List of works by Bruno Oscar Klein

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Category:Klein, Bruno Oscar.
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Sources:

Works with Opus Number

  • Op.1 - Sonata in G minor, piano (unpublished?)
  • Op.2 - 6 songs (unpublished?)
  • Op.3 - 6 songs (unpublished?)
  • Op.4 - 4 songs for mixed chorus (unpublished?)
  • Op.5 - 6 songs for male chorus (unpublished?)
  • Op.6 - String quartet (unpublished?)
  • Op.7 - Deuxième Valse lente (Boston: Ditson).
  • Op.8 - 6 songs (unpublished?)
  • Op.9 - 8 deutsche Volkslieder (Berlin: Fr. Luckhardt, 1888).
  1. Das zerbrochene Ringlein
  2. Der Wirtin Töchterlein
  3. Oberschwäbisches Tanzlied
  4. Es fiel ein Reig
  5. Untreue
  6. Der verlorene Schatz
  7. Die Trauernde
  8. Lebewohl
  • Op.10 - Violin Sonata No.1 in G major (Leipzig: Hofmeister, 1887/88).
  • Op.11 - Two motets for mixed chorus (unpublished?)
  • Op.12 - Two sacred duets, for soprano and baritone, Op. 13? (unpublished?)
  • Op.13 - 6 Tonstücke in Tanzform (Bremen: Praeger, 1882).
  1. Polonaise
  2. Ländler
  3. Ländler
  4. Intermezzo scherzando
  5. Walzer
  6. Mazurka
  1. Brautwebung
  2. Wiegenlied
  • Op.15 - Valse-Caprice, for piano (Bremen: Praeger, 1882).
  • Op.16 - Deuxième Valse-Caprice, for piano (Praeger).
  • Op.17 - Wallfahrt nach Kevlaar, for baritone or alto and piano (Berlin: Luckhardt, 1887).
  • Op.17 - 3 Lieder ohne Worte für Z(ither?) (Rörich, 188?).
  1. Morgengruss
  2. Röschens Traum
  3. Abendgesang
  • Op.18 - Elfenmärchen, for piano (Leipzig: Hofmeister, 1888).
  • Op.19 - Scènes de Ballet, for piano (New York: Schirmer). (Vogue gives as for orchestra)
  1. Allegro moderato
  2. Allegretto grazioso
  3. Vivace ma non tanto
  • Op.20 - 5 pieces for piano (New York: Schirmer).
  1. Lento non tanto
  2. Allegro maestoso
  3. Tempo di Valser lento
  4. Intermezzo scherzando
  5. Andante soave
  • Op.21 - Gretchen am Spinnrad, for piano (St. Louis: Kunkel Brothers, 1882).
  • Op.22 - 2 Konzertstücke, for piano and violin (Leipzig: Hofmeister, 1887). (Vogue gives accompaniment as for orchestra.)
  1. Romanze
  2. Spinnlied
  • Op.23 - 2 sacred vocal works, for soprano, tenor, baritone and organ (New York: Schirmer).
  1. Ave Maria
  2. Ave Verum
  • Op.24 - Two overtures (one in the old style) for orchestra
  • Op.25 - Suite for Piano, also called 5 Morceaux (New York: Schirmer, 1886).
  1. Prelude
  2. Thème with Variations
  3. Minuet
  4. Elegy
  5. Gavotte
  • Op.26 - Sacred motets, Op. 27? (unpublished?)
  • Op.27 - Ingeborg's Klage aus der Frithjofs-Sage von E. Tegnér, for mezzo-soprano with orchestra or piano accompaniment (Boston: A.P. Schmidt, 1891).
  • Op.28 - Sacred Compositions (New York: Pond).
  1. Adoro Te
  2. O Sanctissima
  3. Iste Confessor
  4. Salve Regina
  5. Jesu Dulcis Memoria
  • Op.28 - Suite for Cello and Orchestra (Berlin: Simrock, 1904/5.)
  1. Larghetto
  2. Minuetto appassionato
  3. Intermezzo
  4. Finale
  • Op.29 - 7 Motetten für SATB (tielweise mit org.) (Boston: A.P. Schmidt, 1891).
