Performances
Sheet Music
Scores
Publisher. Info.
|
Manuscript, n.d.
|
Copyright
|
|
Purchase
|
Javascript is required for this feature.
|
| |
Javascript is required to submit files.
General Information
Work Title
|
Quintet in B-flat major
|
Alternative. Title
|
Quintetto
|
Composer
|
Reichard, Heinrich Gottfried
|
I-Catalogue NumberI-Cat. No.
|
IHR 3
|
Key
|
B-flat major
|
Movements/SectionsMov'ts/Sec's
|
Allegro. Andante. Menuet. Presto assai.
|
Composer Time PeriodComp. Period
|
Classical
|
Piece Style
|
Classical
|
Instrumentation
|
2 violins, viola, cello obligato, cello (unfigured continuo part? ripieno cello?)
|
Navigation etc.
Basso here seems more likely to mean ripieno cello as opposed to concertino cello. Hypothesis: consider that "chamber music" in the early-middle Classical era was as likely to be performed by medium-sized string ensembles as by actual string quartets/quintets - Mozart brought his first few string quartets on tour (K.80 e.g.) with him for performance as string symphonies as-needed - and there was still an element of "concerto grosso" in them (so concertino cello, ripieno cello - though since no other sections are so subdivided- violins I/II doesn't count - hrm. ... ah well. Then again, an "unfigured [basso] continuo" is a contradiction in terms, and not loosely speaking, either. ("Basso continuo" = "continuous bass" uses figurations to provide harmony and bass precisely through such figurations.)