer Wald Lied
WAB 208, Rondo in C minor (1862) for String Quartet, Musikwissenschaftlicher Verlag (Vienna) 1985 - Alternative Rondo for the String Quartet, WAB 111
WAB 209, Sechs Scherzi, Streichquartett
WAB 210, Thema und Variationen, Streichquartett
WAB 211, Zwei Andantes, Klavierstücke
WAB 212, Chromatische Etüde, Klavierstücke
WAB 213, Duo
WAB 214, Etüde
WAB 215, Vier Fantasien, Fantasie
WAB 216, Fünf Klavierstücke, Klavierwerke
WAB 217, Drei Märsche, Marsch
WAB 227, Kyrie und Gloria (1845), for Mixed Chorus (SATB) a cappella - Lost Kyrie & Gloria for the Messe für den Gründonnerstag, WAB 9
WAB add 240, Improvisationskizze Ischl (1890), Sketch for Organ based on the "Finale of Symphony No.1", "Händel's Alleluja" & the Kaiserhymne for the wedding of Archduchess Marie Valerie of Austria with Archduke Franz Salvator in Bad Ischl on 30 July 1890
WAB add 241, 3 Themes for an Organ Improvisation (1884), Sketch for Organ used by Bruckner for an improvisation at Kremsmünster on 21 August 1884
WAB add 243, Sonatensatz in G minor (1862), for Piano, Musikwissenschaftlicher Verlag (Vienna) 1988
WAB add 244, Symphonie-Entwurf in d-Moll (1863), 20 sketsches for a Symphony in D minor
WAB add 258, Kurze Generalbass Regeln (1868 ca.), Musiksammlung der Österreichischen Nationalbibliothek (Vienna) 1975
WAB add 263, Aennchen von Tharau (1851 ca.), for Voice and Piano
WAB add 264, Aus dem Zauberschleier (1851 ca.), „Lebe wohl geliebtes Wesen“ Lied für Singstimme und Klavier in D‑Dur, „Langsam“
WAB add 265, Accompaniment for three trombones added to Franz Josef Aumann's Ecce quomodo moritur justus (1878 ca.), Responsory
WAB add 266, Orchestration of Beethoven's 'Sonate pathétique' (1862), Musikwissenschaftlicher Verlag (Vienna) 2015
WAB add 268, Accompaniment for three trombones added to Franz Josef Aumann's Tenebrae factae sunt (1878 ca.), Responsory
WAB add 321, Walzer (1851 ca.) Waltz