Note: Franck started the Opus numbering twice (as child prodigy and again in early 1840s), Fauquet proposed to write the earlier numbers with a prefixed 0 (e.g., Piano Concerto No.2 is marked Op.011 instead of Op.11).
Opus | FWV | CFF | Title | Forces | Key | Date | Genre | Notes |
---|---|---|---|---|---|---|---|---|
03 | — | Grand rondo | pf | 1834 | Keyboard | |||
010 | — | 2 | Piano Sonata No.1 (Première grande sonate) | pf | D major | 1835/6 | Keyboard | |
012 | — | Grande fantaisie No.1 | pf | 1836 | Keyboard | |||
014 | — | 4 | Fantaisie No.2 | pf | D major | 1836 | Keyboard | |
015 | — | 5 | 2 Mélodies | pf | 1837 ca. | Keyboard | ||
pf | Keyboard | |||||||
019 | — | 7 | Grande fantaisie No.3 | pf | 1837 ca. | Keyboard | ||
018 | — | Piano Sonata No.2 (Deuxième sonate) | pf | 1837 ca. | Keyboard | |||
pf | Keyboard | |||||||
3 | 11 | 10 | Eglogue (Hirtengedicht) | pf | 1842 | Keyboard | ||
5 | 13 | 11 | Premier grand caprice | pf | 1843 | Keyboard | ||
7 | 14 | 12 | Souvenirs d'Aix-la-Chapelle | pf | 1843 | Keyboard | ||
9 | — | 13 | Ballade | pf | B major | 1844 | Keyboard | |
11 | 16 | 14 | Grande fantaisie No.1 sur des motifs de l'opéra "Gulistan" de Nicolas-Marie Dalayrac]] | pf | 1844 | Keyboard | ||
12 | 17 | 15 | Fantaisie No.2 sur l'air et le virelay "Le point du jour" de l'opéra "Gulistan" de Nicolas-Marie Dalayrac | pf | 1844 | Keyboard | ||
13 | — | — | Fantaisie | pf | 1844 | Keyboard | lost or never composed (d'Indy) | |
15 | 18 | 16 | Fantaisie sur deux airs polonais | pf | 1845 | Keyboard | ||
16 | — | 17 | 3 Petits riens:
|
pf | 1845 | Keyboard | ||
— | — | 18 | 2 Mélodies (à Félicité) | pf | 1848 ca. | Keyboard | ||
— | — | 19 | Polka | pf | B♭ major | 1847 | Keyboard | Éd. dans le recueil: "La danse des fées : album de polka" : Paris : la France musicale Arranged for piano 4-hands (CFF 29) |
pf | Keyboard | |||||||
— | 20 | 21 | Les plaintes d'une poupée, Mélodie | pf | 1865 | Keyboard | ||
— | — | 22 | Morceau de lecture à vue | pf | E♭ major | 1872-90 between | Keyboard | |
— | — | 23 | Piano piece | pf | A minor | 1876 | Keyboard | |
— | 21 | 24 | Prélude, Choral et Fugue | pf | B minor | 1884 | Keyboard | |
— | 22 | 25 | Danse lente | pf | 1885 | Keyboard | ||
— | 23 | 26 | Prélude, Aria et Final | pf | E major | 1886-87 | Keyboard | |
4 | 12 | Piano Duo No.1 sur le "God save the King" | pf4h | 1842 | Keyboard | |||
17 | 19 | Piano Duo No.2 sur le quatuor de "Lucile" de André-Ernest-Modeste Grétry | pf4h | 1846 | Keyboard | |||
— | — | 29 | Polka (CFF 19), arranged for piano 4-hands | pf4h | B♭ major | 1850s | Keyboard | |
18 | 30 | 30A | 6 Pièces pour grand orgue: 3. Prélude, Fugue et Variation | pf harm | B minor | Organ | ||
18 | 30 | 30B | 6 Pièces pour grand orgue: 3. Prélude, Fugue et Variation | org | B minor | 1862 | Organ | |
Organ | ||||||||
(23) | 26 | 32 | 5 Pièces pour harmonium:
|
harm | 1858 | Organ | published without Opus number | |
(23/5) | 26/5 | 5 Pièces pour harmonium: Pièce V, arranged for oboe and piano | ob pf | G major | Chamber | |||
— | 24/9 | 33 | Offertoire in A major | harm | A major | 1858 ca. | Organ | Pièces posthumes, No.12 |
— | — | 34 | Offertoire sur un noël breton | harm | A minor | 1865 ca. | Organ | |
22 (24) | 34 | 35 | Quasi marcia | harm | F♯ minor | 1862 | Organ | |
— | — | 36A | Offertoire in E♭ major (C minor) | harm | E♭ major | Organ | ||
