| Movements/SectionsMov'ts/Sec's | one |
|---|---|
| Composition Year | 2006 |
| Genre Categories | Pieces; For violin; Scores featuring the violin; |
Contents |
Complete recording
*#358044 - 14.21MB - 10:21 - (-) - !N/!N/!N - 388×⇩ - MP3 - SalvaTorre
MP3 file (audio)
SalvaTorre (2014/12/27)
|
Viola score
*#357524 - 0.29MB, 16 pp. - (-) - !N/!N/!N - 708×⇩ - SalvaTorré
PDF typeset by composer
SalvaTorré (2014/12/23)
Cello score
*#357523 - 0.29MB, 15 pp. - (-) - !N/!N/!N - 275×⇩ - SalvaTorré
PDF typeset by composer
SalvaTorré (2014/12/23)
|  |
| Work Title | Rugg - for viola or cello or violin |
|---|---|
| Alternative. Title | Rugg pour alto ou violoncelle ou violon |
| Composer | Torre, Salvador |
| I-Catalogue NumberI-Cat. No. | IST 65 |
| Movements/SectionsMov'ts/Sec's | one |
| Year/Date of CompositionY/D of Comp. | 2006 |
| First Performance. | 2009-06-13 |
| Dedication | Omar Hernandez |
| Average DurationAvg. Duration | 11 minutes |
| Composer Time PeriodComp. Period | Modern |
| Piece Style | Modern |
| Instrumentation | viola or cello or violin |
Rugg for viola or cello or violin. ... I carry two parallel lives, one, the everyday’s life with all her chores including that interpretive playing my instrument or even my quotidian relationships, but the other is private, the dreams world, where I feel more comfortable, free, nomadic (I feel much more in touch with my deep, prehistoric, ancient structure) and that's where the creative process is generated, the processes are free ... touring the highlands of my inner self ... would say Deleuse and Guattari ... .. now, after having passed my "Mayan Cycle" in which the form-ratio was the most important point I use the form as a shell that is exchanged like a snake sheds her skin, leaving a structure fossil, reusable or recyclable. Contents individuations not by 'object' as matter and form, but by events found in the fuzzy space as aecceidades ... etc ...
It is the sound itself that matters in this piece, the roughness of the vibration and the amount of vibration, also transients and parasitic phenomena of "malfunctions" (greeting Russolo) are other constituents of sound, thus formants of the same language: Music language.
This work is dedicated to Omar Hernandez Hidalgo who suddenly disappeared from this world leaving a brief but stunning interpretative work on his instrument.
