The Grave of Flora (Tucker, Henry L.)

Movements/SectionsMov'ts/Sec's 2 connected
First Publication 1855 – New York: Firth, Pond & Co.
Genre Categories Ballads; Secular choruses; Choruses; For voice, mixed chorus, piano; For voices and chorus with keyboard; Scores featuring the voice; Scores featuring mixed chorus; Scores featuring the piano; English language

Contents

Performances

Recordings

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Synthesized/MIDI

 Synthesized Performance
#375277 - 0.01MB - 1:26 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 20×⇩ - MID - Rah9639

MID file (audio/video)
Rah9639 (2015/4/24)

Publisher Info. Robert A. Hudson
Performers Robert A. Hudson
Copyright
Creative Commons Attribution 4.0 [tag/del]
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Sheet Music

Scores

 Complete Score
#212594 - 0.82MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 99×⇩ - Schissel

PDF scanned by US-Wc
Schissel (2012/4/30)

Publisher. Info. New York: Firth, Pond & Co., 1855. Plate 8861.
Reprinted [s.l.]: Mrs. Henry Tucker, 1883.
Copyright
Public Domain [tag/del]
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 Complete Score
#375276 - 0.05MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 69×⇩ - Rah9639

PDF typeset by editor
Rah9639 (2015/4/24)

Editor Robert A. Hudson
Publisher. Info. Robert A. Hudson
Copyright
Creative Commons Attribution 4.0 [tag/del]
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General Information

Work Title The Grave of Flora
Alternative. Title Ballad & Chorus
Composer Tucker, Henry L.
I-Catalogue NumberI-Cat. No. IHT 39
Key A major
Movements/SectionsMov'ts/Sec's 2 connected
Text Incipit How bright was the morning though gloomy the day
First Publication. 1855 – New York: Firth, Pond & Co.
Librettist John S. Farrenberg (fl.1849–fl.1859?)
Language English
Dedication Matt Peel, Esq. (1830–1859)
Average DurationAvg. Duration 4 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Voice, chorus, piano

Navigation etc.

"John Farrenberg of West & Peel's Campbell Minstrels". Middle initial S. from page 107 of Burnt Cork and Tambourines: A Source Book of Negro Ministrelsy (William L. Stout) (assuming this member of Putnam, Wright & Masters is the same person. It is true that Farrenberg helped form another group in the same year 1859, so it might not be the same! Alto J.E. Farrenberg, on page 102, may have been a female relative- or a male relative who sang in a high voice...)

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