Psalm 130, Op.464 (Fiedorowicz, Natan)

Movements/SectionsMov'ts/Sec's 3 movements
Composition Year 2024
Genre Categories Psalms; Religious works; For voice, keyboard; For voices with keyboard; Scores featuring the voice; Scores featuring keyboard soloists

Contents

Performances

Recordings

 Psalm 130: 1
#940031 - 1.51MB - 1:39 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 6×⇩ - MP3 - Natanfiedorowicz

MP3 file (audio)
Natanfiedorowicz (2024/11/3)

 Psalm 130: 2
#940032 - 1.29MB - 1:24 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 5×⇩ - MP3 - Natanfiedorowicz

MP3 file (audio)
Natanfiedorowicz (2024/11/3)

 Psalm 130: 3
#940033 - 1.18MB - 1:17 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 5×⇩ - MP3 - Natanfiedorowicz

MP3 file (audio)
Natanfiedorowicz (2024/11/3)

Performer Pages Natan Fiedorowicz (organ, harpsichord, piano, keyboard, harpsichord (synthesised), voice)
Publisher Info. Fidelis, 2024.
Copyright
Creative Commons Attribution 4.0 [tag/del]
Misc. Notes first recording of this work, portrayed by composer
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 Psalm 130: 1
#953110 - 2.90MB - 2:07 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 4×⇩ - MP3 - Natanfiedorowicz

MP3 file (audio)
Natanfiedorowicz (2025/1/28)

 Psalm 130: 2
#953111 - 2.40MB - 1:45 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 4×⇩ - MP3 - Natanfiedorowicz

MP3 file (audio)
Natanfiedorowicz (2025/1/28)

 Psalm 130: 3
#953112 - 1.99MB - 1:27 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 4×⇩ - MP3 - Natanfiedorowicz

MP3 file (audio)
Natanfiedorowicz (2025/1/28)

Performer Pages Natan Fiedorowicz (organ, harpsichord, piano, keyboard, harpsichord (synthesised), voice)
Publisher Info. Fidelis, 2025.
Copyright
Creative Commons Attribution 4.0 [tag/del]
Misc. Notes The original handwritten manuscript of this work was eventually given to staff at Melbourne Recital Centre, while applying to perform music unpaid at that venue (for i had been forbidden from employment/earnings by hospital people). While introducing myself to them, after handing them it, and alongside it a way to contact me, i basically needed to leave because i felt that i was about to start to cry, feeling embarrassed to cry in front of the people at the counter, and outside on the street while walking home, i did. Several months passed, they did not bother to respond to my application. i called them, and the person said some excuses and that they don't know and basically had me to leave the conversation and wait for their response, but still there was none, basically i was not good enough to be worthy of a response regarding to perform in my own hometown, having studied to do such for most of my life. Nor was i worthy of being thanked for giving the score, and it made me feel that: probably i should not give anything anymore to anyone. Later i noticed that their management was owned by the local government, the same that had me drugged at their hospital because of a false accusation that their local police took to be true in year 2012 AD, with substances that ruined many years of my life, because those substances prevented me from composing or portraying properly, and basically i was stuck and only recently managed to recover my clarity a little, from their destructive and traumatising treatment, after ceasing the recommended substances. The moral of this story: I never wish to perform at Melbourne Recital Centre anymore.
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Sheet Music

Scores

 Complete Score
#936565 - 4.29MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 17×⇩ - Natanfiedorowicz

PDF typeset by composer
Natanfiedorowicz (2024/10/15)

Publisher. Info. Natan Fiedorowicz, 2024.
Copyright
Creative Commons Attribution 4.0 [tag/del]
Misc. Notes while these musical writings were mainly intended to portray the Psalm texts in word-painting, they were also very affected by various experience and even inexperience - on the back of the first three pages of this work are three short true stories in English. such events were examples of the life of a composer as seen from his perspective (tried my best to avoid misrepresentation). similarity in this way for the other works is not intended, certain things seemed important to be said once however, because the days were difficult. these writings are included at the end of the file, for any interested. thank you and have a good day
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 Complete Score (Improved Readability)
#950295 - 18.13MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 5×⇩ - Natanfiedorowicz

PDF typeset by composer
Natanfiedorowicz (2025/1/10)

Publisher. Info. Natan Fiedorowicz (Fidelis), 2025.
Copyright
Creative Commons Attribution 4.0 [tag/del]
Misc. Notes Here is a more official version of the scores, better for distribution. They feature improved contrast for readability, blank page added in some places to support with both focus and page turn, and front cover including story and numbering. The title was generally also included in the front cover of these, where the release featured not more than one opus number. More rarely there was some correction in the composition included also.
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General Information

Work Title Psalm 130
Alternative. Title 'Domine, none est' in Honorem Domini El
Composer Fiedorowicz, Natan
Opus/Catalogue NumberOp./Cat. No. Op.464
I-Catalogue NumberI-Cat. No. INF 105
Key F major
Movements/SectionsMov'ts/Sec's 3 movements
Year/Date of CompositionY/D of Comp. 2024
First Performance. 2024/10/15
First Publication. 2024
Language Voiceless
Dedication El
Piece Style Modern
Instrumentation voice (mute), keyboard
Extra Information where each movement is of likeness 'meditative prayer focus' upon corresponding verse.
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