— | 24/2 | 36B | Offertoire in E♭ major (C minor) | org | E♭ major | Organ | Pièces posthumes, No. 2 | |
— | — | 37 | Entrée in E major | harm | E major | 1875 ca. | Organ | |
— | — | 38 | Petit offertoire | harm | C minor | Organ | ||
— | — | 39 | Pièce in C minor | harm | C minor | 1880 ca. | Organ | |
— | 41/1-7 | 40 | L'Organiste: I. 7 pieces in C major and C minor:
|
harm | 1889-90 | Organ | ||
— | 41/8-14 | 41 | L'Organiste: II. 7 pieces in D♭ major and C♯ minor:
|
harm | 1889-90 | Organ | ||
— | 41/15-21 | 42 | L'Organiste: III. 7 pieces in D major and D minor:
|
harm | 1889-90 | Organ | ||
— | 41/22-28 | 43 | L'Organiste: IV. 7 pieces in E♭ major and E♭ minor:
|
harm | 1889-90 | Organ | ||
— | 41/29-35 | 44 | L'Organiste: V. 7 pieces in E major and E minor:
|
harm | 1889-90 | harm | ||
— | 41/36-42 | 45 | L'Organiste: VI. 7 pieces in F major and F minor:
|
harm | 1889-90 | Organ | ||
— | 41/43-49 | 46 | L'Organiste: VII. 7 pieces in F♯ minor and G♭ major:
|
harm | 1889-90 | Organ | ||
— | 41/50-56 | 47 | L'Organiste: VIII. 7 pieces in G major and G minor:
|
harm | 1889-90 | Organ | CFF counts these as 5 Pièces: Nos. 5 and 7 are not included | |
— | 41/57-59 | 48/1-3 | L'Organiste: IX. 3 pieces in A♭ major:
|
harm | 1889-90 | Organ | ||
— | 42 | 48/4-7 | L'Organiste: IX. 4 posthumous pieces in G♯ minor and A♭ major:
|
harm | 1889-90 | Organ | ||
— | — | 49 | Pièce pour orgue | org | E♭ major | 1846 | Organ | |
— | — | 50 | 3 Pièces pour orgue: 1. in E♭ major | org | E♭ major | 1854 | Organ | |
— | — | 51 | 3 Pièces pour orgue: 2. in A major | org | A major | 1854 | Organ | |
— | — | 52 | 3 Pièces pour orgue: 3. Prière | org | 1854 ca. | Organ | ||
16 | 28 | 53 | 6 Pièces pour grand orgue: 1. Fantaisie, Op.16 | org | C major | 1856 | Organ | |
— | 25 | 54 | Andantino in G minor | org | G minor | 1858 | Organ | |
— | 24/1 | 55 | Offertoire in F minor (Sortie) | org | F minor | 1858 ca. | Organ | Pièces posthumes, No. 1 |
— | 24/24 | 56 | Grand Chœur (Noël) | org | C major | 1858 | Organ | Pièces posthumes, No.38 |
— | 24/25 | 57 | Offertoire pour la Messe de Minuit | org | D minor | 1859 | Organ | Pièces posthumes, No.39 |
— | — | Magnificat in D major | org | D major | Organ | Pièces posthumes, No. 4 | ||
— | 24/4 | 59 | Grand Chœur | org | D major | 1858 ca. | Organ | Pièces posthumes, No. 5 |
— | 24/5 | 60 | Andantino | org | D major | 1858 ca. | Organ | Pièces posthumes, No. 6 |
— | 24/6 | 61 | Quasi marcia (Marche) | org | D minor | 1858 ca. | Organ | Pièces posthumes, No. 7 |
— | 24/7 | 62 | Allegretto | org | D major | 1858 ca. | Organ | Pièces posthumes, No. 8 |
— | — | Grand Chœur | org | D major | Organ | Pièces posthumes, No. 9 | ||
— | 24/8 | 64 | Amen | org | D major | 1858 ca. | Organ | Pièces posthumes, No.10 |
— | — | Gloria Patri | org | D major | Organ | Pièces posthumes, No.11 | ||
— | 24/10 | 66 | Quasi lento | org | F major | 1858 ca. | Organ | Pièces posthumes, No.13 3 Antiennes, CFF 91: No.1 |
— | 24/11 | 67 | Allegretto | org | C minor | 1858 ca. | Organ | Pièces posthumes, No.14 3 Antiennes, CFF 91: No.2 |
— | — | Andantino | org | D major | Organ | Pièces posthumes, No.15 | ||
— | — | Allegretto | org | D minor | Organ | Pièces posthumes, No.16 | ||
— | 24/12 | 70 | Allegretto non troppo | org | D major | 1858 ca. | Organ | Pièces posthumes, No.17 |
