Ni tanto ni tampoco (Manrique de Lara, Manuel)

Movements/SectionsMov'ts/Sec's	1 act? (fragment)
Genre Categories	Zarzuelas; Theatrical Works; Revues; For voices, mixed chorus, orchestra; Scores featuring the voice; Scores featuring mixed chorus; Scores featuring the orchestra; For voices and chorus with orchestra; Spanish language

Sheet Music

Nos.2-6
*#552667 - 1.17MB, 18 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 4×⇩ - Іоахимъ

PDF scanned by E-Mn
Іоахимъ (2018/12/11)

Publisher. Info.	Manuscript, n.d.
Copyright	Public Domain [tag/del]
Misc. Notes	The sheets were reordered.
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Work Title	Ni tanto ni tampoco
Alternative. Title
Composer	Manrique de Lara, Manuel
I-Catalogue NumberI-Cat. No.	IMM 2
Movements/SectionsMov'ts/Sec's	1 act? (fragment) 2. Dúo (escena 4). ¡Que viva el maestro! (Clara, Elvino, TB chorus) 3. Parlante. Entre llanto y dolores (Clara, speaks) 3. Coro (escenas 6-7). Parlemos del alcalde (coro general, divided in 2 choruses; with some soloists?) 4. Terceto (escena 15). No me [...] (Bacante, maestro, sacristan) [Includes Bacante's copla] 5. Serenata (escena 17). Dicen me cantar dulce y breve (Bacante, maestro, sacristan, hombres [male chorus]?) 6. Escena y Coro (escena 21). Nada hay perdido (Bacante, Clara, Elvino, Antera, maestro, sacristan)
Librettist	Unknown
Language	Spanish
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	voices, mixed chorus, orchestra

Zarzuela in 1 act? Two folders with drafts at BDH: [1] and [2]. Some numbers are in full score, others only sketched. Dated ca.1900 at BDH.
Six musical numbers and the numbering of the scenes point to a one-act composition (No.1 may be an overture or an opening chorus scene). However, in the second folder there is an "Acto 3o, Preludio" sheet and a draft of "Barcarola" (Esplendido está el día) not found in Nos. 2-6. The piece may have been in 3 acts with composer working mostly with the first act by the time he abandoned it. Or these leaves may belong to some other composition. There is a solid book about Manrique de Lara written by Diana Díaz González (2015), if someone could check it.
If the "Parlante" is placed between Nos.2 and 3 (Coro), than it must be scene 5.
Clara and Elvino are sopranos.