Symphony No.5, Op.80 (Van Hoorick, Geert)

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Geert Van Hoorick (2023/8/1)

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Geert Van Hoorick (2023/8/1)

MP3 file (audio)
Geert Van Hoorick (2023/8/1)

MP3 file (audio)
Geert Van Hoorick (2023/8/1)

Publisher Info. Geert Van Hoorick, 2023.
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Sheet Music

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Geert Van Hoorick (2023/8/1)

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Geert Van Hoorick (2023/8/1)

PDF typeset by composer
Geert Van Hoorick (2023/8/1)

PDF typeset by composer
Geert Van Hoorick (2023/8/1)

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General Information

Work Title Symphony No.5
Alternative. Title Symphony No.5 in A major
Composer Van Hoorick, Geert
Opus/Catalogue NumberOp./Cat. No. Op.80
I-Catalogue NumberI-Cat. No. IGV 67
Key A major
Movements/SectionsMov'ts/Sec's 4 movements:
I. Introduction & Allegro
II. Passacaglia
III. Scherzo
IV. Finale
Year/Date of CompositionY/D of Comp. 2023
Average DurationAvg. Duration 32 minutes
Composer Time PeriodComp. Period Modern
Piece Style Romantic
Instrumentation orchestra
InstrDetail
3 flutes (3rd also piccolo), 3 oboes (3rd also English horn), 2 clarinets, 2 bassoons
4 horns, 3 trumpets, 3 trombones, tuba
timpani, bass drum, cymbals, snare drum, tambourine, triangle, glockenspiel, strings

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The Symphony No. 5 is neo-romantic, joyful and extravert. It is scored for a normally sized symphonic orchestra. It consists of four movements. The 1st one is a fast movement in sonata form (but with mixed development and reprise), preceded by a slow introduction. It is based on three themes (a lively and joyful one, a choral and a singing one). The development section starts a bit after 6’00”. The 2nd one is a slow, moving and solemn monothematic movement in the form of a passacaglia. The theme is 16 bars long and there are 9 variations. The 3rd one is a scherzo, characterized by the alternation of a short uprising motif and its development, and a flowing second episode that is developed (marked cavalleresco and with a characteristic recurrent four note-motif in the timpani). The middle section is dancelike (with a beautiful trumpet solo), and somewhat nostalgic. The 4th movement (or finale) is a fast movement in sonata form (but with mixed development and reprise), preceded by a solemn and joyful choral, after which two very distinct themes (one reminding of the fist theme of the first movement, and a rather slow, solemn and moving second theme) are setting the scene. The development section starts around 3'00". A short triumphal coda concludes the symphony. Digital performance using Sibelius 6 and Garritan Personal Orchestra. Score moving videos on my YouTube-channel.