Movements/SectionsMov'ts/Sec's
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6 volumes:
- Arne: Was ever nymph like Rosamond from Rosamond
- Mr. Gouge: The Ladies' Case
- Anonymous: The last time I came o'er the Moor
- Anonymous: The Solitary Lover
- Greene: Charming Sylvia
- Folk Songs: And this is no mine ain House
- Anonymous: The Modest Concealment
- Anonymous: The Amorous Protector
- Greene: The Fly
- Anonymous: The Complaint
- H.D.: Beauty and Love at variance grown
- W. Powells: The Lover's Plea
- Mr. Vincent: On Chloris's Unkindness
- Festing: The Doubtful Shepherd
- Greene: True Love
- Anonymous: The Ravish'd Lover
- Galliard: As the Moles silent stream
- Lampe: Amelia wishes when she dies from Amelia (1732)
- Mr. Scrimshaw: The Bashful Lover
- Anonymous: The Vicar of Bray
- Sheeles: An Apology for Loving a Widow
- Holcombe: The Happy Man
- Greene: While blooming youth and gay Delight
- Anonymous: The Maid's Request
- Anonymous: Bacchus Defeated
- Anonymous: The Sublime Passion
- Anonymous: The Unhappy Swain
- Anonymous: Celia in a Jessamine Bower
- Greene: Ye happy swains whose Hearts are free
- Anonymous: The Farmer's Son
- Folk Songs: The Lass of Livingstone
- Leveridge: If Love be a Fault
- James V of Scotland (attributed): The Gaberlunzie Man
- Charke: Venus now leaves her Paphian Dwelling from Impromptu Revel Masque
- Charke: Ah, how inviting, ah, how delighting from Impromptu Revel Masque
- Charke: Sweet Linnets, on every Spray from Impromptu Revel Masque
- William Barton (also attributed to Babell): Mariana's Charms wound my Heart
- Anonymous: The Too Curious Swain
- Pepusch: Thirsis, a young and am'rous Swain
- Leveridge: Love's Reward
- Geminiani: A Burlesque to Geminiani's Minuet
- Anonymous: Melinda's Complaint
- Mr. Scrimshaw: When I first saw thee gracefull move
- Thomas Bowman: The Replication
- Morgan (or George Morgan): By shady Woods and purling streams
- Arne: Beneath some hoary Mountain from Rosamond
- Anonymous: The Happy Swain
- Anonymous: O'er the Moor to Maggie
- Anonymous: The Unskillful Lover (A Dialogue)
- Leveridge: Cupid, my Pleasure/Bacchus, my Treasure
- Leveridge: Vain Man to think of Joy on Earth
- Edward Phillips (presumably): Come, be free, my lovely Lasses from The Livery Rake (1733)
- Edward Phillips (presumably): Don't you teize me, let me go from The Livery Rake (1733)
- Anonymous: Since Love is my Foe from The Lover's Opera (1729)
- Greene: Celadon's Jugg
- Anonymous: Advice to the Ladies
- Anonymous: The Blind Boy
- Folk Songs: Dumbarton's Drums
- Carey: Leave leave your folded Flocks in Peace to sleep (A Pastoral)
- "An Eminent Master": Shepherdesses pretty Lasses (A Pastoral)
- Anonymous: Cupid and Charlotte
- Anonymous: The Jolly Bacchanal
- Carey: When Parents Obstinate and cruel from from The Contrivances (referred to as The Scotch Humour)
- Anonymous: The London Lass
- Anonymous: The Coy Lass
- Carey: The Prince of Orange's Welcome
- Burgess Sr. or Burgess Jr.: Damon and Cloe
- Anonymous: Peggy's Mill
- Leveridge: On a Watch hanging at a Bed's Head
- Arne: Charmer of my Soul away from Dido and Aeneas (1734)
- Boyce: What tho' you cannot move her
- Anonymous: The Lofty Beggars
- Anonymous: The Illusion
- Leveridge: The Critical Minute
- Anonymous: The Unwilling Departure
- Anonymous: The Farewell
- Anonymous: Advice to the Unwary
- Anonymous: Happy Myrtillo
- Whichello: The Divine Right of Beauty