— | — | Magnificat in E♭ major | org | E♭ major | Organ | Pièces posthumes, No.18 | ||
— | — | Magnificat in E♭ major | org | E♭ major | Organ | Pièces posthumes, No.19 | ||
— | 24/13 | 73 | Grand Chœur (Moderato) | org | E♭ major | 1858 ca. | Organ | Pièces posthumes, No.20 |
— | 24/14 | 74 | Moderato (Moderato con moto) | org | E♭ major | 1858 ca. | Organ | Pièces posthumes, No.21 |
— | 24/15 | 75 | Andantino | org | E♭ major | 1858 ca. | Organ | Pièces posthumes, No.22 |
— | — | Allegretto | org | E♭ major | Organ | Pièces posthumes, No.23 | ||
— | — | Gloria Patri | org | E♭ major | Organ | Pièces posthumes, No.24 | ||
— | — | Gloria Patri | org | E♭ major | Organ | Pièces posthumes, No.25 | ||
— | — | Amen | org | E♭ major | Organ | Pièces posthumes, No.26 | ||
— | — | Gloria Patri | org | E♭ major | Organ | Pièces posthumes, No.27 | ||
— | 24/16 | 81 | Prélude pour l'Ave Maris Stella | org | D minor | 1858 ca. | Organ | Pièces posthumes, No.28 |
— | 24/17 | 82 | Prélude pour l'Ave Maris Stella | org | D major | 1858 ca. | Organ | Pièces posthumes, No.29 3 Antiennes, CFF 91: No.3 |
— | 24/18 | 83 | Prélude pour l'Ave Maris Stella | org | D minor | 1858 ca. | Organ | Pièces posthumes, No.30 |
— | — | Benedicamus | org | C major | Organ | Pièces posthumes, No.31 | ||
— | 24/19 | 85 | Lento | org | D minor | 1858 ca. | Organ | Pièces posthumes, No.32 |
— | 24/20 | 86 | Andantino | org | A♭ major | 1858 ca. | Organ | Pièces posthumes, No.33 |
— | 24/21 | 87 | Kyrie de la Messe de Noël (Grand Chœur) | org | C minor | 1858 ca. | Organ | Pièces posthumes, No.34 |
— | 24/22 | 88 | Moderato (Noël) | org | C minor | 1858 ca. | Organ | Pièces posthumes, No.35 |
— | 24/23 | Moderato | org | C minor | 1858 ca. | Organ | Pièces posthumes, No.36 | |
— | — | Grand Chœur | org | C minor | Organ | Pièces posthumes, No.37 | ||
— | 27 | 91 | 3 Antiennes:
|
org | 1859 | Organ | Included in Pièces posthumes: Nos. 13, 14, 29 | |
— | 24/26 | 92 | Offertoire (Pièce symphonique) | org | G minor | 1859 | Organ | Pièces posthumes, No.40 |
— | 24/3 | 93 | Élévation | org | A major | 1859 | Organ | Pièces posthumes, No. 3 |
— | 24/27 | 94 | Sortie (Venez, divin Messie) | org | D major | 1859 ca. | Organ | Pièces posthumes, No.41 |
— | 24/30 | 95 | Offertoire (Sortie) | org | B major | 1860 | Organ | Pièces posthumes, No.44 |
— | 24/28 | 96A | Offertoire (Grand Chœur) | org | F♯ minor | 1861 | Organ | Pièces posthumes, No.42 |
— | 24/29 | 97 | Allegro moderato (Sortie) | org | D♭ major | 1863 | Organ | Pièces posthumes, No.43 |
17 | 29 | 98 | 6 Pièces pour grand orgue: 2. Grande pièce symphonique, Op.17 | org | F♯ minor | 1860-62 | Organ | |
19 | 31 | 99 | 6 Pièces pour grand orgue: 4. Pastorale, Op.19 | org | E major | 1863 | Organ | |
20 | 32 | 100 | 6 Pièces pour grand orgue: 5. Prière, Op.20 | org | C♯ minor | 1860 | Organ | |
21 | 33 | 101 | 6 Pièces pour grand orgue: 6. Final, Op.21 | org | B♭ major | 1862 | Organ | |
— | 35 | 102 | 3 Pièces pour grand orgue: 1. Fantaisie | org | A major | 1878 | Organ | |
— | 36 | 103 | 3 Pièces pour grand orgue: 2. Cantabile | org | B major | 1878 | Organ | |
— | 37 | 104 | 3 Pièces pour grand orgue: 3. Pièce héroique | org | B minor | 1878 | Organ | |
— | 38 | 105 | 3 Chorals for Organ: 1. in E major | org | E major | 1890 | Organ | |
