Performances
Naxos
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Sheet Music
Full Scores
Publisher. Info.
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Manuscript, 1894.
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Copyright
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Misc. Notes
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BNF notice bibliographique. Dated 1894 on the title page.
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Editor
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First edition (later issue)
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Publisher. Info.
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Paris: Durand & Cie., n.d.(1914). Plate D. & Cie. 9031. Photographic reduction of a much earlier (1881) engraving.
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Copyright
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Misc. Notes
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Scanned at 600 dpi
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Editor
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First edition (reprint)
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Publisher. Info.
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Paris: Durand, Schœnewerk & Cie, n.d.[1881]. Plate D.S. & Cie. 2889.
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Reprinted
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Boca Raton: Masters Music, n.d.(1991). Plate Catalog M 1668.
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Copyright
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Misc. Notes
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Publication noted in the Bibliographie de la France 2e série, 70e année, Nº 26, 25 Juin 1881, p.381, r.2495. Issued in March 1881 according to Teller-Ratner.
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Parts
Editor
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First edition (reprint)
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Publisher. Info.
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Paris: Durand, Schoenewerk & Cie., n.d.(ca.1881). Plate D.S. & Cie. 2889.
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Reprinted
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Boca Raton: Masters Music, n.d.(1991). Plate Catalog M 1668.
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Copyright
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Misc. Notes
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The trumpet part in the last movement shows 36 bars' rest followed by 2 bars of cues; the 2 bars are actually included within the 36.
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Arranger
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John Morrison
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Publisher. Info.
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John Morrison, 2020
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Copyright
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Misc. Notes
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Transposition of E♭ Trumpet part for B♭ Trumpet. As with the E♭ part, in the last movement this shows 36 bars' rest followed by 2 bars of cues, but the 2 bars are actually included within the 36.
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Arrangements and Transcriptions
Complete
For Violin, Cello, and Piano
Arranger
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Composer
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Publisher. Info.
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Paris: Durand, Schoenewerk & Cie., n.d.(1881). Plate D.S. & Cie. 2937.
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Copyright
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Misc. Notes
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This file is part of the Sibley Mirroring Project. Issued in November 1881 according to Teller-Ratner p.176.
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For Piano 4 hands (Fauré)
For 2 Pianos
Arranger
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Composer
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Publisher. Info.
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Paris: Durand, Schoenewerk & Cie., n.d.[1881]. Plate D.S. & Cie. 2933. Reissue – Paris: Durand & Fils, n.d.(after 1891). Plate D. & F. 2933.
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Copyright
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Misc. Notes
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This file is part of the Sibley Mirroring Project. This arrangement issued in August 1881 according to Teller-Ratner (p.176.)
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General Information
Work Title
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Septet
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Alternative. Title
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Septuor
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Name Translations
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七重奏曲; Septuor pour cordes, piano et trompette; Septet in E-flat major, Op. 65
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Name Aliases
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Septet in E-flat major for trumpet, two violins, viola, cello, double bass and piano; Septet in E-flat major
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Authorities
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WorldCat; Wikipedia; VIAF: 183280772; LCCN: no97073230; BNF: 13918555x
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Composer
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Saint-Saëns, Camille
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Opus/Catalogue NumberOp./Cat. No.
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Op.65
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I-Catalogue NumberI-Cat. No.
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ICS 209
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Key
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E-flat major
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Movements/SectionsMov'ts/Sec's
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4 movements:
- I. Préambule
- II. Menuet
- III. Intermède
- IV. Gavotte et Final
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Year/Date of CompositionY/D of Comp.
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1879 December-1880 December
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First Performance.
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1880-1-6, La Trompette, Préambule only
1880-12-28, at La Trompette, entire septet (still from manuscript)
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First Publication.
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1881 – Paris: Durand, Schoenewerk & Cie., Plate D.S. & Cie. 2889.
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Dedication
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Émile Lemoine (1840–1912)
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Composer Time PeriodComp. Period
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Romantic
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Piece Style
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Romantic
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Instrumentation
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trumpet, 2 violins, viola, cello, bass, piano
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Discography
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MusicBrainz All Music Guide
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External Links
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Wikipedia article (in French)
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Extra Information
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Benfeld's 2-piano arrangement (which we do not have here) was published in 1902 by A. Durand et fils. Émile Lemoine, civil engineer, founded in 1860 a chamber music society ('La Trompette') and asked Saint-Saëns to contribute a work; this resulted.
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Navigation etc.
Note from Lemoine on the title page of the Saint-Saëns manuscript:
Voici l'historique de ce morceau. Depuis [de] longues années je tracassais mon ami St Saëns en lui demandant de me composer, pour nos soirées de la Trompette, une oeuvre sérieuse où il y ait une trompette mêlée aux instruments à cordes et au piano que nous avions ordinairement ; il me plaisanta d'abord sur cette combinaison bizarre d'instruments répondant qu'il ferait avant un morceau pour guitare et treize trombonnes etc. En 1879 il me remit (le 29 Décembre), sans doute pour mes étrennes, un morceau pour trompette, piano, quatuor et contrebasse intitulé Préambule et je le fis jouer le 6 janvier 1880 à notre première soirée. L'essai plut sans doute à Saint Saëns car il me dit en sortant : "Tu auras ton morceau complet, le Préambule en sera le 1er mouvement." Il a tenu parole et le septuor complet (dont je donne le manuscrit autographe à la bibliothèque du Conservatoire) a été joué pour la première fois le 28 Décembre 1880 (début de nos soirées de la saison). Les artistes étaient : M. Teste (trompette) l'auteur (piano) ; le quatuor MM. Marsick, Rémy, van Waefelghem et Delsart doublé d'un second quatuor : MM. Mendels, Austruy, Wolff et Hegyesi, Contrebasse M. Dereul. Ce septuor peut naturellement se jouer avec un seul instrument pour chaque partie des cordes mais il fait (de l'avis de l'auteur) meilleur effet si le quatuor est doublé ! Il est très beau avec l'orchestre, je l'ai entendu ainsi aux Concerts Colonne.
Paris le 2 avril 1894
E. Lemoine