  1. Beati omnes (Psalm 127)
  2. Ecce sacerdos magnus
  3. Pie Jesu
  4. Lamentation Jeremiae Prophetae: Manum suam misit hostis
  5. Lamentation Jeremiae Prophetae: Ego vir videns
  6. O salutaris hostia
  7. Tantum ergo
  • Op.30 - Paschal Mass, including gradual, offertory and Veni Creator, for mixed chorus with accompaniment of orchestra or organ (J. Fischer, ©1891).(Vogue gives this as Op. 31)
  • Op.30 - Concerto for piano and orchestra in A minor (unpublished?)
  • Op.31 - Violin Sonata No.2 in B minor (Berlin: Simrock, 1904).
  • Op.32 - 2 Morceaux, for piano (New York: Schirmer).
  1. Zwiegespräch (Le Secret d'Amour, Dialogue). Also arranged for piano 4-hands, violin or cello and piano, string quartet, organ.
  2. Valse Impromptu
  • Op.33 - Mass in D major, soloists, chorus, orch (possibly same as Mass in D, Op. Post.?)
  • Op.34 - Sonata for Piano and Violoncello in C, Op. 34 (unpublished?)
  • Op.34 - 6 Lieder und Gesänge for male (TTBB) voices (Boston: A.P. Schmidt, 1890).
  1. Abschied: „Die Stunde ruft zum Scheiden“
  2. Das alte Lied: „Es war ein alter König“ f. Bass Solo m. Brummst
  3. Trinklied (bei Mondenschein zu singen): „Spricht der Mond“ m. Bar. Solo
  4. „Aus der Jugendzeit“
  5. Vale carissima: „Es war ein Mönch Waltramus“
  6. Weihnachtsabend: „Heil’ge Nacht! nahst du leise dich der Welt“ m. Pfte
  • Op.35 - 3 pieces for piano (New York: Schirmer).
  1. Danse orientale
  2. Mélodie Etude
  3. Danse Bohémienne
  • Op.36 - 6 Lieder und Gesänge for mixed (SATB) voices (Boston: A.P. Schmidt).
  • Op.37 - 2 pieces for piano (New York: Schirmer).
  1. Idylle
  2. Air de Ballet
  • Op.38 - Ballade for violin and piano (Leipzig: Hofmeister, 1889). (Possibly this has been mistaken for Op.58) (Vogue gives accompaniment as for orchestra)
  • Op.39 - 2 pieces for piano (New York: Schirmer).
  1. Romance
  2. Valse noble
  • Op.40 - Album poétique, for piano (Boston: A.P. Schmidt, 1890).
  1. Spring Morning
  2. Evening in the Woods
  3. Night on the Rhine
  4. Angelus
  5. Slavonian Cradle Song
  6. Capriccietto
  • Op.41 - Capriccio, for piano (Boston: A.P. Schmidt).
  • Op.42 - Fünf Lieder und Gesänge for Baritone or Alto with piano accompaniment (Boston: A.P. Schmidt, 1891).
  1. Der Mond scheint durch den grünen Wald: „Im Grase thaut’s“
  2. Reiters Morgengesang: „Morgenroth, leuchtest mir zum frühen Tod“
  3. „Lindduftig hält die Maiennacht“
  4. Abendlied: „Der Tag neigt sich zu Ende“
  5. Serenade: „Wenn des Abends du singest“
  • Op.43 - Ein kleines Skizzenbuch. 8 charakteristische Stückchen, for piano (Boston: A.P. Schmidt, 1890)
  1. Preludio (Moto perpetuo)
  2. Märchen (Fairy Tale)
  3. Valse Noble
  4. Bei den Böhmen (In Bohemia, polka)
  5. Die kleine Spinnerin (Spinning Song)
  6. Gavotte et Musette
  7. Serenade
  8. Abendlied (Evening Song)
  • Op.44 - Missa de Nativitate Domini (2 equal voices, J. Fischer). (published in various forms- for women's voices in 1890, etc.)
  • Op.44b - Missa de Nativitate Domini (4 mixed voices, J. Fischer).
  • Op.45 - 6 Motets, for soprano and alto with organ accompaniment (J. Fischer).
  1. O salutaris hostia in E flat
  2. Tantum ergo in E flat
  3. Sub tuum presidium in E
  4. Ave verum corpus in G
  5. O salutaris hostia in D (2 versions, 2nd with simplified accompaniment)
  6. Tantum ergo in G
  • Op.46 - Geistliche Lieder, for soprano and tenor with piano or organ accompaniment (New York: Luckhardt & Belder).
