Movements/SectionsMov'ts/Sec's | 5 Sections:
|
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First Publication | 1917 – New York: Carl Fischer |
Genre Categories | Secular cantatas; Cantatas; For 2 voices, female chorus, percussion, piano; |
Work Title | The Mischianza |
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Alternative. Title | The mischianza : a cantata for women's voices with piano accompaniment (tambourin and castanets, ad lib.) : [op. 34] / Camille W. Zeckwer ; text by Richard J. Beamish ; vocal score. |
Composer | Zeckwer, Camille W. |
Opus/Catalogue NumberOp./Cat. No. | Op.34 |
I-Catalogue NumberI-Cat. No. | ICZ 1 |
Key | C major |
Movements/SectionsMov'ts/Sec's | 5 Sections:
|
First Publication. | 1917 – New York: Carl Fischer |
Librettist | Richard Joseph Beamish (1869–1945) after a section in the novel "Hugh Wynne" by Silas Weir Mitchell (1829–1914) |
Language | English |
Dedication | Dr. Herbert J. Tily (1866–1948) |
Composer Time PeriodComp. Period | Romantic |
Piece Style | Early 20th century |
Instrumentation | Soprano, alto solos, Chorus SMA, percussion, piano (see below?) |
Score is described as "vocal score" but no accompaniment is specified other than "piano accompaniment" (and percussion, which is also shown in the score, e.g. Tambourin and Castanets in the Chorus of Dancers: Minuet) in any case.
The story (The Mischianza- not the book from which the episode is excerpted) concerns the departure of Admiral Howe from the colonies-soon-to-be-a-nation, and the party and dance that resulted. (This is explained better in the score!)