Oh! quand je dors, S.282 (Liszt, Franz)

Sheet Music

• Scores (5)
• Parts (0)
• Arrangements and Transcriptions (3)
• Libretti (0)
• Other (0)
• Source Files (0)

Scores

1st Version

 Complete Score (Preview)
*#59534 - 0.73MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V* - 12431×⇩ - piupianissimo

PDF scanned by D-Mbs
piupianissimo (2010/3/20)

Editor Peter Raabe (1872-1945) Publisher. Info. Musikalische Werke. Serie VII, Band 1 (pp.36-41) Leipzig: Breitkopf & Härtel, 1917. Plate F.L. VII 5. Copyright Public Domain [tag/del] Misc. Notes Originally scanned at about 160pi, converted to 600dpi monochrome. Purchase Javascript is required for this feature.

2nd Version

 Complete Score
*#63763 - 4.74MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 6949×⇩ - Bassani

PDF scanned by Bassani
Bassani (2010/5/9)

Editor Eugen d' Albert (1864-1932) Publisher. Info. Leipzig: C.F. Kahnt Nachfolger, 1908. Plate 3836b. Copyright Public Domain [tag/del] Misc. Notes Transposed for medium voice. Purchase Javascript is required for this feature.

 Complete Score
*#04886 - 0.42MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 6743×⇩ - Funper

PDF scanned by Unknown
Funper (2007/4/4)

 Complete Score (300 dpi)
*#285999 - 8.40MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 2708×⇩ - Gaylord

PDF scanned by US-SLug
Gaylord (2013/6/25)

Editor Carl Armbruster (1846-1917) Language English / French Translator Charles Fonteyn Manney (1872–1951), English text Publisher. Info. Thirty Songs. For High Voice Boston: Oliver Ditson, 1911. Copyright Public Domain [tag/del/mrg] Misc. Notes This file is part of the Gaylord Library Mirroring Project. Purchase Javascript is required for this feature.

 Complete Score (Preview)
*#60376 - 0.55MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V* - 5687×⇩ - piupianissimo

PDF scanned by D-Mbs
piupianissimo (2010/3/31)

Editor Peter Raabe (1872-1945) Publisher. Info. Musikalische Werke. Serie VII, Band 2 (pp.159-63) Leipzig: Breitkopf & Härtel, 1921. Plate F.L. VII 65. Copyright Public Domain [tag/del] Misc. Notes Originally scanned at about 160pi, converted to 600dpi monochrome. Purchase Javascript is required for this feature.

Arrangements and Transcriptions

1st Version

For Violin, Cello and Piano (Hansen)

 Violin
*#28363 - 0.85MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - C/V/C - 534×⇩ - Silverwhisp

PDF scanned by Patricia Jones
Silverwhisp (2009/2/13)

 Cello
*#28362 - 0.86MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - C/V/C - 435×⇩ - Silverwhisp

PDF scanned by Patricia Jones
Silverwhisp (2009/2/13)

Arranger Nicolas Hansen Publisher. Info. Copenhagen: Wilhelm Hansen, No.2126, 1922. Plate 17474a-b. Copyright Public Domain [tag/del/mrg] Purchase Javascript is required for this feature.

For Piano (Liszt)

See: No.1 of Buch der Lieder II, S.535–540

For Piano (Stradal)

 Complete Score
*#872691 - 2.11MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 23×⇩ - Zoingeroing

PDF scanned by RUS-Mrg
Zoingeroing (2023/8/31)

Arranger August Stradal (1860-1930) Publisher. Info. Leipzig: C.F. Kahnt, n.d.(ca.1900). Plate 3619. Copyright Public Domain [tag/del] Misc. Notes Franz Liszt's Lieder und Gesänge für das Pianoforte zu zwei Händen übertragen No. 18 Purchase Javascript is required for this feature.

General Information

Navigation etc.

Version History

• Composed for soprano or tenor voice and piano, 1842 (= 1st version, S.282/1)

Published 1844 by Schlesinger (Berlin)

• Arranged for solo piano, 1847 (= S.536), as No.1 of Buch der Lieder II

Published 1985 by Editio Musica Budapest (Budapest)

• Revised by tenor voice and piano, 1849 (= 2nd version, S.282/2)

Published 1859 by Schlesinger (Berlin)

Published in a "Buch der Lieder (Band II)" by Schlesinger in 1844. (HMB suggests 1849, but publication date of 1844 is more strongly suggested by letters of Liszt to Schlesinger from early 1844 discussed in "Liszt Letters in the Library of Congress" (2003).) These letters also suggest that he was already beginning or at least discussing the transcriptions (S.535) with Schlesinger as early as mid-1844- in fact a mid-1844 letter had it that Liszt's friend Count Bethlen was going to bring Schlesinger transcriptions of the lieder; perhaps they were not published or Liszt decided to rethink them?