  1. In seiner Hut
  2. Die Stimme Jesu
  3. Näher mein Gott zu dir
  4. So wie ich bin à
  • Op.47 -
  • Op.48 - Geistliche Lieder for soprano or tenor with piano or organ accompaniment (New York: Luckhardt & Belder, 1899). (? see op46).
  1. In seiner Hut: „Schwach und sündig wie ich bin“
  2. Die Stimme Jesu: „Die Stimme Jesu sprach zu mir“
  3. „Näher, mein Gott zu Dir“
  4. „So wie ich bin, nur wie ich bin“
  • Op.49 -
  • Op.50 - Italian Suite, for piano (New York: Schirmer).
  • Op.51 - 8 pieces for piano (New York: Schirmer).
  1. Pensée poétique
  2. Berceuse
  3. Valse triste
  4. Valse lente
  5. Longing
  6. Consolation
  7. Intermezzo
  8. Vasantasena
  • Op.52 - 7 Klavierstücke (Leipzig: Dieckmann).
  1. Impromptu
  2. Momento gracioso
  3. Erinnerung
  4. Die Schwalben
  5. Valse mélancolique
  6. Nordisches Idyll
  7. Spanisches Intermezzo
  1. In der Dorfkirche
  2. Kirmes im Dorfe
  3. An der Puppenwiege
  4. Auf dem Puppenballe
  5. Kind und Schwalbe
  6. Soldaten-Marsch
  7. Der Schutzengel
  8. Die Schalmei des Hirten
  9. Kinderspiele
  10. Heimweh
(published by Gebethner)
7. Mon Ange
9. Moto perpetuo
  • Op.54 - 8 pieces for piano (New York: Schirmer).
  1. 2me Pensée poétique
  2. Undine and Huldbrant Idylle
  3. Undine's Bridal Song
  4. Chanson mélancolique
  5. 3me Pensée poétique
  6. Tempo di Polka
  7. Valse fantastique
  8. Serenade Americain
  • Op.55 - 8 pieces for piano (New York: Schirmer).
  1. Tema con Variazioni
  2. Valse dansante
  3. Old Advent Hymn
  4. Mazurka
  5. A sad Heart
  6. Gigue
  7. Minuetto gracioso
  8. Petite Serenade
  • Op.56 - Violettes, 5 morceaux lyriques, for piano (Boston: Ditson. Leipzig: Dieckmann, 1897).
  1. Naiveté
  2. Violette blanche
  3. Resignation
  4. Violette Marie Louise
  5. Espérance
  • Op.57 - Quintet for voice, vioin, cello, horn and piano, Op. 56? (unpublished)
  • Op.58 - Ballade for Violin and Piano (Leipzig: Hofmeister, 1889).
  • Op.58 - Amerikanische Tanze für Orch. arr. piano 4-hands (Leipzig: Dieckmann, 189x).
  1. Carnaval in Louisiana
  2. In den Baumwollenfeldern
  3. In Alt-Kentucky
  4. Amerikanischer Militär-Marsch
  5. Neger-Tanz
  • Op.59 - 10 Lieder (German and English, Leipzig: Dieckmann, 1898).
  1. „Dem rothen Röslein gleicht mein Lieb“
  2. „Wenn ich auf dem Lager liege“
  3. Böhmisches Wiegenlied: „Schlaf, mein Kind, in Ruh’!“
  4. Unter Rosen: „Die Mutter, sie sass mit dem Kind auf dem Schoss“
  5. „Hör’ ich das Liedchen klingen“
  6. Wenn du nur bleibst mir treu: „So lang’ ein einz’ge Rose blüht“
  7. „Weisst du noch, wie ich am Felsen“
  8. Russisch: „Fragst umsonst, umsonst mich immer“
  9. Sonnett: „Lass’ Alles ich für dich“
  10. Du einzige Blume: „O Blume der ganzen Welt“
  • Op.60 - 4 leichte Piano-Duette (Leipzig: Dieckmann).
  1. Intermezzo Religioso
  2. Valse gracieuse
  3. Berceuse
  4. Gavotte
  • Op.61 - 4 Sacred Songs (Boston: Ditson).
  1. Forever Here My Rest Shall Be
  2. Abide with Me
  3. Jesus, the Very Thought of Thee
  4. There is a Green Hill Far Away
  • Op.62 -
  • Op.63 - No.3 Nae Shoon Hides her Tiny Taes (Boston: Ditson).