- Anonymous: The Young Lover's First Address
- Morgan (or George Morgan): Great Love thou universal King
- Anonymous: Damon and Cloe
- Leveridge: Charming Myra
- Boyce: The Hopeless Swain
- Arne: Soft Desires, glowing fires from Dido and Aeneas (1734)
- Anonymous: The Lady's Complaint for the Departure of her Lover
- Leveridge: Joy to our Sovereign, George, the King
- Lampe: Whilst endless Tears and Sighs declare from Fatal Falshood
- Anonymous: Tweed-side
- William Wheeler: Tell me, my Charmer, prithee do
- Anonymous: The Despairing Lover
- Carey: The Nightingale
- Anonymous: The Amorous Lover
- Anonymous: Advice to Youth
- Anonymous: The Coy Lady
- Anonymous: Oh! what Pleasure will abound from The Lottery (1732)
- Flackton: Clarinda
- Carey: A Hunting Song (The Hounds are all out and the Morning does peep)
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- Carey: Generous Love
- Anonymous: Nector chang'd by the Gods into Punch
- Anonymous: Phillis, the Toast
- Leveridge: Cloe my breast did fire
- Leveridge: Small is the Spot of Earth
- Handel: Phillis be kind and hear my love from English Songs
- Carey: Once for all
- Anonymous: Love and Philosophie
- Folk Songs: Nanny O
- Sheeles: A Sigh
- Anonymous: The Shepherds Complaint
- Mr. Webber: On a Lady throwing Snow Balls
- Anonymous: The Apology
- Mr. Gouge: Hopeless Love
- Anonymous: A Minuet (As on a sunshine summer's Day)
- Anonymous: The Lover's Request
- Leveridge: Damon ask'd me but once
- Lampe: Ah Traitress, wicked, and impure from Amelia (1732)
- Leveridge: Sure ne'er was a Dog so wretched as I
- Anonymous: Mary Scot
- Anonymous: Marian's Complaint
- Leveridge: When Jealous Cupid first survey'd
- Leveridge: A Dialogue between Death and a Dying Person
- Carey: Love and Prudence
- Carey: The Resolve
- Anonymous: The Slighted Lover
- Anonymous: Advice to Clarinda
- Pepusch: Beauty and Musick
- Anonymous: The Jolly Topers
- Anonymous: An Epithalamium
- Mr. Gouge: Phebe
- Anonymous: Trust not Man, for he'll deceive you from Ariadne (possibly Arianna in Creta)
- Anonymous: Linco's Advice to Damon
- Smith: When fair Ophelia tunes her Voice
- Handel: Love ever vanquishing, Hearts softly languishing from Acis and Galatea
- Leveridge: Good Nature Preferable to Wit or Beauty
- Mr. Gouge: Jockey and Jenny
- Anonymous: The Foolish Prude
- Anonymous: A Scotch Dialogue in Imitation of an Ode in Horace
- Mr. Hayward: From cens'ring the State, and what passes above
- Lampe: My charmer's very Name does all my Soul enflame from Amelia (1732)
- Folk Songs: The Queen of May (parody of Over the Hills and Far Away)
- Anonymous: Blink over the Burn, Sweet Betty
- Anonymous: Celia Sighing
- Carey: The Wheedler
- Anonymous: Truth (I have been in Love)
- Anonymous: To Salinda
- Anonymous: The Wish
- Handel: The Dream (Beneath a shady Willow)
- Leveridge: Thanks to the Parson
- Anonymous: The Country Life
- Mr. Gouge: False Philander
- Anonymous: The Fair Emelia
- Handel: I come my fairest treasure (English version of "Non è si vago e bello" from Giulio Cesare in Egitto)
- Anonymous: The Plain Dealer
- Leveridge: The Antidote or the Coquet's End
- Mr. S. H.: An Apology
- Folk Songs: The Birks of Endermay
- Boyce: Fair Silvia
- John Harris: Oft have I Swore I'd Love no more
- Handel: Return fair Maid to Fields and Farms (English version of a minuet aria from Poro, re dell'Indie)
- Leveridge: How servile is the state of Man
