Psalmi Vespertini (Baudrexel, Philipp Jakob)

Movements/SectionsMov'ts/Sec's 24 Psalms, 26 Hymns, 4 Completoria, 4 Antiphons, 1 Te Deum
First Publication 1686
Genre Categories Psalms; Religious works; Sacred hymns; Hymns; Antiphons; For 4 voices, mixed chorus, 2 violins, continuo; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring mixed chorus; Scores featuring the violin; Scores with basso continuo; For voices and chorus with solo instruments; For 4 voices, continuo; For voices with continuo; For 4 voices, 2 violins, continuo; For voices with solo instruments; For 8 voices, 2 violins, continuo; For 8 voices, continuo; For 5 voices, mixed chorus, 2 violins, continuo; For 5 voices, continuo; For 5 voices, 2 violins, continuo

Sheet Music

Parts

 Coro I: Soprano
#381786 - 22.62MB, 132 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 74×⇩ - Tim.willis1685

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⇒ 11 more: Coro I: Alto • Coro I: Tenor • Coro I: Bass • Coro II: Soprano • Coro II: Alto • Coro II: Tenor • Coro II: Bass • Violin I • Violin II • Continuo (Organ) • Coro II: Continuo (Organ)

 Coro I: Alto
#381787 - 20.41MB, 116 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 24×⇩ - Tim.willis1685

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Tim.willis1685 (2015/6/14)

 Coro I: Tenor
#381788 - 20.88MB, 124 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 21×⇩ - Tim.willis1685

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 Coro I: Bass
#381789 - 20.43MB, 120 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 22×⇩ - Tim.willis1685

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Tim.willis1685 (2015/6/14)

 Coro II: Soprano
#381791 - 18.71MB, 108 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 26×⇩ - Tim.willis1685

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Tim.willis1685 (2015/6/14)

 Coro II: Alto
#381792 - 15.79MB, 92 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 21×⇩ - Tim.willis1685

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 Coro II: Tenor
#381793 - 15.65MB, 92 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 24×⇩ - Tim.willis1685

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 Coro II: Bass
#381794 - 16.11MB, 96 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 19×⇩ - Tim.willis1685

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Tim.willis1685 (2015/6/14)

 Violin I
#381795 - 15.29MB, 92 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 32×⇩ - Tim.willis1685

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 Violin II
#381796 - 14.88MB, 88 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 20×⇩ - Tim.willis1685

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Tim.willis1685 (2015/6/14)

 Continuo (Organ)
#381797 - 20.91MB, 126 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 35×⇩ - Tim.willis1685

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Tim.willis1685 (2015/6/14)

 Coro II: Continuo (Organ)
#381798 - 10.93MB, 66 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 22×⇩ - Tim.willis1685

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Tim.willis1685 (2015/6/14)

Publisher. Info. Kempten: Rudolf Dreher, 1686
Copyright
Public Domain [tag/del/mrg]
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General Information