— | 39 | 106 | 3 Chorals for Organ: 2. in B minor | org | B minor | 1890 | Organ | |
— | 40 | 107 | 3 Chorals for Organ: 3. in A minor | org | A minor | 1890 | Organ | |
06 | — | 108 | Piano Trio (Grand trio) | vn vc pf | C major | 1834 | Chamber | |
016 | — | Piano Trio | vn vc pf | Chamber | lost | |||
022 | — | Piano Trio | vn vc pf | Chamber | lost | |||
1/1 | 1 | 111 | 3 Trios concertants: 1. Piano Trio | vn vc pf | F♯ minor | 1841 | Chamber | |
1/2 | 2 | 112 | 3 Trios concertants: 2. Piano Trio (Trio de salon) | vn vc pf | B♭ major | 1841 | Chamber | |
1/3 | 3 | 113 | 3 Trios concertants: 3. Piano Trio | vn vc pf | B minor | 1842 | Chamber | |
2 | 4 | 114 | Piano Trio (Trio concertant No.4) | vn vc pf | B minor | 1842 | Chamber | Original final movement of the Trio, Op.1/3. |
6 | 5 | 115 | Andantino quietoso | vn pf | E♭ major | 1843 | Chamber | |
10 | — | Solo de piano avec accompagnement de quintet à cordes sur un thème de "Ruth" | 1844 | Chamber | lost | |||
14 | 6 | 117 | Duo No.1 pour piano et violon concertants sur des motifs de l'opéra "Gulistan" de Nicolas-Marie Dalayrac | vn pf | 1844 | Chamber | ||
Chamber | ||||||||
Chamber | ||||||||
— | — | 120 | Morceau de lecture. Instrument non précisé, piano | D major | 1877 | Chamber | ||
— | 7 | 121 | Piano Quintet | 2vn va vc pf | F minor | 1878-79 | Chamber | |
— | 10 | 122 | Mélancolie (transcription d'après une leçon de solfège) | vn pf | E minor | 1885 ca. | Chamber | |
— | 8 | 123 | Violin Sonata | vn pf | A major | 1886 | Chamber | |
— | 9 | 124 | String Quartet | 2vn va vc | D major | 1889 | Chamber | |
013 | — | Symphony in G major (Première grande symphonie) | orch | G major | 1836/40 | Orchestral | lost?; premiered 16 Feb 1841, Société d’Orléans | |
— | — | 126 | Ce qu'on entend sur la montagne, Symphonic poem | orch | 1845-47 | Orchestral | ||
(26) | 43 | 127 | Les Éolides, poème symphonique, d'après Leconte de Lisle | orch | 1876 | Orchestral | published without Opus number | |
— | 44 | 128 | Le chasseur maudit, poème symphonique, d'après G. Burger | orch | 1882 | Orchestral | ||
— | 47 | 129 | Psyché, poème symphonique | ch orch | 1887-88 | Choral | ||
— | 48 | 130 | Symphony in D minor | orch | D minor | 1886-88 | Orchestral | |
04 | — | 131 | Variations brillantes sur un thème original | pf orch | D major | 1834 | Orchestral | |
05 | — | 132 | Variations brillantes sur 'Le Pré aux clercs' (Ferdinand Hérold) | pf orch | A major | 1834 | Orchestral | also arranged for piano solo |
08 | — | 133 | Variations brillantes sur 'Gustave III' (Daniel François Esprit Auber) | pf orch | C major | 1835 | Orchestral | also arranged for piano solo |
02 | — | Piano Concerto No.1 | pf orch | F minor | 1834/5? | Orchestral | lost? or never composed? | |
011 | — | 135 | Piano Concerto No.2 | pf orch | B minor | 1836 | Orchestral | |
— | 45 | 136 | Les Djinns, poème symphonique, d'après Victor Hugo | pf orch | F♯ minor | 1884 | Orchestral | |
— | 46 | 137 | Variations symphoniques | pf orch | 1885 | Orchestral | ||
— | — | 138 | Blond Phébus | v pf | 1835 | Vocal | authorship uncertain | |
— | 72 | 139 | L'émir de Bengador: Si tu savais que je t'adore | v pf | F minor | 1843 ca. | Vocal | |
— | 73 | 140 | Le sylphe: Je suis un sylphe | v pf | G major | 1843 | Vocal | |
— | 74 | 141 | Robin Gray: Quand les moutons sont dans la bergerie | v pf | A♭ major | 1843 ca. | Vocal | |