- Folk Songs/David Rizzio: Beneath a Beech's grateful Shade (parody of "The bonniest Lass in a' the World")
- Greene: Florimel
- John Hudson: As Granville's soft Numbers, tune Myra's praise
- Anonymous: The Silent Confession
- Festing: To Sallinda
- Handel: Love thou great ruler thee I adore
- John Harris: Since Celia's unkind, and my Passion disdains
- Anonymous: The True Philosophy
- Folk Songs: Love is the Cause of my Mourning
- Howard: While from our Looks, fair Nymph, you guess
- Boyce: The Distracted Lover
- Geminiani: Know, Madam I never was born (text set to a Minuet)
- Leveridge: Old Poets have told us, when they were grown mellow
- Folk Songs: There's my Thumb, I'll ne'er beguile thee
- Whichello: Contentment
- Anonymous: The Merry Baccanallian
- Handel: A Bacchanallian Song (Let's be merry and banish thinking)
- Handel: How is it possible, how can I forbear? (text set to the minuet from the overture of Arianna in Creta)
- Carey: In these Groves with Content and Tranquility
- Howard: The Force of Friendship
- Boyce: Castalio's Complaint
- Carey: A Song in Brittannia
- Anonymous: The Expectation
- Anonymous: On Mr. Duck's Preferment
- Holcombe: Charming Neæra
- Folk Songs: The Bush aboon Traquair
- Anonymous: Why can't You and I be free
- Lampe: The Youngling ravish'd from its Nest from Amelia (1732)
- John Harris: Let longing Lovers sit and pine
- Folk Songs: The Lass of Peaty's Mill
- Anonymous: The Coquet
- Dieupart: The Female Phaeton
- John Harris: A Life without Trouble
- Ariosti: The Passionate Lover (English text set to an air)
- Leveridge: A Hunting Song (The sweet Rosie morn peeps over the Hills)
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- Handel: Beauteous Nymph, far hence be gone (English version of "Secondaste al fine, oh stelle" from Il pastor fido)
- Folk Songs: Bonny Jean
- Anonymous: The Expostulation
- Handel: Myra, no more beguile (English version of "Dimmi, cara" from Publio Cornelio Scipione)
- Anonymous: A Lover's Excuse for his Inconstancy
- Anonymous: A Song on the Prince and Princess of Orange
- Carey: Crowds of coxcombs thus deluding
- Smith: When absent from the Nymph I love
- Lampe: Men born on Earth like other brutes from Timon in Love (1733)
- Anonymous: To Salinda
- Anonymous: Advice to Chloe
- Smith: Ten Years, like Troy, my stubborn Heart
- Mr. Gladwin: When charming Cloe gently Walk's
- Folk Songs: Farewell to Lochaber
- Anonymous: A Civil Truth
- Lampe: I'll court the fair Idols no more to comply
- Lampe: From the Age of fifteen we Women 'tis true from Timon in Love (1733)
- Anonymous: Ye Gentle Gales that fan the Air
- Greene: On Princess Amelia (Ye Nymphs of Bath)
- Anonymous: The Diffident Lover
- Anonymous: Hymen in Chains
- Greene: Ah! Syren charmer, turn again
- Handel: Go, Cupid, flatt'ring Chit (English version of "Sì, caro, ti stringo al fin" from Admeto)
- Carey: Divinest Fair, oh ease my Care
- Anonymous: Apollo and Daphne
- Folk Songs: Sleepy Body
- Lampe: Farewell Amelia lovely Fair
- Folk Songs: The Wrangling Lovers
- Anonymous: The Happy Lover
- Folk Songs: The Spinning Lass
- Handel: The Slighted Swain from English Songs
- S. G.: The Lady's Dream
- Anonymous: Charming Cloe
- Anonymous: Who, to win a Woman's Favour from Columbine Courtesan (1739)
- Anonymous: The Determin'd Nymph
- Folk Songs: Hap me with thy Petticoat
- Carey: A Song in Brittannia (Noble stranger, I approve thee)
