Mentre il cuculo (Caimo, Gioseppe)

Contents

Performances

Naxos

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Synthesized/MIDI

For 2 Lutes (Höger)

MP3 file (audio)
Hoeger (2016/8/12)

Publisher Info. Anton Höger
Performers Computer
Copyright
Misc. Notes Because most of my intabulations are never heard before, I decided to make a simple computer synthesized audio file for hearing control.
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Sheet Music

Scores and Parts

PDF typeset by editor
Agarvin (2015/6/7)

PDF typeset by editor
Agarvin (2015/6/7)

ZIP typeset by editor
Agarvin (2015/6/7)

Editor Allen Garvin
Publisher. Info. Dallas: Hawthorne Early Music, 2015.
Copyright
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Arrangements and Transcriptions

For 2 Lutes (Höger)

PDF typeset by Anton Höger
Anton Höger (2012/7/29)

Arranger Anton Höger
Publisher. Info. Anton Höger
Copyright
Misc. Notes In French lute-tablature (Unisono) with diminutions in the tradition of the great luteplayers of the 16th century. If performed I would look forward about a small reference to my efforts.
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PDF typeset by arranger
Hoeger (2016/8/11)

Arranger Anton Höger
Publisher. Info. Anton Höger
Copyright
Misc. Notes In Italian lute-tablature (Unisono) with diminutions in the tradition of the great luteplayers of the 16th century. If performed I would look forward about a small reference to my efforts.
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For 2 Guitars (Höger)

PDF typeset by Anton Höger
Anton Höger (2014/6/26)

Arranger Anton Höger
Publisher. Info. Anton Höger
Copyright
Misc. Notes If performed I would look forward about a small reference to my efforts.
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General Information

Work Title Mentre il cucul
Alternative. Title
Composer Caimo, Gioseppe
Internal Reference NumberInternal Ref. No. IGC 3
First Publication. 1584 in Il secondo libro di canzonette a quattro voci (Venice: Giacomo Vincenzi & Ricciardo Amadino)
Language Italian
Average DurationAvg. Duration 1 minute
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 4 voices
Extra Locations Madrigaux & Chansons de la Renaissance (Various) (recording)

Navigation etc.

Text author unknown/anonymous according to Alfred Einstein (for whom this is example no.74 in his book "The Italian Madrigal".)