— | 75 | 142 | L'ange et l'enfant: Un ange au radieux visage | v pf | 1846 | Vocal | ||
— | 70 | 143 | Souvenance: Combien j'ai douce souvenance | v pf | F♯ minor | 1846 | Vocal | |
Vocal | ||||||||
Vocal | ||||||||
— | 77 | 146 | Les trois exilés, Chant national: Quand l'étranger envahissant la France | v pf | 1848 | Vocal | ||
— | 76 | 147 | Aimer: J'entendais sa voix si touchante | v pf | A♭ major | 1849 | Vocal | |
— | 71 | 148 | Ninon: Ninon! que fais-tu de la vie! | v pf | A major | 1851 | Vocal | |
— | 78 | 149 | S'il est un charmant gazon (I): S'il est un charmant gazon | v pf | E♭ major | 1855 ca. | Vocal | |
— | 78 | 150 | S'il est un charmant gazon (II): S'il est un charmant gazon | v pf | A♭ major | 1857 | Vocal | |
— | 82 | 151 | Passez, passez toujours: Duis que j'ai mis ma lèvre | v pf | G minor | 1860 ca. | Vocal | |
— | 81 | 152 | Roses et papillons: Roses et papillons | v pf | 1860 ca. | Vocal | ||
— | 80 | 153 | Le mariage des roses: Mignonne, sais-tu | v pf | B major | 1870 ca. | Vocal | |
— | 83 | 154 | Lied: Pour moi sa main cueillait des roses | v pf | F♯ minor | 1873 ca. | Vocal | |
— | 84 | 155 | Le vase brisé: Le vase où meurt cette verveine | v pf | C minor | 1879 | Vocal | |
— | 85 | 156 | Nocturne: O fraîche nuit! | v pf | F♯ minor | 1885 | Vocal | |
— | 87 | 157 | Les cloches du soir, FWV 87: Quand les choches du soir | v pf | 1888 | Vocal | ||
— | 79 | 158 | Paris: Je suis Paris; Ode patriotique pour voix avec orchestre | v orch | 1870 | Vocal | ||
— | — | 159 | Patria, Ode patriotique | v orch | D major | 1871 | Vocal | |
— | 88 | 160 | La procession: Dieu s'avance à travers les champs | v orch | E major | 1888 | Vocal | also arranged for voice and piano |
— | — | 161 | L'égalité, Chant des Travailleurs | mch orch | 1848 | Choral | unfinished | |
— | — | 162 | Hymne à la patrie: Nous sommes les vieillards | ch orch | 1848 | Choral | unfinished | |
Le philistin mordra la poussière | ch pf | 1875 | Choral | |||||
Cantique | ch hn | 1888 | Choral | |||||
— | 89 | 165-170 | 6 Duos pour voix égales:
|
2vv pf | 1888 | Vocal | pouvant être chantés en choeur avec piano | |
— | 91 | 171 | Hymne: Source ineffable de lumière | mch pf | E major | 1888 | Choral | |
— | 90 | 172 | Premier sourire de mai, Petit choeur: Au premier sourire | fch pf | 1888 | Choral | ||
Choral | ||||||||
Choral | ||||||||
Choral | ||||||||
Choral | ||||||||
Choral | ||||||||
Choral | ||||||||
10 | 51 | 179 | Ruth, églogue biblique en 3 parties | vv ch orch | 1843-46 | Choral | revised 1860-61 | |
— | — | 180 | [Les Sept paroles du Christ en Croix] | vv ch orch | 1859 | Choral | ||
— | — | 181 | Plainte des israélites, Cantata | ch orch | 1865 ca. | Choral | ||
— | — | 182 | Cantique de Moÿse: Cantemus Domino | ch pf | 1860 | Choral | ||
— | — | 183 | La tour de Babel, Oratorio | vv ch orch | 1865 | Choral | ||
(22) | 52 | 184 | Rédemption, poème symphonique | nar v fch orch | 1871 | Choral | final version 1874 (with symphonic interlude and a new chorus) | |
(25) | 53 | 185 | Les Béatitudes, Oratorio | vv ch orch | 1869-79 | Choral | published without Opus number | |
Choral | ||||||||
— | 54 | 187 | Rébecca, scène biblique | vv ch orch | 1881 | Choral | ||
— | — | 188 | O salutaris | ch bc | D major | 1835 | Choral | There is also a copy in C major |
