Symphony in C major (Asplmayr, Franz)

Movements/SectionsMov'ts/Sec's 3 movements:
  1. Maestoso Andante - Allegro vivace
  2. Andantino (C minor)
  3. Allegro assai
Composition Year 1776 at the latest
Genre Categories Symphonies; For orchestra; Scores featuring the orchestra

Contents

Performances

Accompaniments

 Oboe 1 (Complete Performance)
#169408 - 6.56MB - 7min, 9sec -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 306×⇩ - MP3 - Fordronnal

MP3 file (audio)
Fordronnal (2012/1/10)

Publisher Info. Ronnal Ford, 2012.
Performers Ronnal Ford
Copyright
Creative Commons Attribution 3.0 [tag/del]
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 Violins I (Complete Performance)
#165422 - 6.55MB - 7:09 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 279×⇩ - MP3 - Matesic

MP3 file (audio)
Matesic (2011/12/18)

Publisher Info. Steve Jones, 2011.
Performers Steve Jones
Copyright
Creative Commons Attribution 3.0 [tag/del]
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 Violins I (Complete Performance)
#830055 - 13.18MB - 7:12 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 13×⇩ - MP3 - Alonso del Arte

MP3 file (audio)
Alonso del Arte (2022/12/24)

 Violins II (Complete Performance)
#830056 - 13.18MB - 7:12 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 11×⇩ - MP3 - Alonso del Arte

MP3 file (audio)
Alonso del Arte (2022/12/24)

 Violas (Complete Performance)
#830057 - 13.18MB - 7:12 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 9×⇩ - MP3 - Alonso del Arte

MP3 file (audio)
Alonso del Arte (2022/12/24)

Publisher Info. Alonso del Arte, 2022.
Performers Rita Torrens
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del]
Misc. Notes Rita recorded these as three mono files, I have put them together as a stereo file with the instruments panned very slightly to the left.
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 Continuo with preliminary beats rendered as percussion notes
#165203 - 13.12MB - 7:09 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 617×⇩ - MP3 - Alonso del Arte

MP3 file (audio)
Alonso del Arte (2011/12/17)

Publisher Info. Alonso del Arte
Performers Finale Kontakt Player
Copyright
Creative Commons Attribution 3.0 [tag/del]
Misc. Notes Low woodblock with triangle for preliminary downbeats, high woodblock for other preliminary beats; snare drum beats eighth notes. This is for the IMSLP Orchestra proposal to substitute for the conductor beating a bar before the orchestra launching into the music. At the start of each tempo region, there are exactly two bars of preliminary beats: note that the second and third movements start on upbeats. That all three movements are in one file should not give the impression that players are expected to do the whole thing in one straight shot; they may split it up into three or four recordings and as long as each tempo region is done as one, the various players will be able to be synchronized after the fact. Also note that the Allegro vivace is here played DottedHalfNote = 70 whereas the score and parts say DottedHalfNote = 90.
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 I. Andante Maestoso - Allegro vivace (continuo only)
#155479 - 4.28MB - 2:20 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 277×⇩ - MP3 - Alonso del Arte

MP3 file (audio)
Alonso del Arte (2011/11/23)

 II. Andantino (continuo only)
#155480 - 4.84MB - 2:38 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 126×⇩ - MP3 - Alonso del Arte

MP3 file (audio)
Alonso del Arte (2011/11/23)

 III. Allegro assai (continuo only)
#155481 - 3.40MB - 1:51 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 128×⇩ - MP3 - Alonso del Arte

MP3 file (audio)
Alonso del Arte (2011/11/23)

Publisher Info. Alonso del Arte
Performers Finale Kontakt Player
Copyright
Creative Commons Attribution 3.0 [tag/del]
Misc. Notes These were meant to synchronize the individual players in my proposal for the IMSLP Orchestra.
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Sheet Music

Full Scores

 Complete Score
#81808 - 0.71MB, 46 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 913×⇩ - Alonso del Arte

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Alonso del Arte (2010/10/15)

Editor Alonso del Arte
Publisher. Info. Alonso del Arte
Copyright
Creative Commons Attribution 3.0 [tag/del]
Misc. Notes Most errors have been corrected, but first violins in measure 88 of the first movement ought to read: B G G G B G. The part has been corrected, but the score will have to wait until I redo the figured bass and touch up minor cosmetic defects, which probably won't be until March 2012. Also, the second horn part, in the Finale, has a mistake that will be obvious to anyone who has ever played natural horn. Also, in the first movement, when the orchestra plays the French sixth chord (V7/V with flat fifth) and the V chord just before the Allegro, both horns are mistakenly written too low; the horns are to participate in the French sixth with concert Cs, and then concert G and D for the V chord. These mistakes will be corrected in both the horn in F and horn in C parts first, and then the score.
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Parts