Work Title Psalmi Vespertini De Dominica, De B. Virgine, Apostolis Et Festis Totivs Anni In Primis Et Secvndis Vesperis
Alternative. Title
Composer Baudrexel, Philipp Jakob
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 24 Psalms, 26 Hymns, 4 Completoria, 4 Antiphons, 1 Te Deum
Psalmi de Dominica
I. Domine as adiuuandum (Coro I soli, 2 violins, Coro II à beneplacito)
II. Dixit Dominus (Coro I soli, 2 violins, Coro II à beneplacito)
III. Dixit Dominus (8 voices soli, 2 violins à beneplacito)
IV. Confitebor tibi Domine (Coro I soli, 2 violins, Coro II à beneplacito)
V. Beatus vir (Coro I soli, 2 violins, Coro II à beneplacito)
VI. Laudate pueri Dominum (Coro I soli, 2 violins, Coro II à beneplacito)
VII. Laudate Dominum omnes gentes (Coro I soli, 2 violins, Coro II à beneplacito)
VIII. In exitu Israel (Coro I soli, 2 violins, Coro II à beneplacito)
IX. Magnificat (Coro I soli, 2 violins, Coro II à beneplacito)
X. De profundis (Coro I soli, 2 violins, Coro II à beneplacito)
XI. Memento Domine David (Coro I soli, 2 violins, Coro II à beneplacito)
XII. Beati omnes qui timent (Coro I soli, 2 violins, Coro II à beneplacito)
XIII. Confitebor tibi Domine quoniam (Coro I soli, 2 violins, Coro II à beneplacito)
XIV. Lauda Jerusalem Dominum (Coro I soli, 2 violins, Coro II à beneplacito)
XV. Lauda anima mea Dominum (Coro I soli, 2 violins, Coro II à beneplacito)
XVI. Laudate Dominum quoniam bonus (Coro I soli, 2 violins, Coro II à beneplacito)
XVII. Magnificat (Coro I soli, 2 violins, Coro II à beneplacito)
Psalmi de Beata Virgine
I. Domine as adiuuandum (8 voices soli, 2 violins à beneplacito)
II. Dixit Dominus (8 voices soli, 2 violins à beneplacito)
III. Laudate pueri Dominum (5 voices soli, 2 violins, coro II à beneplacito)
IV. Laetatus sum in his (8 voices soli, 2 violins)
V. Nisi Dominus aedificauerit domum (5 voices soli, 2 violins, coro II à beneplacito)
VI. Lauda Jerusalem Dominum (8 voices soli, 2 violins, continuo)
VII. Magnificat (5 voices soli, 2 violins, coro II à beneplacito)
Hymnus de Beatissima Virgine
VIII. Ave maris Stella (5 voices soli, 2 violins, coro II)
Hymnus de Dominica
IX. Lucis Creator optime (5 voices soli, 2 violins, coro II)
Hymnus de St. Augustino
X. Magne Pater Augustine (5 voices soli, 2 violins, coro II)
Hymnus de St. Benedicto
XI. Laudibus Cives (5 voices soli, 2 violins, coro II)
Hymnus pro Festo sanctorum Monarchum Ordinis St. Benedict
XII. Avete solitudinis (5 voices soli, 2 violins, coro II)
Hymnus de St. Dominico
XIII. Gaude Mater Ecclesia (5 voices soli, 2 violins, coro II)
Hymnus de St. Fransisco
XIV. Proles de Caelo (5 voices soli, 2 violins, coro II)
Hymnus de St. Teresia
XV. Regis superni nuntia (5 voices soli, 2 violins, coro II)
Hymnus de pluribus Martyribus tempore Paschali
XVI. Rex gloriose Martyrum (5 voices soli, 2 violins, coro II)
Hymnus de uno Martyre
XVII. Deus tuorum militum (5 voices soli, 2 violins, coro II)
Hymnus de pluribus Martyribus
XVIII. Sanctorum meretis (5 voices soli, 2 violins, coro II)
Hymnus de uno Confessore
XIX. Iste Confessor Domine (5 voices soli, 2 violins, coro II)
Hymnus de Virginibus
XX. Iesu Corona Virginum (5 voices soli, 2 violins, coro II)
Hymnus de Viduis
XXI. Fortem virili pectore (5 voices soli, 2 violins, coro II)
Hymnus de Dedicatione Templi
XXII. Caelestis urbs Ierusalem (5 voices soli, 2 violins, coro II)
Psalmi de Apostolis in secundis Vesperis
I. Domine ad adiuuandum (Coro I soli, 2 violins, coro II à beneplacito)
II. Dixit Dominus (Coro I soli, 2 violins, coro II à beneplacito)
III. Laudate pueri Dominum (Coro I soli, 2 violins, coro II à beneplacito)
IV. Credidi propter (Coro I soli, 2 violins, coro II à beneplacito)
V. In convertando (Coro I soli, 2 violins, coro II à beneplacito)
VI. Domine probasti me (Coro I soli, 2 violins, coro II à beneplacito)
Hymnus de Apostolis
VII. Exultet caelum laudibus (5 voices soli, 2 violins, coro II)
Hymnus de Apostolis tempore Paschali
VIII. Tristes erant Apostoli (5 voices soli, 2 violins, coro II)
IX. Magnificat (8 voices soli, 2 violins)
Completorium
X. Cum invocarem (Coro I soli, 2 violins, coro II à beneplacito)
XI. In te Domine speravi (Coro I soli, 2 violins, coro II à beneplacito)
XII. Qui habitat in adiutoio (Coro I soli, 2 violins, coro II à beneplacito)
XIII. Ecce nunc benedicte (Coro I soli, 2 violins, coro II à beneplacito)
Hymnus
XIV. Te lucis ante terminum (Coro I soli, 2 violins, coro II à beneplacito)
XV. Nunc dimittis (Coro I soli, 2 violins, coro II à beneplacito)
Quatuor Antiphonae
XVI. Salve Regina (5 voices soli, 2 violins, coro II à beneplacito)
XVII. Alma Redemptoris Mater (5 voices soli, 2 violins, coro II à beneplacito)
XVIII. Ave Regina Caelorum (5 voices soli, 2 violins, coro II à beneplacito)
XIX. Regina Caeli (5 voices soli, 2 violins, coro II à beneplacito)
XX.Te Deum laudamus (8 voices soli, 2 violins à beneplacito)
First Publication. 1686
Language Latin
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation See above and below for more information. All contain continuo.

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Note on scoring: The second choir acts as a ripieno ensemble, doubling their counterparts in the first choir at certain points. These are marked in the Choir I parts using the terms "solo" and "tutti". Coro I voices must be considered soloists ("conc." in the index), and Coro II, as a chorus (dispensable according to the index). Organ II is not a separate part but doubles the "Organus" as a reinforcement when Coro II is singing. For certain pieces with 5 and 8 voices solo, the solo parts are found in the Coro II part books. Pieces with 5 soloists feature a second Soprano (Coro II: Soprano) and also ad lib. reinforced choir from Coro II (both sopranos are in unison for the "tutti" sections). In pieces for 8 voices, all voices (Coro I and II) have separate parts and must be considered all soloists. Violins are also ad lib. for some pieces ("con doi viol. & il 2. Choro à beneplacito)

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