189 | Ave Maria | Choral | ||||||
Sub tuum, for 2 voices | 1849 | Choral | ||||||
191 | O salutaris | Choral | ||||||
— | — | 192 | Gratia super gratiam, Motet | v ch org | 1850 ca. | Choral | unfinished | |
— | — | 193 | Instruit par la voix du Seigneur | 1850 ca. | Choral | |||
— | — | 194 | Justus ut palma florebit | v ch org | 1850 ca. | Choral | published in 2008 by Fauquet | |
O gloriosa, for 3 voices | 1850 ca. | Choral | ||||||
Tunc oblati sunt | ch org | 1850 ca. | Choral | |||||
— | — | 197 | Tendre Marie | 1858 ca. | Choral | |||
Sinite parvulos | v org | 1850? ca. | Choral | |||||
— | — | 199 | Ô vous qu'elle a pris pour modèle | Choral | ||||
Laudate pueri | ch org | 1850 ca. | Choral | |||||
(14) | 92 | 201 | Chant grégorien restauré par le Père Lambilotte: organ accompaniment | 1858 | Choral | |||
59 | 202 | O salutaris (from Messe solennelle) | v org | B♭ major | 1858 | Vocal | the mass is lost; according to Fauquet, the only source pointing to its existance is d'Indy's catalogue | |
12 | 61 | 203 | Mass (Messe): original version | 3vv ch orch | A major | 1860 | Choral | |
12 | 61 | 203b | Mass (Messe): final version | 3vv hp db org | A major | 1872 | Choral | |
— | 60 | 204 | Le garde d'honneur, Cantique au Sacré-Coeur: Divin Jésus | v fch org | 1859 | Choral | ||
— | — | 205 | Salut jour vénéré | Choral | ||||
Choral | ||||||||
— | 55 | 207 | O salutaris | 2vv org | 1858 | Choral | ||
— | 56 | 208/1 | 3 Motets: 1. O salutaris | v ch org | E major | 1858 | Choral | |
— | 57 | 208/2 | 3 Motets: 2. Ave Maria | 2vv b org | G minor | 1858 | Choral | |
— | 58 | 208/3 | 3 Motets: 3. Tantum ergo | v org (ch) | D major | 1858 | Choral | chorus ad lib. |
61 | 209 | Panis angelicus (from Mass, Op.12) | A major | 1872 | Choral | |||
(11/1) | 64 | 210 | 3 Offertoires: 1. Domine Deus in simplicitate, Offertoire pour les premiers dimanches du mois | 3vv db org | A major | 1871 | Choral | |
(11/2) | 65 | 211 | 3 Offertoires: 2. Dextera Domini, Offertoire pour le saint jour de Pâques | 3vv orch | B♭ major | 1871 | Choral | |
(11/3) | 63 | 212 | 3 Offertoires: 3. Quae est ista, Offertoire pour les fêtes de l'Assomption, de la Conception et du mois de Marie | vv ch orch | A♭ major | 1871 | Choral | |
— | 66 | 213 | Domine non secundum, Offertoire pour un temps de pénitence | 3vv org | B minor | 1871 | Choral | |
Choral | ||||||||
— | 67 | 215 | Quare fremuerunt gentes, Offertoire pour la fête de Ste-Clothilde | 3vv db org | F minor | 1871 | Choral | |
Choral | ||||||||
— | 62 | 217 | Ave Maria | 3vv org | E minor | 1863 | Choral | |
— | 68 | 218 | Veni creator | 2vv org | E♭ major | 1872 | Choral | |
Choral | ||||||||
220 | Yimloch Adonaï: Yimloch Adonaï leolam | v hp str org | 1875-80 between | Choral | ||||
— | 69 | 221 | Psaume 150: Louez le Dieu, caché dans ses saints tabernacles | ch orch org | D major | 1884 | Choral | |
033 | — | 229 | Stradella, Opera in 3 acts (text: Émile Deschamps & Émilian Pacini) | 1841 | Opera | not orchestrated | ||
— | — | 230 | Le Valet de ferme, Comic opera in 3 acts (text: Alphonse Royer, Gustave Vaëz) | 1851-53 | Opera | |||
— | 49 | 231 | Hulda, Opera in 4 acts and an epilogue (text by Charles Grandmougin after Bjoernstjerne Bjoernson) | vv ch orch | 1882-85 | Opera | ||
— | 50 | 232 | Ghiselle, Lyric drama in 4 acts (text by Gilbert-Augustin Thierry) | vv ch orch | 1888-90 | Opera | only act I orchestrated by composer | |
