Max und Moritz, Op.7 (Lorenz, Karl Adolf)

Movements/SectionsMov'ts/Sec's	2 (Streiche) Erster Streich: „Mancher giebt sich viele Müh’“ Dritter Streich: „Jedermann im Dorfe kannte“
First Publication	1883 – Berlin: Robert Lienau
Genre Categories	Songs; For voice, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the piano; German language

Sheet Music

Scores

No.1. Erster Streich

Colour Cover
*#106310 - 1.62MB, 1 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 138×⇩ - Ralph Theo Misch

PDF scanned by Ralph Theo Misch
Ralph Theo Misch (2011/6/21)

Complete Score (monochrome)
*#106311 - 2.70MB, 11 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 360×⇩ - Ralph Theo Misch

PDF scanned by Ralph Theo Misch
Ralph Theo Misch (2011/6/21)

Publisher. Info.	Berlin: Robert Lienau, n.d.[1883]. Plate S. 7553 (1).
Copyright	Public Domain [tag/del/mrg]
Misc. Notes	Colour scan: 300dpi Monochrome: 600dpi (dusty printing; cleaned only rudimentarily).
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No.2. Dritter Streich

Complete Score
*#689261 - 1.55MB, 12 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 3×⇩ - Afp0815

PDF scanned by afp0815
Afp0815 (2021/4/5)

Publisher. Info.	Berlin: Robert Lienau, n.d.[1883]. Plate S. 7553 (2).
Copyright	Public Domain [tag/del]
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General Information

Work Title	Max und Moritz
Alternative. Title	Zwei Streiche von Max und Moritz in schöne und bekannte Musik gesetzt
Composer	Lorenz, Karl Adolf
Opus/Catalogue NumberOp./Cat. No.	Op.7
I-Catalogue NumberI-Cat. No.	IKL 27
Movements/SectionsMov'ts/Sec's	2 (Streiche) Erster Streich: „Mancher giebt sich viele Müh’“ Dritter Streich: „Jedermann im Dorfe kannte“
First Publication.	1883 – Berlin: Robert Lienau
Librettist	Wilhelm Busch (1832-1908)
Language	German
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	Voice, piano

Navigation etc.

For Max und Moritz by Wilhelm Busch see Wikipedia.
Neither the cover page nor the title page (second page in the scan) list the composer Karl Adolf Lorenz. On the first page of music in the area which typically lists the composer and opus (and sometimes the title) that information is listed very oddly in this fashion:

Moritz, Op.7
(C. Ad. Lorenz)
Contrast that with Lorenz's Op.25 that was published by Schlesinger in 1884 (only one year later) in which is found the following:
C. Ad. Lorenz, Op.25.
Hofmeister's Musikalisch-literarischer Monatsbericht lists Streiche (pranks/tricks) 1 and 2 as being Opp.1 and 2 by Moritz (Monatsbericht (1883), p.348) and lists the publication of the fifth prank as being Moritz's Op.11 (Monatsbericht (1887), p.355.
Evidently, Lorenz was having his own joke by having the cartoon character Moritz listed as the composer.

An earlier Op.7 was published in 1868 as by Karl Lorenz, 3 piano pieces Wie es euch gefällt book 1, but this may have been by Karl Daniel Lorenz or someone else with a similar name.