- Handel: Lovely Belinda, wonder of Nature (English version of "Sciolga dunque al balla, al canto" from Parnasso in festa)
- Bononcini: Observe yon tunefull Charmer (likely an English version of an aria from an opera)
- Mr. Seedo: Hampstead
- Smith: The Night was still, the Air serene
- Hayes: As Sappho cross'd the Dang'rous sea
- Lampe: The Premonition
- Folk Songs: The Peremptory Lover (parody of "John Anderson my Jo, John")
- Nares: Long from th'assaults of Cupids Arms
- Folk Songs: With broken words, and downcast eyes
- Richardson: Wanton gales that Fondly play round
- Travers: The Protestation
- Samuel Cooke: The Dream
- Bononcini: 'Tis my Glory to adore you (English version of "Per la gloria d'adorarvi" from Griselda)
- Geminiani: The Sympathizing Heart (likely English text set to a minuet)
- Handel: God of Musick, charm the Charmer (English version of an aria from Rodelinda, regina de' Longobardi)
- Folk Songs: The Bob of Dunblane
- Carey: The Happy Nuptials
- "A Gentleman:" The Beautiful Amanda
- Anonymous: Ye Gods! was Strephon's Picture blest
- Anonymous: Flora's Holliday
- Arne: In that dear hope how many live
- "A Scholar of Mr. Careys:" Strephon Request
- Smith: To fight in your Cups and a buse
- Mr. Sam's: Within a solitary Grove despairing
- Anonymous: The Agreement of the Gods
- Handel: Strephon's Complaint from English Songs
- Lampe: If Bounteous Nature e'er had meant
- Carey: Lovely ruler of my Heart
- Handel: A Dialogue (Men are all Traytors/Women are fickle)
- Anonymous: The Inconstant Swain
- Anonymous: A Drinking Song (Ev'ry Man his Scepter take)
- Mr. Sam's: No more shall Meads bedeck'd with flowers
- Ramsay: The Soldier's Welcome Home (Auld Lang Syne)
- Mr. Webber: Cloe's Advice to Strephon
- Pepusch: When severest woes Impending from Perseus and Andromeda (1717)
- Handel: Lamenting, complaining of Celia's disdaining (English version of "V'adoro, pupille" from Giulio Cesare in Egitto)
- Richardson: Thou rising sun whose gladsome ray
- Anonymous: The mournfull Shepherd
- Greene: The sun was sunk beneath the Hill
- Handel: The Beauteous Cloe (English version of an aria from Ottone, re di Germania)
- Anonymous: Through the Wood Laddie
- Bononcini: The Invocation (likely an English version of an aria from an opera)
- Mr. D.: Love is a pretty thing
- S. G.: Fly false Man deceiver go
- Bononcini: Dear Pritty Maid, don't fly me so (likely an English version of an aria from an opera)
- Leveridge: The Roast Beef of Old England
- "An Eminent Master:" Tho' Fate decrees that we must part
- Anonymous: A Drinking Song (Fill the Bowl with streams of Pleasure)
- Carey: A Dialogue (My Cares, my Dangers all are past)
- Folk Songs: Muirland Willie
- Lampe: The Amorous Protestation
- Greene: Henry and Katherine
- Handel: Come to my Arms my Treasure (English version of an aria from Ottone, re di Germania)
- "A Gentleman of Oxford:" To a Young Lady Weeping
- Carey: Oh Jealousy Thou raging Pain
- Lampe: The Faithfull Lovers' Farewell
- John Hams: Why Cloe will you Author be
- D. Fox: The Complaint
- Carey: Would you live a stale Virgin forever
- Anonymous: A Hymn to Venus
- Carey: A Hunting Song (Hark! away, 'tis the merry ton'd Horn)
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- Handel: Stay, shepherd, stay (likely English text set to a minuet)
- Mr. Sams: Lucinda, close or veil those eyes
- Mr. Scrimshaw: The heavy hours are almost past
- Carey: Roger's Courtship