  • Op.64 - No.5 Last Night (Boston: Ditson).
  • Op.65 - 5 Songs (Boston: Ditson).
  1. To the Wood-Lark
  2. Hush Thee, Baby
  3. Nae Shoon Hides her Tiny Taes (The Baby)
  4. Last Night
  5. Golden-Tressed Adelaide
  • Op.66 - 2 songs with violin (Boston: Ditson).
  1. It is Not Death to Die
  2. Come to Me, All Ye that Labor
  • Op.67 -
  • Op.68 - 5 pieces for piano (Boston: Ditson).
  1. Tears
  2. Les Créoles
  3. Colonial Dames Dancing
  4. At the window
  5. Gavotte
  • Op.69 -
  • Op.70 - 2 pieces for piano (Boston: Ditson).
  1. Feuillet d'Album
  2. L'Echo
  • Op.71 - 3 Valses for piano (Boston: Ditson).
  • Op.72 - 4 motets for mixed chorus (unpublished?)
  • Op.73 -
  • Op.74 - 5 Lieder for soprano with piano accompaniment (Leipzig: Dieckmann).
  1. Zigeunerkind-Geheimnis
  2. Unter blühenden Bäumen
  3. Dahin
  4. Zwei Rosen
  5. Versteckt
  • Op.75 - 5 Klavierstücke (Leipzig: Dieckmann).
  1. Ave Maria
  2. Valse gracieuse
  3. Cubanischer Tanz
  4. Notturno
  5. Gavotte in C
  • Op.76 - at least 7 works (J. Fischer & Bro., ©1902 mostly)
  1. Asperges me (mixed voices & organ)
  2. O salutaris hostia in G
  3. Tantum ergo in F (mixed voices & organ)
  4. Tantum ergo in G
  5. Ave maria
  6. Tantum ergo in D♭
  7. Ave verum (for soprano and mixed chorus)
  • Op.77 -
  • Op.78 -
  • Op.79 -
  • Op.80 - 4 American Dances arranged for piano 4-hands (Leipzig: Dieckmann).
6. in G major
7. Viginia Reel No.2
8. Neger-Serenade
9. In Alabama
  • Op.81 -
  • Op.82 - Messe Solennelle for Soli, Chorus and Orchestra or Organ (J. Fischer, ©1902).
  • Op.83 -
  • Op.84 -
  • Op.85 - Mass in B-flat major, for 4 male voices and organ (J. Fischer). (©1905)
  • Op.86 - 10 Hymns and Motets, for 4 male voices and organ (J. Fischer, ca.1905).
  1. Asperges Me, for 4 male voices
  2. O Salutaris, in F, for 4 male voices
  3. O Salutaris, in B-flat, for 4 male voices
  4. Tantum Ergo, in B-flat, for 4 male voices
  5. Tantum Ergo, in G, for 4 male voices
  6. Pie Jesu Domine, for 4 male voice
  7. Ave Maria Stella, for alto (boy's voices) and 4 male voices
  8. O Maria, Virgo Pia, for alto (boy's voices) and 4 male voices
  9. Tantum Ergo (Gregorian), for alto (boy's voices) and 4 male voices
  10. Tantum Ergo, in E-flat, for alto (boy's voices) and 4 male voices
  • Op.87 -
  • Op.88 - 2 Intermezzi for violin and piano (Leipzig: Dieckmann).
  1. In den Gefilden der Seligen
  2. Im amerikanischen Volkston
  • Op.89 - 4 Lieder (Leipzig: Dieckmann).
  1. John Anderson
  2. Willst mein Schätzlein werden?
  3. Im Böhmerwald
  4. Die Nonne
  • Op.90 - Missa Brevis in F for a chorus of mixed voices (J. Fischer, ca.1909)
  • Op.91 -
  1. O salutaris hostia (tenor solo, mixed chorus, organ)
  2. -?
  3. Tantum ergo in G (SATB organ)
  • Op.92 - ?
  • Op.93 - ?
  • Op.94 - ?
  • Op.95 - ?
  • Op.96 -
  1. Salve regina for 4 mixed voices (J. Fischer, ca.1910)

Works without Opus Number

Note: limited information on some of the works listed below means that some may be excerpts of works published with an opus number.

  • Die Abendglocken (The Evening Bells) for voice and piano. (New York: G. Schirmer, 1887). Reprinted in Modern Lyrics.
