Organ Partita No.12 (Zintl, Frank)

Movements/SectionsMov'ts/Sec's	9 sections
Composition Year	2023
Genre Categories	Partitas; For organ; Scores featuring the organ; For 1 player

Performances

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Synthesized Performance
*#849653 - 23.79MB - 21:03 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 20×⇩ - MP3 - Frank Zintl

MP3 file (audio)
Frank Zintl (2023/4/11)

Publisher Info.	Frank Zintl, 2023.
Performers	MuseScore
Copyright	Creative Commons Attribution 4.0 [tag/del]
Misc. Notes	Bad MIDI recording as usual. In all recordings the organ sound has almost completely been replaced by woodwind instruments for better sound.
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Complete Score
*#849645 - 0.48MB, 37 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 283×⇩ - Frank Zintl

PDF typeset by composer
Frank Zintl (2023/4/11)

Publisher. Info.	Frank Zintl, 2023.
Copyright	Creative Commons Attribution 4.0 [tag/del]
Misc. Notes	For free use for performance in organ concert or at service and for recording.
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Work Title	Organ Partita No.12
Alternative. Title	Partita for Church Organ on the Gergorian Hymn 'Veni Creator Spiritus'
Composer	Zintl, Frank
I-Catalogue NumberI-Cat. No.	IFZ 88
Key	A major
Movements/SectionsMov'ts/Sec's	9 sections
Year/Date of CompositionY/D of Comp.	2023
First Publication.	2023
Dedication	To the Holy Trinity
Average DurationAvg. Duration	20 minutes
Composer Time PeriodComp. Period	Modern
Piece Style	Classical
Instrumentation	organ (equipped with at least 2 keyboards and pedal)
Extra Information	Partita for Church Organ. This partita is based on a Gregorian Pentecostal hymn which is about 1000 years old. The hymn praises the Holy Spirit. The hymn was probably written in the town Kempten close to the Alps in southern Germany around the year 1000 AD. Here the hymn melody has been used both in its Gregorian shape and in a shape adapted for a hymnal. The key A Major was chosen as in the Roman catholic hymlan Cecilia which is used in the diocese of Stockholm. The partita comprises 9 movements and is introduced by a simple presentation of the hymn for people who not have heard it before. This presentation is not a part of the work. The movements may be performed together in a concert performance, but they may also be used as single pieces, which makes them more usable in services. The work is free for use, performance and recording, free of charge.