- Mr. Sams: How happy are they, are belov'd and obey
- Anonymous: A Song on Princess Amelia
- Anonymous: When yielding first to Damon's flame
- Lampe: The Fond Shepherdess
- Folk Songs: My Apron Deary
- Smith: Why cruel creature, why so bent
- Handel: Cloe when I view thee smiling (text set to Minuet I of Water Music Suite No.3)
- Carey: Haste haste ye little loves
- Purcell: Cynthia frowns when ere I woo her from The Double Dealer (1693)
- Anonymous: Galla Shiels
- Anonymous: The Expostulation
- Handel: See, see, my charmer flyes me (English version of "Amante stravagante" from Flavio, re de' Longobardi)
- Sigr. Verdini: Take advice, my gallant sailor
- Leveridge: The Faithful Mariner
- Munro: The Reproach
- Mr. Scrimshaw: Ah! how sweet it is to love
- Folk Songs: The Bonny Scot
- Anonymous: The Mock Song (The Italian nymphs and swains)
- Whichello: The Charms of Beauty
- Pepusch: A Sea Song (Hark, hark, methink I hear the seamen call)
- Anonymous: The Happy Meeting
- Handel: Gazing on my idol treasure (English version of "Venere bella" from Giulio Cesare in Egitto)
- John Harris: Caelia with an artful care
- Bononcini: Kind Cupid now relieve me (English version of "Volgendo a me lo sguardo" from Griselda)
- Young: The gentry to the kingshead go
- F.R.: Revengeful thoughts on Cloe's pride
- Lampe: Oh joy abate thy tide
- Handel: The Sailor's Complaint from English Songs
- Anonymous: Ye happy nymphs, whose harmless hearts
- Carey: A Yorkshire Song (I am in truth, a country youth)
- Mr. Sams: The Jealous Lover
- D. Fox: The Perplex'd Lover
- Folk Songs: Broom of the Cowdenknowes
- Smith: When lovers for favour petition from Teraminta (1732)
- Boyce: Of all the torments, all the care
- Carey: Cease to persuade nor say you love sincerely
- Leveridge: Put briskly round the sparkling glass
- Munro: Heaven's offspring, beauty rare
- Carey: See the radiant Queen of Night
- Anonymous: Wherever I am and whatever I do
- Sigr. Verdini: Dear Sally, thy charms have undone me
- Leveridge: When our hearts are new kindl'd
- Anonymous (possibly Carey): O Bartledom Fair from The Honest Yorkshireman (1736)
- Carey: When did you see any falsehood in me
- Folk Songs: The Yellow Hair'd Laddie
- Anonymous: The Power of Love
- Mr. Sams: When gazing on his Phillis' eyes
- Handel: Strephon in vain thou courtest occasion (English text set to the minuet from the overture of Rodelinda, regina de' Longobardi)
- Anonymous: Advice from Bacchus
- Alcock Sr.: My love was fickle once and changing
- Handel: No no no more complain (likely an English version of an aria from an opera)
- Boyce: Would we attain the happiest state
- D. Fox: Cupid, since my heart you've wounded
- Handel: Bacchus one day gayly striding from English Songs
- Anonymous: Colin's Request (set to a Scottish air)
- Anonymous: Thomas and Harry (The Batchelor's Advantage)
- Anonymous: Love and Innocence
- "An Eminent Master": Thou only charmer I admire
- Folk Songs: Scornful Nancy (Nancy's to the green wood gane)
- Leveridge: I see she loves, tho virgin shame
- "An Eminent Master": 'Tis thee I love, I'll constant prove
- Boyce: The Adieu to the Spring Gardens at Vauxhall (The sun now darts fainter his ray)
- Anonymous: The Bacchanals
- William Hodson: The Suppliant Lover
- Handel: O Cupid, gentle Cupid, in pity ease my pain (likely English version of an aria from an opera)
- Anonymous: The Country Girl's Farewell
- William Hodson: Unfortunate Celia
