Year |
Genre |
Title |
Notes
|
1856 |
Operetta |
Deux sous de charbon ou Le suicide de bigorneau |
|
1856 |
Operetta |
Deux vieilles gardes |
|
1856 |
Operetta |
Six demoiselles à marier |
|
1857 |
Opera |
Maître Griffard |
opéra comique
|
1859 |
Opera |
La fille du golfe |
opéra comique
|
1859 |
Operetta |
L’omelette à la Follembuche |
|
1860 |
Opera |
Monsieur de Bonne-Étoile |
opéra comique
|
1861 |
Operetta |
Les musiciens de l’orchestre |
with Jacques Offenbach, Erlanger, and Hignard
|
1861 |
Operetta |
Les eaux d'Ems |
|
1862 |
Operetta |
Mon ami Pierrot |
|
1863 |
Opera |
Le jardinier et son seigneur |
opéra comique
|
1864 |
Operetta |
Grande nouvelle |
unperformed
|
1864 |
Operetta |
Le serpent à Plumes |
farce
|
1865 |
Opera |
Le boeuf Apis |
opéra comique
|
1867 |
Operetta |
Malbrough s’en va-t-en guerre |
4th act only (together with Georges Bizet, E. Jonas and I. Legouix)
|
1869 |
Operetta |
L’écossais de Chatou |
|
1869 |
Opera |
La cour du roi Pétaud |
|
1873 |
|
Fleur-de-lys |
|
1873 |
Opera |
Le roi l’a dit |
opéra comique
|
1880 |
Opera |
Jean de Nivelle |
|
1883 |
Opera |
Lakmé |
|
1893 |
Operetta |
Kassya |
drame lyrique; unfinished, completed by Jules Massenet
|
|
Opera |
La princesse Ravigote |
lost
|
|
Operetta |
Le Don Juan suisse |
lost
|
|
Opera |
Le roi des montagnes |
unfinished
|
|
Vocal |
La Marseillaise |
arrangement for male voices (date unknown)
|
|
Vocal |
Noël |
for 3 voices
|
|
Vocal |
Les prix |
for 2 voices and accompaniment
|
|
Vocal |
Messe brève |
for two children's voices and organ
|
|
Vocal |
C’est Dieu |
for chorus
|
|
Vocal |
En avant |
for 3 voices
|
|
Vocal |
Le dimanche |
for 2 or 3 voices
|
|
Vocal |
Les norvégiennes |
for 2 female voices and accompaniment
|
|
Vocal |
Les nymphes de bois |
for 2 female voices and accompaniment
|
1859 |
Vocal |
La nuit de Noël |
for 4 male voices
|
1865 |
Vocal |
Pastorale |
for 4 male voices
|
1865 |
Vocal |
Alger |
cantate, for soprano, chorus and orchestra
|
1865 |
Vocal |
Hymne de Noël |
for chorus
|
1866 |
Vocal |
Les lansquenets |
for 4 male voices
|
1866 |
Vocal |
Les chants lorrains |
for 4 male voices
|
1866 |
Vocal |
Marche de soldats |
for 4 male voices
|
1866 |
Vocal |
Avril |
for chorus
|
1867 |
Vocal |
Au printemps |
for 3 voices
|
1867 |
Vocal |
Chant de la paix |
for 4 male voices, or 6 mixed voices, or 3 to 4 voices
|
1868 |
Vocal |
Trianon |
for 4 male voices
|
1868 |
Vocal |
La cour des miracles |
for 4 male voices
|
1874 |
Vocal |
Les filles de Cadix |
for solo voice
|
1874 |
Vocal |
Les abeilles |
for 3 voices
|
1874 |
Vocal |
Les pifferari |
for 3 voices
|
1874 |
Vocal |
L’écheyeau de fil |
for 3 voices
|
1877 |
Vocal |
Le pommier |
for 3 voices
|
1877 |
Vocal |
La mort d’Orphée |
lyrical scene for tenor and orchestra
|
1884 |
Vocal |
Voyage enfantin |
for 3 voices
|
1866 |
Ballets |
La source, ou Naila |
|
1870 |
Ballets |
Coppélia, ou La fille aux yeux d’émail |
|
1876 |
Ballets |
Sylvia, ou La nymphe de Diane |
piano arrangement, 1876; orchestral suite, 1880
|
1864 |
|
La tradition |
prologue in verse form
|
1867 |
|
Valse ou Pas de Fleurs |
for Adolphe Adam's Le Corsaire
|
1882 |
Dances |
Le roi s’amuse, six airs de danse dans le style ancien |
piano arrangement 1882
|