 Oboe 1
#80807 - 0.17MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 247×⇩ - Alonso del Arte

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Alonso del Arte (2010/10/5)

⇒ 13 more: Oboe 2 • Bassoon 1 • Bassoon 2 • Horn 1 (F) • Horn 1 (C, alternate) • Horn 2 (F) • Horn 2 (C, alternate) • Timpani • Violins I • Violins II • Violas • Cellos • Basses

 Oboe 2
#80808 - 0.17MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 156×⇩ - Alonso del Arte

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Alonso del Arte (2010/10/5)

 Bassoon 1
#80809 - 0.19MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 159×⇩ - Alonso del Arte

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Alonso del Arte (2010/10/5)

 Bassoon 2
#80810 - 0.19MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 153×⇩ - Alonso del Arte

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Alonso del Arte (2010/10/5)

 Horn 1 (F)
#80811 - 0.16MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 188×⇩ - Alonso del Arte

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Alonso del Arte (2010/10/5)

 Horn 1 (C, alternate)
#81043 - 0.17MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 209×⇩ - Alonso del Arte

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Alonso del Arte (2010/10/7)

 Horn 2 (F)
#80812 - 0.16MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 163×⇩ - Alonso del Arte

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Alonso del Arte (2010/10/5)

 Horn 2 (C, alternate)
#81044 - 0.16MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 154×⇩ - Alonso del Arte

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Alonso del Arte (2010/10/7)

 Timpani
#80813 - 0.16MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 164×⇩ - Alonso del Arte

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Alonso del Arte (2010/10/5)

 Violins I
#80898 - 0.21MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 305×⇩ - Alonso del Arte

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Alonso del Arte (2010/10/6)

 Violins II
#80899 - 0.20MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 169×⇩ - Alonso del Arte

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Alonso del Arte (2010/10/6)

 Violas
#80900 - 0.18MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 150×⇩ - Alonso del Arte

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Alonso del Arte (2010/10/6)

 Cellos
#80901 - 0.18MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 250×⇩ - Alonso del Arte

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Alonso del Arte (2010/10/6)

 Basses
#80902 - 0.19MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 162×⇩ - Alonso del Arte

PDF typeset by editor
Alonso del Arte (2010/10/6)

Editor Alonso del Arte
Publisher. Info. Alonso del Arte
Copyright
Creative Commons Attribution 3.0 [tag/del/mrg]
Misc. Notes Horns in F as opposed to in C in the original. At measure 21 in the Finale, second horn should read A G D G, not A G F# G, and likewise at measure 61. The erroneous reading is no problem for the modern horn but is not what Asplmayr intended. It will be corrected in the parts before it is corrected in the score. Technically cello parts are not necessary for this piece. There was an error in the first violins' part: measure 88 of the first movement ought to read: B G G G B G. This has been corrected in the part but not yet in the score. At measure 21 in the Finale, second horn should read D C G C, not D C B C, and likewise at measure 61. The erroneous reading is no problem for the modern horn but is not what Asplmayr intended. It will be corrected in the parts before it is corrected in the score.
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General Information

Work Title Symphony in C major
Alternative. Title
Composer Asplmayr, Franz
Opus/Catalogue NumberOp./Cat. No. RieA ??
I-Catalogue NumberI-Cat. No. IFA 8
Key C major
Movements/SectionsMov'ts/Sec's 3 movements:
  1. Maestoso Andante - Allegro vivace
  2. Andantino (C minor)
  3. Allegro assai
Year/Date of CompositionY/D of Comp. 1776 at the latest
Average DurationAvg. Duration 7 minutes
Composer Time PeriodComp. Period Classical
Piece Style Baroque
Instrumentation orchestra
InstrDetail 2 oboes, 2 bassoons, 2 horns, timpani, strings
Extra Information Apparently for orchestra without cellos. There seems to be no indication for continuo but it would be appropriate for this piece. According to Dennis Monk, there was a working thematic catalog at the time of his edition but it was not yet good enough for publication, so we can only guess it would be something like "Monk C1" for this piece.
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