- Folk Songs: Fye, gar rub her ower wi' strae
- Anonymous: The Nut-Brown Maid
- Mr. James: The Friendly Advice to Brunetta
- Galliard: You follow but in vain my love
- Alcock Sr.: When ere for each other we feel
- Anonymous: The Conquest (Strephon a young unthinking Swain)
- Anonymous: The Country Delight (The Useful Plow)
- Thomas Bowman: The Scotch Lass
- Handel: Why this talking still of dying (likely English text set to a minuet)
- Carey: The Modern Beau
- Dieupart: Advice to Celia
- Mr. Wilson: To thee, oh gentle sleep, alone
- Lampe: Did ever lover thus compel from Columbine Courtesan (1739)
- Purcell: To Cloe (What is power, what a crown)
- Mr. Wilson: Florella (Why will Florella, when I gaze)
- Mr. Sams: In person so pretty, in converse most witty
- Mr. Sams: The Maid's Request
- Anonymous: Corydon's Complaint (set to a Scottish air)
- D. Fox: Cloe my dear when you are nigh
- Anonymous: The British Muses (An Ode)
- Mr. Sams: The Extreams
- Folk Songs: The Highland Laddie
- Whichello: What is there in this foolish life
- Mr. Sams: Phillis I can ne're forgive it
- Carey: A Touch on the Times
- Anonymous (possibly Gay): There was a swain full fair from The Wife of Bath (1713)
- Carey: A Hunting Song (Away, away, we've crown'd the day) from Apollo and Daphne (1726)
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- Handel: To a Nightingale (text set to the musette from the overture of Alcina)
- Handel: Charming Monimia (text set to the minuet from the overture of Arianna in Creta)
- Folk Songs: The City Ladies and Country Lass
- Handel: O beauteous queen, unclose those eyes from Esther
- Lampe: Sylvia to Alexis
- Anonymous: A Song to Delia
- Folk Songs: Bonny Christy
- Anonymous: Love and Wine United
- Anonymous: The Snake in the Grass
- Folk Songs: John Hay’s Bonny Lassie
- Lampe: Love is not to be Concealed
- Alcock Sr.: Was ever passion cross’d like mine from Rosamond (c. 1732)
- Anonymous: The Artifice
- Handel: Wine’s a mistress gay and easy (English version of “Le profonde vie dell’onde” from Ottone, re di Germania)
- Mr. Wilford: Would fate to me Bellinda give
- Mr. Markwell: The Declaimer
- Burgess Sr. or Burgess Jr.: Love, thou dear but cruel tyrant
- Lampe: It is not being six foot high
- John Bowman (possibly): Ancient Phillis has young graces from The Double Dealer (1693)
- Handel: Would you gain the tender creature from Acis and Galatea
- Anonymous: Colin’s Request
- Anonymous: The Surrender
- Folk Songs: Willy’s Rare and Willy’s fair
- Handel: While I press my idol goddess (likely an English version of an opera aria)
- Lampe: Love is often cursed in wooing
- Galliard: Vain were graces, blooming faces from Apollo and Daphne (1726)
- Carey: The Batchelor’s Wife from The Contrivances
- Lampe: Apollo’s Advice
- Munro: Happy Dick
- Galliard: Though envious old age seem in part
- “The Lady”: Applepye
- Mr. Markwell: Dear Chloe attend to th’advice of a friend
- Mr. Sams: To Mirtilla (Thou all that I shall e’er admire)
- Anonymous: To you fair nymphs as yet unwed
- Mr. Sams: When frost and snow does cover the ground
- Anonymous: Unrelenting dearest creature
- Lampe: Though times no longer look serene
- Folk Songs: Maggie’s Tocher
- Lampe: Love’s a fond deluding passion from Timon in Love (1733)
- Lampe: Once beast and gods alone had right from Timon in Love (1733)
- Alcock Sr.: How faint a joy the maid imparts
- Handel: As Celia’s fatal arrows flew from English Songs
