Stabat Mater, Op.96 (Stanford, Charles Villiers)

Movements/SectionsMov'ts/Sec's	5 movements Prelude Quartet and Chorus: Stabat Mater Interlude Quartet and Chorus: Eja Mater Finale
Composition Year	1906
Genre Categories	Stabat Mater; Religious works; Masses; Sequences; For voices, mixed chorus, orchestra; Scores featuring the voice; Scores featuring mixed chorus; Scores featuring the orchestra; For voices and chorus with orchestra; Latin language; English language

1 Performances
- 1.1 Naxos
2 Sheet Music
- 2.1 Vocal Scores
3 General Information
4 Navigation etc.

Performances

Naxos

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Sheet Music

Vocal Scores

Complete Score
*#164545 - 8.69MB, 136 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 1675×⇩ - Cypressdome

PDF scanned by HathiTrust
Cypressdome (2011/12/14)

Editor	First edition
Publisher. Info.	London: Boosey & Co., 1907. Plate H. 5099.
Copyright	Public Domain [tag/del]
Misc. Notes	Original images: 300dpi, grayscale jpg2000 files approx. 2040 by 2960 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins.
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General Information

Work Title	Stabat Mater
Alternative. Title	A Symphonic Cantata for Soli, Chorus and Orchestra
Composer	Stanford, Charles Villiers
Opus/Catalogue NumberOp./Cat. No.	Op.96
I-Catalogue NumberI-Cat. No.	ICS 91
Movements/SectionsMov'ts/Sec's	5 movements Prelude Quartet and Chorus: Stabat Mater Interlude Quartet and Chorus: Eja Mater Finale
Year/Date of CompositionY/D of Comp.	1906
First Performance.	1907-10-10 - Leeds Musical Festival
First Publication.	1907 – London: Boosey & Co.
Librettist	Jacopone da Todi (attrib.)
Language	Latin / English
Average DurationAvg. Duration	45 minutes
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	Voices: soprano, alto, tenor, bass + mixed chorus (SATB) Orchestra: 3 flutes/piccolo, 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, bass drum, snare drum, cymbals, harp, organ (ad. lib.), strings

Navigation etc.

Written for the 1907 Leeds Festival. The piano arrangement in the vocal score for the two purely instrumental sections (1 and 3) is for piano 4-hands.