Quattro Idoli, O.6 (Verotta, Davide)

Movements/SectionsMov'ts/Sec's 4 movements
Composition Year 2008
Genre Categories Pieces; For marimba; Scores featuring the marimba; For 1 player

Contents

Performances

Recordings

 Movement 1
#947068 - 5.41MB - 2:22 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1×⇩ - MP3 - Davide Verotta

MP3 file (audio)
Davide Verotta (2024/12/28)

 Movement 2
#947069 - 4.48MB - 1:58 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1×⇩ - MP3 - Davide Verotta

MP3 file (audio)
Davide Verotta (2024/12/28)

 Movement 3
#947070 - 7.03MB - 3:04 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1×⇩ - MP3 - Davide Verotta

MP3 file (audio)
Davide Verotta (2024/12/28)

 Movement 4
#947071 - 8.03MB - 3:31 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1×⇩ - MP3 - Davide Verotta

MP3 file (audio)
Davide Verotta (2024/12/28)

Publisher Info. Davide Verotta, 2024.
Performers Anne Szabla
Copyright
Creative Commons Zero 1.0 [tag/del]
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Sheet Music

Scores

 Complete Score
#947067 - 2.29MB, 15 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3×⇩ - Davide Verotta

PDF typeset by Davide Verotta
Davide Verotta (2024/12/28)

Publisher. Info. Davide Verotta, 2024.
Copyright
Creative Commons Zero 1.0 [tag/del]
Purchase
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General Information

Work Title Quattro Idoli
Alternative. Title
Composer Verotta, Davide
Opus/Catalogue NumberOp./Cat. No. O.6
I-Catalogue NumberI-Cat. No. IDV 74
Movements/SectionsMov'ts/Sec's 4 movements:
  1. = 80,  = 128
  2. = 140
  3. = 84
  4. = 56
Year/Date of CompositionY/D of Comp. 2008
First Performance. 2008/06/21
First Publication. 2024
Dedication Giacinto Scelsi
Average DurationAvg. Duration 10 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation marimba

Navigation etc.

Quattro Idoli (Four Idols) is composed of four movements all ending with the same short motive. The sections make very little reference to each other, but at the end of the piece they do so extensively and quite quickly. For a metaphor of the structure of the piece think of it as a four-sided sculpture. One section to each side, and the short motive marking the edges of the sculpture. Now think of the sculpture rotating in front of your eyes but stopping to let you look at each face. Stop - Rotate - Stop - Rotate -Stop - Rotate - Stop. Before it completes a full circle (that is, before it goes back to the first section) it spins quickly to come to a stop on an edge. The edge, the last time you hear the short motive, is all is left of the sculpture.

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