Trio for Strings (Davidson, Robert)

Movements/SectionsMov'ts/Sec's 1
Composition Year 1998
Genre Categories Trios; For violin, viola, double bass; Scores featuring the violin; Scores featuring the viola; Scores featuring the double bass; For 3 players

Sheet Music

Scores

 Complete score
#03461 - 0.97MB, 24 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 4662×⇩ - Robert Davidson

PDF typeset by composer
Robert Davidson (2007/1/29)

 Violin
#03464 - 0.38MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1258×⇩ - Robert Davidson

PDF typeset by composer
Robert Davidson (2007/1/29)

 Viola
#03463 - 0.36MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 945×⇩ - Robert Davidson

PDF typeset by composer
Robert Davidson (2007/1/29)

 Double bass
#03462 - 0.29MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1558×⇩ - Robert Davidson

PDF typeset by composer
Robert Davidson (2007/1/29)

Publisher. Info. Australian Music Centre
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del/mrg]
Misc. Notes
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General Information

Work Title Trio for strings
Alternative. Title
Composer Davidson, Robert
I-Catalogue NumberI-Cat. No. IRD 32
Movements/SectionsMov'ts/Sec's 1
Year/Date of CompositionY/D of Comp. 1998
First Publication. 1998
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation violin, viola, double bass

Navigation etc.

Program Note: I came to write a trio for violin, viola and double bass partly out of a desire to play in such a trio myself as a bassist. It is a particularly resonant ensemble, and the bass is free to occupy a wide range with no cello as competition.

Throughout the piece, several strands of time are heard simultaneously, marked out by the three players individually. Similarly, there are often several tonalities gently layered together in strata.

Each performer spends substantial time in improvisational flights, departing from the constraints marked out in other sections of the music. These constraints often take the form (in my mind) of small spinning cogs in a complex machine (the cogs being self-focused repeating figures).

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