Magnificat (Drew, Harry)

Movements/SectionsMov'ts/Sec's 7 sections
  1. My soul doth magnify (Chorus SSATB)
  2. Solo: For behold (Tenor)
  3. Canon, two in one: And his mercy (Chorus SATB)
  4. Solo: He hath shewed strength (Baritone)
  5. Quartet: He remembering his mercy (SATB unaccompanied)
  6. Recitative: He hath filled the hungry (Tenors and basses unison)
  7. (a) Glory be to the Father (Chorus SATB)
    (b) Fugue: As it was in the beginning (Chorus SATB)
Composition Year 1887-88 ?
Genre Categories Magnificats; Religious works; Vespers; For 2 voices, mixed chorus, orchestra; For voices and chorus with orchestra; Scores featuring the voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring mixed chorus; Scores featuring the orchestra; English language

Contents

Performances

Recordings

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Synthesized/MIDI

 1. My soul doth magnify (Chorus SSATB)
#267916 - 0.03MB - 3.40 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 69×⇩ - MID - p0mbal

MID file (audio/video)
p0mbal (2013/1/29)

⇒ 7 more: 2. Solo: For behold (Tenor) • 3. Canon, two in one: And his mercy (Chorus SATB) • 4. Solo: He hath shewed strength (Baritone) • 5. Recitative: He hath filled the hungry (Tenors and basses unison) • 6. Quartet: He remembering his mercy (SATB unaccompanied) • 7(a). Glory be to the Father (Chorus SATB) • 7(b). Fugue: As it was in the beginning (Chorus SATB)

 2. Solo: For behold (Tenor)
#267917 - 0.01MB - 2.48 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 39×⇩ - MID - p0mbal

MID file (audio/video)
p0mbal (2013/1/29)

 3. Canon, two in one: And his mercy (Chorus SATB)
#267918 - 0.01MB - 1.29 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 41×⇩ - MID - p0mbal

MID file (audio/video)
p0mbal (2013/1/29)

 4. Solo: He hath shewed strength (Baritone)
#267919 - 0.02MB - 2.10 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 32×⇩ - MID - p0mbal

MID file (audio/video)
p0mbal (2013/1/29)

 5. Recitative: He hath filled the hungry (Tenors and basses unison)
#267920 - 0.00MB - 0.18 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 30×⇩ - MID - p0mbal

MID file (audio/video)
p0mbal (2013/1/29)

 6. Quartet: He remembering his mercy (SATB unaccompanied)
#267921 - 0.01MB - 3.33 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 30×⇩ - MID - p0mbal

MID file (audio/video)
p0mbal (2013/1/29)

 7(a). Glory be to the Father (Chorus SATB)
#267922 - 0.01MB - 0.40 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 36×⇩ - MID - p0mbal

MID file (audio/video)
p0mbal (2013/1/29)

 7(b). Fugue: As it was in the beginning (Chorus SATB)
#267923 - 0.04MB - 3.12 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 39×⇩ - MID - p0mbal

MID file (audio/video)
p0mbal (2013/1/29)

Publisher Info. John Morrison, 2011.
Performers MIDI
Copyright
Creative Commons Attribution-NonCommercial 3.0 [tag/del]
Misc. Notes capella music software
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Sheet Music

Full Scores

 Complete Score
#259683 - 9.63MB, 74 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 188×⇩ - p0mbal

PDF scanned by Balliol College...
p0mbal (2012/11/23)

Copyist John Morrison
Publisher. Info. Manuscript, n.d.(ca.1887-88)
Copyright
Public Domain [tag/del]
Misc. Notes low resolution
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 Complete Score
#265504 - 1.27MB, 75 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 315×⇩ - p0mbal

PDF typeset by editor
p0mbal (2013/1/9)

Editor John Morrison
Publisher. Info. John Morrison, 2011.
Copyright
Creative Commons Attribution-NonCommercial 3.0 [tag/del]
Misc. Notes John Morrison is the great-grandson of the composer.
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Parts

 Flute
#267020 - 0.07MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 84×⇩ - p0mbal

PDF typeset by editor
p0mbal (2013/1/22)

⇒ 8 more: Oboe 1/2 • Clarinet 1/2 (B♭) • Bassoon 1/2 • Violins I • Violins II • Violas • Cellos • Basses

 Oboe 1/2
#267022 - 0.14MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 72×⇩ - p0mbal

PDF typeset by editor
p0mbal (2013/1/22)

 Clarinet 1/2 (B♭)
#267023 - 0.22MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 76×⇩ - p0mbal

PDF typeset by editor
p0mbal (2013/1/22)

 Bassoon 1/2
#267024 - 0.24MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 71×⇩ - p0mbal

PDF typeset by editor
p0mbal (2013/1/22)

 Violins I
#267025 - 0.36MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 76×⇩ - p0mbal

PDF typeset by editor
p0mbal (2013/1/22)

 Violins II
#267026 - 0.35MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 71×⇩ - p0mbal

PDF typeset by editor
p0mbal (2013/1/22)

 Violas
#267027 - 0.39MB, 9 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 70×⇩ - p0mbal

PDF typeset by editor
p0mbal (2013/1/22)

 Cellos
#267028 - 0.33MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 72×⇩ - p0mbal

PDF typeset by editor
p0mbal (2013/1/22)

 Basses
#267038 - 0.33MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 78×⇩ - p0mbal

PDF typeset by editor
p0mbal (2013/1/22)

Editor John Morrison
Publisher. Info. John Morrison, 2011.
Copyright
Creative Commons Attribution-NonCommercial 3.0 [tag/del/mrg]
Purchase
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Vocal Scores

 Complete Score
#265519 - 0.93MB, 43 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 210×⇩ - p0mbal

PDF typeset by editor
p0mbal (2013/1/9)

Editor John Morrison
Publisher. Info. John Morrison, 2011.
Copyright
Creative Commons Attribution-NonCommercial 3.0 [tag/del]
Purchase
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General Information

Work Title Magnificat
Alternative. Title
Composer Drew, Harry
I-Catalogue NumberI-Cat. No. IHD 1
Movements/SectionsMov'ts/Sec's 7 sections
  1. My soul doth magnify (Chorus SSATB)
  2. Solo: For behold (Tenor)
  3. Canon, two in one: And his mercy (Chorus SATB)
  4. Solo: He hath shewed strength (Baritone)
  5. Quartet: He remembering his mercy (SATB unaccompanied)
  6. Recitative: He hath filled the hungry (Tenors and basses unison)
  7. (a) Glory be to the Father (Chorus SATB)
    (b) Fugue: As it was in the beginning (Chorus SATB)
Year/Date of CompositionY/D of Comp. 1887-88 ?
Language English
Average DurationAvg. Duration 20 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation soli: tenor, bass
choir: SSATB
orchestra: flute, 2 oboes, 2 clarinets, 2 bassoons, strings

Navigation etc.

Manuscript score of a setting of the Magnificat by Harry Drew (New College 1872), no date. He appears to have studied music at Oxford in ca.1887-88, and was associated with Balliol College*, but the college has no record of his membership; Faculty of Music recordkeeping for the period is idiosyncratic. The score is assumed to be in the composer's hand and is a fair copy, perhaps submitted as part of a degree; the cover title clearly associates him with Balliol College. It is not known who made the annotations or why. Balliol has no other information about Harry Drew.

  • The Standard, London, 30 January, 1888 records Harry Drew awarded a B.Mus. degree at Balliol.
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