- Samuel Cooke: The Soldier’s Farewell
- Munro: My goddess Celia heavenly fair
- Handel: Thyrsis afflicted with love and despair (text set to the minuet from Water Music Suite No.1)
- D'Urfey (possibly): Jenny’s Lamentation from The Royalist (1682)
- Alcock Sr.: On Mr. Handel
- Lampe: Cupid Defeated by Cloe at Bath
- Folk Songs: Sae merry as we have been
- Leveridge: The Happy Pair
- Handel: The Satyr’s Advice to a Stock-Jobber from English Songs
- Alcock Sr.: Mistaken fair lay Sherlock
- Leveridge: Cloe’s a goddess in the groves
- Alcock Sr.: As Cloe o’er the meadow passed
- Folk Songs: An thou were my ain thing
- Purcell: Fairest isle, all isles excelling from King Arthur
- Munro: The Retirement
- Anonymous: The Free Mistress
- Handel: Since thus you slight my pain (English version of “Se non mi vuol amar” from Tamerlano)
- Mr. Scrimshaw: Oh how could I venture to love one like thee
- Anonymous: Dame Jane, or the Penitent Nun
- Anonymous: Hero and Leander
- Anonymous: Fair and soft and gay and young
- Folk Songs: The Carle Came O’er the Croft
- Lampe: Patience is vanished far away
- Pepusch: As swift as time put round the glass
- Handel: Hopes beguiling, pleasures smiling (likely an English version of an opera aria)
- Edward Purcell: Damon’s Repulse
- Hemming: Boast not, mistaken swain, thy art
- Leveridge: Shou'd I Once Change My Heart from Aesop (1697)
- Handel: Not, Cloe, that I better am from English Songs
- Galliard: The Early Horn from The Royal Chace (1736)
- Lampe: The Humble Admirer
- Carey: O leave me to complain from The Contrivances
- Lampe: Dearest everlasting blessing
- Dieupart: Lotharia
- Whichello: An Ode (No, no, ‘tis in vain)
- Sheeles: The Constant Swain and Virtuous Maid
- Stanley: I feel new passions rise from 3 Cantatas and 3 Songs
- Anonymous: William and Margaret
- Folk Songs: The Delighted Toper
- Carey: Sooner than I’ll my love forego
- Lampe: The Spring Wish
- Anonymous: The Oxfordshire Match
- Carey: Hark, hark, the huntsman sounds his horn from Apollo and Daphne (1726)
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- Handel: If love my dearest treasure (English version of “S’e tuo piacer, ch’io mora” from Atalanta)
- Anonymous: The Unhappy Lover
- Greene: The Bonny Seaman (Fair Sally)
- Anonymous: Hallow E’en (Why hangs that cloud upon thy brow)
- Leveridge: The Constant Lover
- Greene: Good Advice (Why all this whining, why all this pining)
- Dieupart: The Way to Content
- Mr. Vincent: On a Lady Stung by a Bee
- Anonymous: The Milk Maid
- Sheeles: The Vanity of Riches
- Anonymous: To the Disconsolate Doris
- Folk Songs: Katherine Ogie
- Anonymous: The Perfections of True Love (There liv’d long ago in a country place), possibly from Achilles (1733)
- Edward Purcell: Tis not your outward charms alone
- Courteville: The Charms of Bright Beauty
- Mr. Vincent: I envy not the proud, their wealth
- Arne: Love Relaps'd
- Mr. Markwell: Love Preferable to Liberty
- Folk Songs (possibly): A Lapland Song (Thou rising sun, whose gladsome ray)
- Leveridge: Celia mistake not my design
- Leveridge: Happiness in Content (Like those in favour with their stars)
- Folk Songs: One day I heard Mary say
- Folk Songs: Down the Burn Davie
- Leveridge (possibly): The Wheel of Fortune
- Galliard: Jolly mortals, fill your glasses
- Folk Songs: Polwart on the Green
- Folk Songs: A Health to Betty
- Anonymous: The Toper (A curse on all care, we’ll never despair)
