Pièces de viole (Forqueray, Antoine)

Contents

Performances

Sheet Music

Scores and Parts

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Copyist Mme Leclair, engraver
Publisher. Info. Paris: Antoine Forqueray, 1747.
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Arrangements and Transcriptions

Complete

For Harpsichord (J.-B. Forqueray)

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Publisher. Info. Paris: Chez l'Auteur, la V[euv]e Boivin, le S[ieu]r Leclerc, n.d.[1747].
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Editor Steve Wiberg
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Editor Pierre Gouin - Contact
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Suite No.1 in D minor
For Cello and Piano (Kasler and Prodhomme)

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Arranger Ed Kasler
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Publisher. Info. London: J. & W. Chester, Ltd., No.97, 1921. Plate J.W.C. 917.
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For Harpsichord (J.-B. Forqueray)

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6 more: 1. La Laborde. Allemande • 2. La Forqueray • 3. La Cottin • 4. La Bellmont • 5. La Portugaise • 6. La Couperin

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Arranger Jean-Baptiste-Antoine Forqueray
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For Harpsichord (Forqueray)

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Arranger Jean-Baptiste-Antoine Forqueray (1699-1782)
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Suite No.2 in G major
For Harpsichord (J.-B. Forqueray)

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5 more: 1. La Bouron • 2. La Mandoline • 3. La Dubreuil • 4. La Leclair • 5. La Buisson. Chaconne

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Suite No.3 in G major
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7 more: 1. La Ferrand • 2. La Régente • 3. La Tronchin • 4. La Angrave* • 5. La du Vaucel* • 6. La Eynaud • 7. La Morangis ou la Plissay. Chaconne*

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Suite No.4 in G minor
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6 more: 2. La Clément • 3. La d'Aubonne. Sarabande • 4. La Bournonville • 5. La Sainscy • 6. Le Carillon de Passy • 7. La Latour

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Suite No.5 in C minor
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7 more: 1. La Rameau • 2. La Guignon • 3. La Léon. Sarabande • 4. La Boisson • 5. La Montigni • 6. La Sylva • 7. Jupiter

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General Information

Work Title Pièces de Viole, Composées par Mr Forqueray Le Père, Mises en Pièces de Clavecin par Mr Forqueray Le Fils
Alternative. Title Pieces de Clavecin
Composer Forqueray, Antoine
I-Catalogue NumberI-Cat. No. IAF 2
Movements/SectionsMov'ts/Sec's 32 pieces in 5 suites:
  • Suite No.1 in D minor
La La Borde - Allemande (Noblement et avec Sentiment)
La Forqueray (Vivement et d'aplomb)
La Cottin (Galamment sans lenteur)
La Bellmont (avec Goût et sans lenteur)
La Portugaise (Marqué et d'aplomb)
La Couperin (Noblement et marqué)
  • Suite No.2 in G major
La Bouron (Vivement et détaché)
La Mandoline (point trop vite et d'aplomb)
La du Breüil (Louré)
La Leclair (très Vivement et détaché)
La Buisson - Chaconne (Gratieusement)
  • Suite No.3 in D major
La Ferrand (Détaché, et d'une belle exécution)
La Régente (Noblement et soutenu)
La Tronchin (Mouvement aisé)
La Angrave* (très vivement)
La du Vaucel* (très tendrement)
La Eynaud (fièrement)
La Morangis ou La Plissay* (mouvement de Chaconne)
  • Suite No.4 in G minor
La Marella (Vivement et Marqué)
La Clément (Noblement et détaché)
La D'Aubonne - Sarabande
La Bournonville (mouvement élevé)
La Sainscy (Gracieusement et avec Esprit)
Le Carillon de Passy (Légèrement sans vitesse)
La Latour (d'un movement un peu plus vif que la prédédente pièce)
  • Suite No.5 in C minor
La Rameau (Majestueusement)
La Guignon (Vivement et détaché)
La Léon - Sarabande (Tendrement)
La Boisson (Vivement, les pincés bien soutenus)
La Montigni (Galamment sans lenteur)
La Sylva (très tendrement)
Jupiter (Modérément)
First Publication. 1747
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation viola da gamba, harpsichord
Extra Information 29 pieces have been transcribed for harpsichord solo by Jean-Baptiste Forqueray, his son.

Three pieces (*) of the third suite are original pieces by Jean-Baptiste.