  • Adoro Te, for mixed voices (New York: Pond). (Op. 28)
  • Asperges me, for mixed voices (J. Fischer).
  • Ave Maria in F major, for mixed voices (J. Fischer).
  • Ave Verum in F major, for mixed voices (J. Fischer).
  • Bridegroom, ballade for soprano and mezzo-soprano (New York: Schirmer).
  • Christ the Lord is Risen Again, for soprano solo and mixed chorus (SATB) (Boston: Ditson).
  • Cradle Song (New York: Schirmer).
  • Early Morn at the Monastery for organ. Published in Vox Organi (Boston: J.B. Millet Co., 1895).
  • Evening Prayer for organ. Published in Vox Organi (Boston: J.B. Millet Co., 1896).
  • Forsaken (New York: Schirmer).
  • God from on High hath Heard, for soprano solo and mixed chorus (SATB) (Boston: Ditson).
  • Golden-tressed Adelaide (Boston: Ditson).
  • Haec Dies, Easter Offertory for mixed chorus (SATB) (J. Fischer).
  • Hearken to Our Prayer, for soprano solo, mixed chorus (SATB), organ (J. Fischer, 1902).
  • Hodie Christus natus est, Rsonet in Laudibus, for soprano and alto (J. Fischer).
  • Hodie nobis, for mixed voices (J. Fischer).
  • Hush Thee Baby (Boston: Ditson).
  • Intermezzo for organ. Published in Vox Organi (Boston: J.B. Millet Co., 1895).
  • Irma, song in English and German (New York: Schirmer).
  • It Came Upon a Midnight Clear, Christmas anthem for soprano solo and mixed chorus (SATB) (Boston: Ditson).
  • Jesu dulcis Memoria (New York: Pond).(Op. 28)
  • Jesus Lives, for bass solo and mixed chorus (SATB) (Boston: Ditson).
  • Kenilworth : Drama in 3 Akten und einem Vorspiele. (Leipzig: Hofmeister, 1894). Fist edition apparently only published in vocal score. New edition published in both vocal and full scores (1896). Fleisher Collection has the prelude to Act 3 in full score.
  • Lovesong (New York: Schirmer). (Text after Walter Scott by Wilhelm Müller.)
  • Mass in D (Op. Posth.) (J. Fischer, 1912)
  • Messe Solenelle No.3 for 4 mixed voices (J. Fischer, ©1902). (May be Op.82)
  • Missa di Nativitate Domini, for 2 voices and organ or for SATB and keyboard (J. Fischer). (<<-- isn't this Op.44? Yes)
  • 6 Motets for two female voices (J. Fischer). (This is Op. 45)
  • My Lovely Beloved (New York: Schirmer).
  • My Mother's Memory, song for mixed chorus. Published in The Laurel Song Book (Boston: C.C. Birchard & Co., 1901).
  • Nocturne(s?) und Valse-capricen for piano (Bremen: Praeger).
  • O Come All Ye Faithful, for tenor solo and chorus (Boston: Ditson).
  • O Salutaris, for mixed voices (J. Fischer).
  • On a Night in Spring (New York: Schirmer).
  • Parting (New York: Schirmer).
  • Piano concerto in E minor (in Vogue list)
  • Poême d'amour (New York: Schirmer).
  • Pope Leo Jubilee Hymn, for SATB (J. Fischer).
  • Resonet in laudibus, for SA and organ (J. Fischer).
  • Sextet for strings (in Vogue list)
  • Tantum Ergo in D major, for mixed voices (J. Fischer).
  • Tantum Ergo in F major, for mixed voices (J. Fischer).
  • Tantum Ergo in G major, for mixed voices (J. Fischer).
  • Tempo di valse (New York: Schirmer).
  • Terra Tremuit, Easter Offertory for SATB (J. Fischer).(Part of Op. 30)
  • Tho the Wood Lark (Boston: Ditson).
  • Thou Art My Fortress, for soprano solo, SATB, organ (J. Fischer, 1902).
  • To Him Who for Our Sins was Slain, for soprano solo and SATB (Boston: Ditson).
  • To the Loved One Far Away (New York: Schirmer).
  • Veni Creator, for SATB (J. Fischer).
  • While Shepherds Watched Their Flocks by Night, for soprano solo and SATB (Boston: Ditson).
  • Whole Wide World, for SATB (Boston: Ditson).
  • Young and Fiery, Tempo di mazurka (New York: Schirmer).
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