— | 96 | 234 | Préludes et prières de Charles-Valentin Alkan choisis et arrangés pour l'orgue | org | Organ | |||
— | — | 240 | Piano Concerto No.1, Op.25, by Felix Mendelssohn: Andante and Finale, arranged for piano and harmonium | pf harm | ||||
— | — | 241 | Piano Concerto in D minor, KV 466 by WA Mozart, arranged for piano and harmonium | pf harm | ||||
8 | 15 | 247? | 4 Mélodies de Franz Schubert transcrites pour piano seul:
|
pf | 1844 | Keyboard | ||
— | — | 248 | Marlborough | ch org pf vc db 4 obbl mirlitons | 1869 | |||
— | — | 249 | Recueil de noëls français | org | 1865 ca. | |||
— | — | 250 | Airs folkloriques de différents pays | org | 1860 ca. | |||
— | 86 | Pour les victimes: Sous les décombres entassés | v pf | E minor | 1887 | Vocal | ||
Litanies de la Sainte Vierge | ch org | Choral | ||||||
— | 97 | Hymnes, hamonisées à 3 voix mixtes avec orgue:
|
3vv org | Choral | ||||
— | — | Lénore, symphonic poem by H. Duparc: arranged for piano 4-hands | pf4h | 1875 ca. | Keyboard | |||
— | 93 | Ernelinde by François Danican Philidor: vocal score | 1880 ca. | |||||
— | 94 | Tom Jones by François Danican Philidor: vocal score | 1880 ca. | |||||
— | 95 | Le bûcheron by François Danican Philidor: vocal score | 1880 ca. | |||||
— | — | Notre Dame des orages, Cantata (text by Comte de Pastoret) | v pf | 1838 ca. | lost; first perf. in Erard’s piano salon, c10 Jan 1839, mentioned in Le ménestrel, 13 Jan 1839 | |||
021 | — | cantata | Part of "Scènes lyriques" | |||||
023 | — | cantata | Part of "Scènes lyriques" | |||||
029 | — | cantata | Part of "Scènes lyriques" | |||||
030 | — | cantata | Part of "Scènes lyriques" | |||||
L’Entrée en loge, Cantata (J.-F. Gail) | v pf | 1840 ca. | Vocal | |||||
La Vendetta, Cantata (A. de Pastout) | 2vv pf | 1840 ca. | Vocal | |||||
Orphée dans les bois, Cantata (H. Benton) | v orch | 1840 ca. | Vocal | |||||
Agnès Sorel, Cantata (P.-A. Vieilland) | v pf | 1840 | Vocal | |||||
Fernand, Cantata (Pastout) | 3vv orch | 1841 | Vocal | |||||
Loyse de Montfort, Cantata (E. Deschamps and E. Pacini) | 3vv orch | 1841 | Vocal | The text was written by Deschamps for the Prix de Rome in 1840. The winner was Emmanuel-Joseph Bazin. His cantata was staged as 1-act opera, and Pacini was credited to collaborate on the libretto [1] | ||||
— | — | Fugue vocale à 4 parties (Le sujet principal est d'Henri-Montan Berton) | F major | 1837 | ||||
— | — | Fugue vocale à 8 parties, à 2 choeurs et à 5 sujets renversables (Le sujet principal est d'Aimé Leborne) | F major | 1838 | ||||
— | — | Fugue à 4 parties (Le sujet principal est de Luigi Cherubini) | G major | 1838 | ||||
— | — | Fugue vocale à 4 parties (Le sujet principal est de César Franck) | A♭ major | 1838 | ||||
— | — | Fugue vocale à 4 parties (Le sujet principal est de César Franck) | A minor | 1839 | ||||
— | — | Fugue vocale à 4 parties (Le sujet principal est de Luigi Cherubini) | F major | 1839 | ||||
— | — | Vocal Fugue in D minor à 4 parties (Le sujet principal est de Luigi Cherubini) | D minor | 1840 |
The so-called L'Organist, Vol. II included only 30 pieces, while the Pièces posthumes (1900 or 1905) have 44. The following table shows correspondencies in numbering between the standart 44 pieces, 30 FWV pieces and the CFF catalogue.