- Sheeles: Kind Ariadne drowned in tears
- Pepusch: Good Advice to a Young Lady (If you, by sordid views misled)
- Whichello: Oh, forbear to bid me slight her
- Handel: O what a fool was I at Celia’s feet to lie (likely an English version of an opera aria)
- Handel: Love, o love, inspire my soul (English version of “Si, si, mel raccordero” from Atalanta)
- Anonymous: Ye virgin powers defend my heart
- Folk Songs: The Fond Meeting (set to “The night her blackest sable wore”)
- Folk Songs: Gilderoy
- Galliard: The Advice (The lass that would know how to manage a man)
- Folk Songs: Corn Riggs are Bonny
- Anonymous: If music be the voice of love
- Folk Songs: The Auld Goodman
- Howard: Cupid Deceiv’d (Young Cupid thought from Cloe’s eyes)
- Anonymous: On Vauxhall (The crowded mall that used to shine)
- Folk Songs: The Female Bone Setter (set to “A cobbler there was”)
- Hayden: As I saw fair Clora walk alone
- Alcock Sr.: Restrained from the sight of my dear
- Handel: While Celia is flying poor Damon is dying (likely an English version of an opera aria)
- Howard: The Doubtful Swain (Tell me dear charmer tell me why)
- Howard: To Amanda (Forever fortune wilt then prove)
- Folk Songs: John Ochiltree
- Anonymous: Hymn to Venus (O Venus beauty of the skies)
- Anonymous: Ye gods if e’er it prove my lot
- Anonymous: The Garland (The pride of every grove I chose)
- Folk Songs: O’er Bogie
- Folk Songs: The Cock Laird
- Folk Songs: Peggy I must love thee
- Folk Songs: Auld Rob Morris
- Anonymous: Again the god shall woo thee from The Drummer/The Rape of Proserpine (1731-1732)
- Folk Songs: The Toast (set to “Saw ye my Peggy”)
- Folk Songs: Young Philander (set to “The Peer of Leith”)
- Pepusch: Dorinda (Fame of Dorinda’s conquests brought)
- Folk Songs: A lass that was loaden with care
- Folk Songs: My dearie if thou die
- Folk Songs: Cromlet’s Lilt
- Dieupart: Love’s Occultist
- Hayes: The Lass of Bromhall Green from 12 Arietts or Ballads and 2 Cantatas
- Mr. Sandford: Constancy (I cannot change as others do)
- Anonymous: The Country Wife’s Complaint (You nymphs that would true pleasure learn)
- Folk Songs: The Widow
- Folk Songs: The Wawking of the Faulds
- Anonymous: Cosmelia (Cosmelia’s charms inspire my lays)
- Folk Songs: Logan Water
- Leveridge: Old Age (Oft I’m by the women told)
- Folk Songs: My Soger Laddie
- Folk Songs: Jocky said to Jenny
- Handel: Charming Cloris (Ask not the cause why sullen spring) (possibly an English version of an opera aria)
- Folk Songs: Willy was a wonton wag
- Folk Songs: Willie Winkie’s Testament
- Folk Songs: Etrick Banks
- Munro: Gold’s Superiority in Love
- Lampe: The Deceiv’d Shepherd
- Folk Songs: Johnny and Nelly
- Richard Osborne: An Ode to Iris
- Folk Songs: She raise and loot me in (The night her silent sable wore)
- Folk Songs: The Bonny Lass of Branksome
- Sheeles: Zephir who with spring returning (text translated from Vivaldi’s Farnace)
- Anonymous: Patie and Peggy
- Folk Songs: The Glancing of her Apron
- Lewis Ramondon: She would and she would not
- Folk Songs: Had Away Frae Me Donald
- Betts: Fair Cloe Weeping
- Anonymous: The Ladies’ Lamentation for the Loss of Senesino
- Betts: A Fair Maid Throwing a Snowball
- Folk Songs: The Bonny Earl of Murray
- Anonymous: Sappho’s Hymn to Venus (O Venus beauty of the skies)
- Folk Songs: For Our Lang Biding Here
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