No. | FWV | CFF | Title | Key | Date | Notes |
---|---|---|---|---|---|---|
1 | 24/ | 155 | Sortie [Offertoire] | F minor | 1858 ca. | |
2 | 24/ | 236B | Grand chœur [Offertoire] | E♭ major C minor |
1858 | |
3 | 24/ | 393 | Élévation | A major | 1859 | |
4 | 58? | Magnificat | D major | |||
5 | 24/ | 459 | Grand Chœur | D major | 1858 ca. | |
6 | 24/ | 560 | Andantino | D major | 1858 ca. | |
7 | 24/ | 661 | Marche [Quasi Marcia] | D minor | 1858 ca. | |
8 | 24/ | 762 | Allegretto | D major | 1858 ca. | |
9 | 63? | Grand Chœur | D major | |||
10 | 24/ | 864 | Amen | D major | 1858 ca. | |
11 | 65? | Gloria Patri | D major | |||
12 | 24/ | 933 | Offertoire | A major | ||
13 | 24/10 27/1 |
66 | Quasi lento | F major | 1858 ca. | Published in 1859: 3 Antiennes, No.1 |
14 | 24/11 27/2 |
67 | Allegretto | C minor | 1858 ca. | Published in 1859: 3 Antiennes, No.2 |
15 | 68? | Andantino | D major | |||
16 | 69? | Allegretto | D minor | |||
17 | 24/12 | 70 | Allegretto non troppo | D major | 1858 ca. | |
18 | 71? | Magnificat | E♭ major | |||
19 | 72? | Magnificat | E♭ major | |||
20 | 24/13 | 73 | Moderato [Grand chœur] | E♭ major | 1858 ca. | |
21 | 24/14 | 74 | Moderato con moto [Moderato] | E♭ major | 1858 ca. | |
22 | 24/15 | 75 | Andantino | E♭ major | 1858 ca. | |
23 | 76? | Allegretto | E♭ major | |||
24 | 77? | Gloria Patri | E♭ major | |||
25 | 78? | Gloria Patri | E♭ major | |||
26 | 79? | Amen | E♭ major | |||
27 | 80? | Gloria Patri | E♭ major | |||
28 | 24/16 | 81 | Prélude pour l'Ave Maris Stella | D minor | 1858 ca. | |
29 | 24/17 27/3 |
82 | Prélude pour l'Ave Maris Stella | D major | 1858 ca. | Published in 1859: 3 Antiennes, No.3 |
30 | 24/18 | 83 | Prélude pour l'Ave Maris Stella | D minor | 1858 ca. | |
31 | 84? | Benedicamus | C major | |||
32 | 24/19 | 85 | Lento | D minor | 1858 ca. | |
33 | 24/20 | 86 | Andatino | A♭ major | 1858 ca. | |
34 | 24/21 | 87 | Kyrie de la Messe de Noël [Grand chœur] | C minor | 1858 ca. | |
35 | 24/22 | 88 | Moderato (Noël) | C minor | 1858 ca. | |
36 | 24/23 | 89? | Moderato | C minor | 1858 ca. | |
37 | 90? | Grand Chœur | C minor | |||
38 | 24/24 | 56 | Grand Chœur (Noël) | C major | 1858 | |
39 | 24/25 | 57 | Offertoire pour la Messe de Minuit | D minor | 1858 | |
40 | 24/26 | 92 | Pièce symphonique [Offertoire] | G minor | 1859 | |
41 | 24/27 | 94 | Sortie (Venez, divin Messie) | D major | 1859 ca. | |
42 | 24/28 | 96A | Grand chœur [Offertoire] | F♯ minor | 1861 | |
43 | 24/29 | 97 | Sortie [Allegro moderato] | D♭ major | 1863 | |
44 | 24/30 | 95 | Sortie [Offertoire] | B major | 1860 |